The queen's mouth is open
Chapter 2877
Chapter 2877
After this woman got married, she took over all the affairs of the scholar's mansion, became the sovereign mistress, and quickly became pregnant.
When the son was born, the woman's husband had already reached the end of his strength, and he was breathless after holding on to the son.
From then on, while teaching and pulling her son, the woman started a small business with the family money, and the gold shop she opened was quite famous in the whole capital.
Unlike other women trapped in the boudoir or her husband's house, she seems to have always been unrestrained and unrestrained, and is living well in her own way——
Since she can't escape the fate of not marrying, she will find a man who is dying, and as long as her husband is killed, she can no longer marry in the name of being a widow.
Since her husband is going to die, she will not be able to survive without an offspring. In this case, she should give birth to one, so as to silence her mother's mouth.
In this way, if she came to make money, the son would be responsible for supporting her until the end of her life. Compared with those wives, her life was not much happier.
This character is called Xie Wanniang, which is deliberately taken to be ironic.
Everyone in the world hopes that a woman is proficient and gentle, and there is a word "Wan" in her name, but in fact, neither the things she does nor her character have much to do with the word "Wan".
Xie Wanniang's main roles are as follows: a stunning appearance, making the masters and young masters present stare at him.
The family arranged her marriage with the widower, but she insisted on resisting and threatened——
"You want me to marry that old man? Believe it or not, I dare to take off my clothes and run around the mansion right now. In this way, the Xie family will lose all face, and no woman will dare to marry Xie's son again!"
The Xie family also had three young masters who were young and never married. Upon hearing her words, Mrs. Xie's eyes darkened with anger, and she almost fainted.
In the third scene, she asked someone to inquire about the condition of the seriously ill bachelor, and secretly glanced at him.
After seeing each other and confirming that he is indeed seriously ill, and his appearance is pleasing to the eye, he nodded and decided: "It's just him, the sooner the marriage, the better."
The next thing was the wedding, but because the Xie family thought she was ashamed, and she was too eager to get married, she didn't have time to make arrangements, so Jane did it, and Jane didn't need to show her in the scene.
Just using lines and people's comments, it shows that she has passed the door.
In another scene, Xie Wanniang is pregnant, but still deftly directs the maid to do things, while her husband is already lying down and can hardly move.
In the last scene, Xie Wanniang's husband has left, and the hostess goes to visit her at her home.
Then I found that this woman, who was already famous for her looks, became more calm and ostentatious after marriage, which was quite different from those women who fought with concubines all day long.
There is a nanny at home to take care of the son, she has no mother-in-law to serve, and no sister-in-law to deal with. She only has to worry about the business in the shop every day and walks with other wives to drink tea and chat with each other, not to mention how pleasant life is!
In the play, Xie Wanniang and the heroine were not familiar with each other when they were in the boudoir, but only met each other a few times.
But later, after witnessing her deeds, the heroine admired this ambitious and courageous woman very much, and instead became acquainted with her after marriage.
The heroine was once in distress, and Xie Wanniang generously borrowed money to help when she was in urgent need of money, which made the heroine even more grateful.
Jiang Xiaobai was thinking about how to play the role of Xie Wanniang when he got the script. She seems to be different from the roles Jiang Xiaobai played before.
Xie Wanniang has some potential for crazy criticism. She is crazy and crazy. It can be seen from the time she dared to say that she took off her clothes and went for a run outside. This kind of speech is tantamount to shocking the world.
But this kind of crazy and crazy judgment is given by the world, and it defines her from the perspective of a woman.
In fact, she is sober and calm, can judge the situation, and is very wise.
After thinking about her image, Jiang Xiaobai brought out the essence of Xie Wanniang when he acted in Xie Wanniang's first appearance——
Walk with the wind and be high-spirited.
When other women walk in small steps and smile without showing their teeth, she is like that wild wind, and when she passes by others, she passes by like a gust of wind.
When chatting with other daughters, she is generous and confident, and her sitting posture is different from others.
It's kind of like playing a female general.
This kind of performance even exceeded the director's expectations, because what Yu Cheng originally thought was that this woman was not much different from other daughters, but she looked brighter and spoke louder.
