Entertainment from Divorce

Lu Chuan's figure completely disappeared at the door of the president's office. Tan Yue withdrew his gaze, his fingertips lightly tapping the table, his thoughts still lingering on the plans after the short film's broadcast.

The sunlight outside the window gradually shifted, casting long shadows of the documents on the desk.

Without the slightest slackening, he picked up his pen and meticulously filled in the details of the short film's pre-launch promotion, overseas distribution, and public opinion monitoring in his notebook, marking each item clearly and concisely, striving to make this Chinese science fiction calling card shine brightly on the global stage.

He knew that the finale of the "Three-Body Problem" series was a fleeting window of opportunity, and that the broadcast schedule, promotional efforts, and audience reach of the short films were all crucial and could not afford to go wrong.

From generating buzz on overseas social media platforms to featuring the content on the homepages of major video platforms, and then to getting joint voices from overseas film critics, Tan Yue meticulously planned every step in his mind to ensure that each link was seamlessly connected and to maximize the dissemination effect.

After finishing the urgent documents at hand, it was already dark, but the Brilliant Entertainment office building was still brightly lit, and each department was busy with the follow-up work in an orderly manner.

Tan Yue rubbed his sore temples, picked up his phone and saw a photo of the sleeping baby sent by Chen Ziyu. A gentle smile unconsciously appeared on his lips. After replying briefly, he packed his things and left the office.

The hectic schedule he's been working non-stop lately has made him cherish the time he spends with his family even more. But right now, he's still worried about the broadcast schedule of the short film, and even his steps home are filled with anticipation.

Over the next two days, Brilliant Entertainment entered the final sprint stage of its promotional campaign.

All staff in the overseas distribution department are on duty, liaising with video platforms and television stations in more than 30 countries and regions around the world to ensure precise synchronization of broadcast times.

Under Wu's leadership, the public relations department laid the groundwork for the topic on social media platforms at home and abroad in advance, and released short video trailers to arouse the audience's curiosity.

Lu Chuan's short film team is on standby at all times, cooperating with the State Administration of Culture and the company to deal with all kinds of emergencies and ensure zero errors in broadcasting.

Tan Yue sits in the president's office, overseeing the overall situation. He listens to progress reports from each department every day and adjusts the publicity strategy in a timely manner. He personally reviews even small topics or promotional posters, striving for perfection.

The entire company is united in purpose and effort, and everyone is waiting for the moment when the short film will be broadcast globally, waiting for Chinese science fiction to amaze the world once again.

Two days passed in a busy but orderly manner, and finally the day of the global simultaneous broadcast of the "Three-Body Problem" short film arrived.

On this day, both domestically and internationally, countless fans of the Three-Body Problem series, science fiction enthusiasts, and film and television professionals were all glued to their screens, eagerly awaiting the release of this short film that carries the hopes of Chinese science fiction.

At 8 p.m. sharp, major video platforms and TV stations around the world simultaneously broadcast the short film "The Three-Body Problem" without any time difference, officially kicking off this science fiction extravaganza.

The short film, which is only a few minutes long, encapsulates the essence of "The Three-Body Problem". It features breathtaking cosmic wonders, thrilling scenes, delicate character emotions, and rich Eastern cultural heritage. Every frame is a masterpiece, instantly capturing the attention of all viewers.

The moment the short film was released, social media platforms both at home and abroad exploded with discussion.

The related topic quickly rose to the top of the trending searches, and within just one hour, the number of views exceeded one billion and the number of discussions exceeded ten million, making it the focus of heated discussions among netizens across the internet. Its popularity even surpassed many entertainment hot topics and film and television news at the same time.

The short film first sparked a phenomenal response in China, with netizens expressing their excitement and the comment section filled with pride and joy.

The remarkable success of the "Three-Body Problem" series overseas has already inspired the Chinese people, and this exquisite short film has further showcased the strength of Chinese science fiction, allowing every Chinese person to feel a strong sense of cultural confidence.

The comments section on Weibo was flooded with messages from netizens.

"Who understands! I was moved to tears after watching the short film. Chinese science fiction has finally stood up!"

"From the global success of the 'Three-Body Problem' TV series to the viral popularity of its short films, this demonstrates the strength of Chinese film and television!"

"I used to watch foreign sci-fi blockbusters all the time, but now our own sci-fi can also attract worldwide attention. I'm so proud!"

"Tan Yue is truly amazing, and director Lu Chuan is also superb; he captured the essence of 'The Three-Body Problem' in the film!"

