Flying over the bubble era

Chapter 1227 1227. Some kind of inevitability
At that time, Tetsuya Komuro was a new composer, and Rie Miyazawa was a super popular idol in the limelight.

At this moment, the future of the super-popular idol that everyone was optimistic about in the past is unknown, but the former composer has become a highly anticipated famous producer.

This is the reason why big stars should also maintain the necessary courtesy to the newly debuted man in black behind the scenes.The flowering period of a star may not be very long, but the sapling of the man in black behind the scenes may grow into a towering tree in the industry.

Even so-

"Miyazawa Rie-chan? I have some impressions. Her mother, Mitsuko-san, is not easy to talk to." Komuro Tetsuya commented when Iwahashi Shinichi mentioned that he once wrote a song for Miyazawa Rie.

Hearing this, Yanqiao Shenyi laughed hard.

When mentioning Rie Miyazawa, she subconsciously thinks of her mother, which shows what kind of existence Mitsuko Miyazawa is like in ordinary times.I'm afraid that Mitsuko Miyazawa's presence on the job site can overwhelm that real celebrity daughter.

Tetsuya Komuro was extremely smart, seeing Shinichi Iwahashi's appearance, he immediately guessed: "I guess not, you have also dealt with Mitsuko-san, right?"

He held his chin with one hand, posed in a classic literary pose, and continued to reason, "At that time, I met her in the recording studio because I contributed music for Rie-chan. Of course, I also met Mitsuko-san. Afterwards According to the producer in charge, it was Mikoko-san who asked Rie-chan to try singing because he listened to other people's suggestions and felt that it would be a waste to not use it if he was popular,...he didn't plan to make a serious singing career plan from the beginning."

It was also because Mitsuko Miyazawa didn't plan to take Miyazawa Rie's singer business seriously at the beginning, so Mitsuko Miyazawa didn't take the composer Tetsuya Komuro very seriously.

"That is to say," Komuro Tetsuya said his reasoning result, "Kitsuko-san wants to deal with you, it must not be for music."

The implication is that if Shinichi Iwahashi is just a "music producer", Mitsuko Miyazawa will not be able to catch him.

Yanqiao Shinichi patted his shoulder and made a funny gesture of knocking something off, "I'm surrounded by reasoning experts."

Tetsuya Komuro was very interested, "Is there anyone else who is good at reasoning?"

Not only is he good at reasoning, he is also a writer of mystery novels.

Shin Iwahashi thought to himself that he would give a copy of Yukiko Okada's new novel to Tetsuya Komuro in the future.This way of thinking, it seems that the younger sister in the family has made some insignificant achievements, so the elder brother is also proud of it, and he will make a big publicity for the younger sister when he meets everyone.

Of course, Yukiko Okada's achievements are not really "insignificant", only Shinichi Iwahashi's cheesy joy and pride are real.But there's nothing wrong with being tacky.

Today, Shinichi Iwahashi and Tetsuya Komuro met to discuss a new production plan.

Old-school producers, more or less, always have some requirements on the singer's singing level, but Tetsuya Komuro believes that singing skills are not that important to singers.Because Watanabe Wanyumi mentioned Miyazawa Rie, Iwahashi Shinichi went to learn about her resume. Seeing this, he thought of Miyazawa Rie's singing ability that could make a tuner with an annual salary of tens of millions go on strike, so he casually mentioned it.

However, in Komuro Tetsuya's view, since the sound repair technology is already well developed, there is no need to have too many requirements for the singer's singing skills.Even, in his opinion, if a song is sung flawlessly, it becomes a flaw instead.

Being able to say such a thing, it seems that if Miyazawa Rie really wants to be a serious singer, Komuro Tetsuya will be the best candidate to be her producer-of course, just kidding.If you don't pay attention to singing skills, then there will be requirements other than singing skills for singers' voice conditions.

Compared with singing skills, Komuro Tetsuya pays more attention to the texture of the singer's voice, the way of articulation, and personal characteristics... It can be said that if you don't pay attention to singing skills, you should pay attention to everything other than singing skills.

Beauty is rare, but to find an ugly monster that fully meets certain conditions is as difficult as finding a standard beauty.

From the beginning of listening to the song "My Revolution" written by Tetsuya Komuro for Watanabe Misato, to the official start of dealing with Tetsuya Komuro, and listening to the songs he produced, Shinichi Iwahashi discovered a problem.That is, the songs written by Tetsuya Komuro are different from the usual Japanese music.The tone is high and strange, and there is often a feeling of wandering on the edge of out of tune.

Coupled with Tetsuya Komuro's statement that "singing skills are not important", these songs seem to be sung by some charming singers who are out of tune-so they were born.

"If you need good singing skills to be selected as a singer, then there is no need for so many singers as there are now. It should be like a pianist. Only a few dozen famous artists are enough to satisfy the audience." Komuro Tetsuya When communicating with Iwahashi Shinichi about the music production plan, there was such a speech.

It doesn't matter if there is any suspicion of fallacy in these remarks.But what is certain is that Tetsuya Komuro's words are indeed inspiring.

It is good to have singing skills, but without it, it may not be a huge flaw.

That's the way it is in the recording industry.

At the very beginning, those who could be selected to be singers were those with outstanding singing ability.After that, those who can become singers may only have moderate singing skills, but they are handsome and charming.

This cannot be said to be a kind of degeneration, it can only be said to be a certain necessity of the advancement of the times.

In the beginning, it was an era when both material and spirit were poor, so the glamorous stars in front of the stage were as far away as gods on the clouds.Afterwards, in the period of rapid development, the [-] million middle-class society has become rich both materially and spiritually. The big stars who were once out of reach appear on TV every day, showing service smiles to the audience.

The era of pursuing entertainment has arrived, and handsome and attractive stars are welcomed.There is a sense of distance between them and the audience, and at the same time, there is an obvious sense of coming out of the same and similar background as the audience.

Celebrities are ordinary people too.

Next, maybe, if you are not beautiful and handsome enough, you will have a different charm, you may become popular if you are out of tune, and mavericks will be regarded as heroes... Everything is possible.Times change, people's hearts change, what they once believed no longer believes, and what they once doubted is regarded as the truth, so the fashion and the way of creating fashion have also changed.

However, regardless of the era and fashion, as far as the Japanese music world is concerned, Tetsuya Komuro's music is undoubtedly an innovation.

For a long time, or in other words, from the beginning of the "music world" in Japan, both the music world and the audience believed that the characteristics of Japanese music creation and what Japanese musicians are good at were in the low range.

But Tetsuya Komuro's music abandons this long-standing "truth".

(End of this chapter)