But after watching Xie Wanniang performed by Jiang Xiaobai, Yu Cheng said——
"So this is Xie Wanniang."
It's not that Yu Cheng doesn't understand, but he looks at this kind of daughter from a male perspective, and thinks that being bright and loud is already different for them.
But Jiang Xiaobai felt that Xie Wanniang could be more different, she was actually despised by many people.
The decent wives and those with high family status look down on her, thinking that she is not polite and not skilled enough.
The other women in the boudoir also felt that she was too shocking and incompatible with etiquette.
But following Xie Wanniang's series of experiences, those daughters who were "contemporaneous" with her gradually changed their views.
Only when they are married and have been tortured by their husband's family, will they understand that Xie Wanniang's life is something they can't wait for.
They have their parents-in-law to serve them, and their husbands have Yingying and Yanyan competing for favor. At the same time, none of the uncles and sister-in-laws can worry about it.
You have to worry about the children, so that they won't be compared to the younger brothers and younger sisters!
"Everyone laughs at Xie Wanniang, everyone envies Xie Wanniang." Jiang Xiaobai said this when chatting with director Yu Cheng.
Laughing at her stupidity, it's not good to marry anyone, but marry a dying bachelor.
But in fact, Xie Wanniang has no intention of getting married at all!
Because of her beauty, she has faced the covetousness of too many men, and she has also seen their ugly appearance.
On the outside, he pretends to be personable and considerate to his wife, but in fact he can't take his eyes off her.
If it wasn't for the secular requirement that a woman must marry and have a husband and a child, then she would not deliberately find a dying husband and give birth to a child just to silence the world.
It is more comfortable to be a widow than to be an aunt in a nunnery!
It can be said that she has seen it very clearly, and has chosen a more suitable way out for herself.
The scene of Jiang Xiaobai was filmed for two days. In fact, the actual filming time was not long, but it is very troublesome to change various makeup and costumes, and it also needs to be changed on the scene.
Because Xie Wanniang appears in different places almost every time, there is her mother's house, there is a street, there is a husband's house, and the house of the hostess.
Some are dressed as a young girl before marriage, some are married and pregnant, and some are deftly in charge of housework after her husband's death.
(End of this chapter)
After this woman got married, she took over all the affairs of the scholar's mansion, became the sovereign mistress, and quickly became pregnant.
When the son was born, the woman's husband had already reached the end of his strength, and he was breathless after holding on to the son.
From then on, while teaching and pulling her son, the woman started a small business with the family money, and the gold shop she opened was quite famous in the whole capital.
Unlike other women trapped in the boudoir or her husband's house, she seems to have always been unrestrained and unrestrained, and is living well in her own way——
Since she can't escape the fate of not marrying, she will find a man who is dying, and as long as her husband is killed, she can no longer marry in the name of being a widow.
Since her husband is going to die, she will not be able to survive without an offspring. In this case, she should give birth to one, so as to silence her mother's mouth.
In this way, if she came to make money, the son would be responsible for supporting her until the end of her life. Compared with those wives, her life was not much happier.
This character is called Xie Wanniang, which is deliberately taken to be ironic.
Everyone in the world hopes that a woman is proficient and gentle, and there is a word "Wan" in her name, but in fact, neither the things she does nor her character have much to do with the word "Wan".
Xie Wanniang's main roles are as follows: a stunning appearance, making the masters and young masters present stare at him.
The family arranged her marriage with the widower, but she insisted on resisting and threatened——
"You want me to marry that old man? Believe it or not, I dare to take off my clothes and run around the mansion right now. In this way, the Xie family will lose all face, and no woman will dare to marry Xie's son again!"
The Xie family also had three young masters who were young and never married. Upon hearing her words, Mrs. Xie's eyes darkened with anger, and she almost fainted.
In the third scene, she asked someone to inquire about the condition of the seriously ill bachelor, and secretly glanced at him.
After seeing each other and confirming that he is indeed seriously ill, and his appearance is pleasing to the eye, he nodded and decided: "It's just him, the sooner the marriage, the better."
The next thing was the wedding, but because the Xie family thought she was ashamed, and she was too eager to get married, she didn't have time to make arrangements, so Jane did it, and Jane didn't need to show her in the scene.
Just using lines and people's comments, it shows that she has passed the door.