"This is not just a short film, but a declaration of Chinese science fiction going global!"

Not only were ordinary netizens thrilled, but industry insiders also voiced their approval.

Official film and television accounts, renowned directors, screenwriters, and actors all shared content related to the short film, praising "The Three-Body Problem" for setting a new benchmark for Chinese science fiction films and paving a new path for Chinese culture to go global.

Film bloggers and critics have provided in-depth analyses of the short film's visual language and cultural connotations, praising it for retaining the hardcore feel of science fiction while incorporating Eastern aesthetics, achieving a perfect balance between commercial appeal and cultural significance.

Major media outlets also rushed to report on it.

Many viewers who were not originally interested in science fiction have started to pay attention to Chinese science fiction films and television series because of the short film and the overseas success of "The Three-Body Problem". They have expressed their intention to watch the "The Three-Body Problem" series.

Many parents even watched the short film with their children, explaining the development of Chinese science fiction to them and planting the seeds of cultural confidence in the hearts of the younger generation.

It can be said that the broadcast of the "Three-Body Problem" short film not only brought Chinese science fiction into the mainstream, but also sparked a nationwide wave of attention to domestic films and television and support for cultural export.

Compared to the excitement at home, the reaction overseas was more one of upheaval and shock.

The previous hit TV series "The Three-Body Problem" had already shown overseas audiences the charm of Chinese science fiction, and this short film has completely shattered their preconceived notions about Chinese films and television, allowing the world to see the top level of Chinese science fiction films and television works.

On overseas social media platforms, foreign netizens have given it rave reviews, with comments flooding the comments section with praise.

"I have never seen such an amazing sci-fi short film. The imagination of Chinese sci-fi is incredible!"

"The Three-Body Problem TV series has already captivated me, and the short films are simply divine. This is top-tier science fiction!"

"I used to think that only period dramas were good in Chinese film and television, but I didn't expect that science fiction films are so amazing. It has completely changed my mind!"

"The fusion of Eastern aesthetics and science fiction in the short film is so perfect; this is a unique charm of Chinese science fiction!"

"I'm begging China to produce more science fiction works like this. I've completely become a fan of Chinese science fiction!" Alan, a well-known British film critic who previously praised the TV series "The Three-Body Problem," immediately published a long article to deeply analyze the short film.

He wrote in the article.

"This short film is a gift from Chinese science fiction to audiences around the world. With its exquisite cinematic language and profound cultural connotations, it proves that Chinese science fiction can not only produce long-form series, but also grasp the core of science fiction in a short time."

"It overturned the Western world's perception of Chinese films and television, making us realize that science fiction is not exclusive to Europe and America. Chinese science fiction has its own unique charm and depth. In the future global science fiction market, China will definitely occupy an important place."

After Allen's lengthy article was published, it was quickly shared by the overseas film and television industry and resonated widely.

Major overseas film and television media outlets and science fiction magazines have reported on the release of the short film, giving it extremely high praise.

Many overseas film and television companies and producers have also contacted Brilliant Entertainment through various channels, expressing their desire to cooperate on Chinese science fiction projects. Some well-known Hollywood directors have even publicly stated that they look forward to working with Tan Yue and Lu Chuan to create science fiction works together.

On overseas video platforms, the short film's viewership has exploded, exceeding 500 million views globally within one hour of its release and surpassing 3 billion views in 24 hours, with likes, shares, and collections repeatedly setting new records.

Many overseas viewers watched the short film two or three times, savoring its science fiction settings and cultural details, and spontaneously recommended the Three-Body Problem series and short film to their friends, creating a powerful word-of-mouth effect.

Even niche countries and regions that had not previously imported the "Three-Body Problem" series have extended olive branches to Brilliant Entertainment, requesting to import the series and short films. The influence of Chinese science fiction is sweeping the globe like wildfire.

Twenty-four hours after the short film was released, its popularity remained high both domestically and internationally, with various data continuing to soar.

Wu led the public relations team to work overnight to integrate key data such as global viewership data of the short film, social media topic data, domestic and international public opinion feedback, and the increase in cooperation invitations. They repeatedly checked every number to ensure that the data was accurate.

The next morning, Engineer Wu strode into the president's office with a thick data summary report in hand, his face beaming with excitement.

At this moment, Tan Yue was looking through emails sent by overseas partners. When he saw Engineer Wu come in, he put down the documents in his hand and looked at him with a gentle gaze.