In another scene, Xie Wanniang is pregnant, but still deftly directs the maid to do things, while her husband is already lying down and can hardly move.
In the last scene, Xie Wanniang's husband has left, and the hostess goes to visit her at her home.
Then I found that this woman, who was already famous for her looks, became more calm and ostentatious after marriage, which was quite different from those women who fought with concubines all day long.
There is a nanny at home to take care of the son, she has no mother-in-law to serve, and no sister-in-law to deal with. She only has to worry about the business in the shop every day and walks with other wives to drink tea and chat with each other, not to mention how pleasant life is!
In the play, Xie Wanniang and the heroine were not familiar with each other when they were in the boudoir, but only met each other a few times.
But later, after witnessing her deeds, the heroine admired this ambitious and courageous woman very much, and instead became acquainted with her after marriage.
The heroine was once in distress, and Xie Wanniang generously borrowed money to help when she was in urgent need of money, which made the heroine even more grateful.
Jiang Xiaobai was thinking about how to play the role of Xie Wanniang when he got the script. She seems to be different from the roles Jiang Xiaobai played before.
Xie Wanniang has some potential for crazy criticism. She is crazy and crazy. It can be seen from the time she dared to say that she took off her clothes and went for a run outside. This kind of speech is tantamount to shocking the world.
But this kind of crazy and crazy judgment is given by the world, and it defines her from the perspective of a woman.
In fact, she is sober and calm, can judge the situation, and is very wise.
After thinking about her image, Jiang Xiaobai brought out the essence of Xie Wanniang when he acted in Xie Wanniang's first appearance——
Walk with the wind and be high-spirited.
When other women walk in small steps and smile without showing their teeth, she is like that wild wind, and when she passes by others, she passes by like a gust of wind.
When chatting with other daughters, she is generous and confident, and her sitting posture is different from others.
It's kind of like playing a female general.
This kind of performance even exceeded the director's expectations, because what Yu Cheng originally thought was that this woman was not much different from other daughters, but she looked brighter and spoke louder.
But after watching Xie Wanniang performed by Jiang Xiaobai, Yu Cheng said——
"So this is Xie Wanniang."
It's not that Yu Cheng doesn't understand, but he looks at this kind of daughter from a male perspective, and thinks that being bright and loud is already different for them.
But Jiang Xiaobai felt that Xie Wanniang could be more different, she was actually despised by many people.
The decent wives and those with high family status look down on her, thinking that she is not polite and not skilled enough.
The other women in the boudoir also felt that she was too shocking and incompatible with etiquette.
But following Xie Wanniang's series of experiences, those daughters who were "contemporaneous" with her gradually changed their views.
Only when they are married and have been tortured by their husband's family, will they understand that Xie Wanniang's life is something they can't wait for.
They have their parents-in-law to serve them, and their husbands have Yingying and Yanyan competing for favor. At the same time, none of the uncles and sister-in-laws can worry about it.
You have to worry about the children, so that they won't be compared to the younger brothers and younger sisters!
"Everyone laughs at Xie Wanniang, everyone envies Xie Wanniang." Jiang Xiaobai said this when chatting with director Yu Cheng.
Laughing at her stupidity, it's not good to marry anyone, but marry a dying bachelor.
But in fact, Xie Wanniang has no intention of getting married at all!
Because of her beauty, she has faced the covetousness of too many men, and she has also seen their ugly appearance.
On the outside, he pretends to be personable and considerate to his wife, but in fact he can't take his eyes off her.
If it wasn't for the secular requirement that a woman must marry and have a husband and a child, then she would not deliberately find a dying husband and give birth to a child just to silence the world.
It is more comfortable to be a widow than to be an aunt in a nunnery!
It can be said that she has seen it very clearly, and has chosen a more suitable way out for herself.
The scene of Jiang Xiaobai was filmed for two days. In fact, the actual filming time was not long, but it is very troublesome to change various makeup and costumes, and it also needs to be changed on the scene.
Because Xie Wanniang appears in different places almost every time, there is her mother's house, there is a street, there is a husband's house, and the house of the hostess.
Some are dressed as a young girl before marriage, some are married and pregnant, and some are deftly in charge of housework after her husband's death.
(End of this chapter)
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