"Mr. Tan, this is a summary of all the data since the global broadcast of the 'Three-Body Problem' short film. It has all been verified. Please take a look." Engineer Wu placed the report on his desk, his tone full of excitement.
"This result far exceeded our expectations; it's truly outstanding!"

Tan Yue nodded, picked up the data report, and carefully reviewed it, his gaze focused and calm.

Every piece of data in the report demonstrates the success of this short film's broadcast.

As Tan Yue turned the pages, a look of satisfaction gradually appeared in his eyes, and a faint smile appeared on his lips.

He put down the data report, leaned back in his office chair, and let out a long sigh of relief, finally feeling completely at ease.

“Very good, very good.” Tan Yue’s tone was calm, but with undisguised satisfaction. “President Wu, you and your team have worked hard during this period. This achievement is inseparable from your efforts.”

Engineer Wu quickly replied, "President Tan, this is all we should do. It's thanks to your planning and guidance that we've achieved what we have today. Moreover, the original intention of this short film was to let more people around the world know about Chinese science fiction films and television works, and to bring Chinese films and television to the world. Now it seems that we have completely achieved our goal!"

Tan Yue nodded slightly, his eyes firm: "That's right. What we want is not just temporary popularity, but to let Chinese science fiction be seen and recognized by the world."

"Now, more and more overseas audiences know about Chinese science fiction and understand the strength of Chinese film and television, and that's enough. This is not only a success for Brilliant Entertainment, but also a success for the entire Chinese science fiction film and television industry."

He paused for a moment, then continued, "I'll need your and your team's help to follow up on public opinion and coordinate collaborations. While maintaining the buzz, we need to protect our reputation, clarify these collaboration intentions, and select high-quality partners to pave the way for the company's future science fiction projects."

"Understood, Mr. Tan! I'll arrange for the team to sort things out immediately and make sure the follow-up work is done properly." Engineer Wu nodded solemnly, his face full of enthusiasm. "Then I'll go out and get busy. I'll report to you immediately if there are any new developments."

Watching Wu Gong's departing figure, Tan Yue picked up the data report again, his heart filled with mixed emotions.

From the initial inspiration for creating the script for "The Three-Body Problem," to the hardships of filming the series, to the anxieties of its overseas broadcast, and now to the short film's widespread popularity and international acclaim, all the hard work and dedication along the way have finally paid off.

His initial wish to promote Chinese science fiction overseas and let the world see the strength of Chinese film and television has finally been fulfilled.

Meanwhile, in her office at the State Administration of Culture, Ye Wen received a global data report on the short film "The Three-Body Problem" from her subordinates.

As the Director-General of the State Administration of Radio, Film and Television, who has been committed to promoting Chinese films and television works overseas and carrying forward Chinese culture, Ye Wen has been working tirelessly for the cause of cultural export for many years, hoping to create a high-quality work that can truly break down the barriers of overseas markets and allow Chinese culture to be accepted and loved by audiences around the world.

She took the data report and carefully read through it. The more she read, the wider her smile became, her eyes filled with excitement and satisfaction.

Looking at the short film's impressive viewership numbers, its overwhelming positive reviews both domestically and internationally, and the various records set by the "Three-Body Problem" series, Ye Wen was deeply moved.

My long-cherished wish has finally come true at this moment.

"The Three-Body Problem" is not just a film and television work, but also a key that unlocks the door for Chinese science fiction films and television to go global, allowing Chinese culture to enter the hearts of audiences around the world in a brand new way.

This achievement is dazzling and brilliant, not only a glory for Brilliant Entertainment, but also a milestone in the overseas expansion of Chinese culture, worthy of being recorded in history.

Ye Wen put down the report, stood up and walked to the window. Looking at the scenery outside, she was filled with emotion.

A satisfied smile remained on her face, and she felt a deep sense of approval and expectation for Tan Yue.

As the popularity of the short film stabilizes, various tasks related to "The Three-Body Problem" are gradually coming to an end.

Overseas copyright cooperation, second-run broadcast arrangements, and public opinion monitoring and maintenance are all on track with the orderly progress of various departments, and Tan Yue no longer needs to do everything personally or keep a close eye on things.

During this period, Tan Yue devoted himself entirely to the "Three-Body Problem" project, from early creation and filming to overseas promotion and short film preparation, almost exhausting all his energy. Other daily business and new project plans of the company were temporarily put on hold.

Now that the "Three-Body Problem" project has successfully concluded with remarkable achievements, he can finally unload his burdens and shift his focus back to other company affairs, returning to a normal work rhythm. (End of Chapter)