I really don't want to fight with gods

Time was running short, Director Qu was already raising his hand to signal the countdown.

The other party didn't play their cards according to reason, and Jing Xiaoqiang actually exposed his shortcomings in business negotiations or business planning, and he couldn't grasp his skills in a hurry.

The main thing is to drop ten times with one force, and think about it for a while: "I need the Harbor Shopping Center as a reservoir to face the possible turmoil of 97."

After speaking, he took the headset from Director Qu and climbed up the steps. Steadicams, pickups, and accompanying cable staff swarmed onto the stage, trying to capture all the shots accompanying Jing Xiaoqiang's sudden enlightenment.

The staff of Zhaner TV, Sky TV, TVB, and Sydney TV didn't care who the middle-aged man was. In their field, they were masters, and they only had Jing Xiaoqiang in their eyes.

The Patriarch of the Hu family was squeezed to the side, and he stood there feeling a complete contrast to the usual scene of shouting and flattering.

However, after Jing Xiaoqiang jumped onto the stage, he did not sing loudly, but stood behind the electric piano and began to play a soft BGM. The partners followed up tacitly, but the main force was Lu Kunlun who was hiding behind the scenes, coordinating the reverberation of the whole melody In the sea and air in Tsim Sha Tsui, Kowloon...

This kind of BGM is very common in the small video era of later generations. The mobile Internet has given many unknown talents the opportunity to show their talents. When I heard it here, I adapted it into a popular ditty when he was on stage.

Very soft, very warm, and easy to appear very romantic saliva melody, in the eyes of experts, it is not worth mentioning, but if you are familiar with it and play it repeatedly when no one is paying attention, such as a wedding scene, it is definitely a fish that everyone is satisfied with excellent product.

Due to the time difference, this video will be broadcast in Chinese communities and related TV stations around the world, starting with HK and Zhuaner TV, followed by Sydney at night a few hours later, then North American Fox Network, and finally European Sky TV. There's even tomorrow's Middle East TV.

From the perspective of time difference, Hong Kong and the Mainland can see it simultaneously. This is due to the geographical relationship and the characteristics of the earth's rotation.

So at this moment, what all mainland audiences see is a novel opening that they have never seen before.

The Spring Festival Gala, which was organized by Mr. Qu in the 80s, is actually a product of the era when the mainland just encountered new media and new means such as television.

No one expected that the Spring Festival Gala broadcast to the whole country would become such an important New Year's Eve dinner.

So there were a lot of twists and turns in the 80s. I really can’t say that the directors and experts at Zhuanertai didn’t rack their brains, but this poor family only pointed to such a few family backgrounds. Huge restrictions and the mentality of being afraid of taking responsibility for accidents make it difficult to produce high-quality products.

But it was different when Jing Xiaoqiang came. He didn't affect the whole Spring Festival Gala, but just made an opening with Director Qu, a world-class title.

In fact, all mainland audiences should have memories. From about 99, the entire Zhuanertai picture suddenly overturned the palette, and it suddenly became colorful and verdant.

It has nothing to do with the level of TV imaging, it's just that a group of directors who opened their eyes to see the world began to boldly use international color tones, and even introduced high-definition equipment and post-processing technology.

It can turn the dusty real scenes of ordinary people into the bright and beautiful ones that have been photoshopped.

Jing Xiaoqiang took advantage of this moment.

Accompanied by his calm movement of jumping onto the stage to control the electric piano, Hei Zai and the others followed suit by playing the guitar, bass, and drums.

The camera was very particular about capturing their expressions of dedication, and then the rocker camera cut in to capture the audience, from the wealthy old fairy sitting in the front row, the Governor Foreigner, to the crowds of citizens on the outside.

Wherever the camera goes, they are cheering and waving, shouting Happy Chinese New Year, Gong Xi Fa Cai...

Even the old gods smiled kindly and kindly, and the governor even had a mischievous Beagle.

The camera flashed by, and I don't know if anyone recognized who it was.

It was as if the camera flashed past Cheng Yuling's table, because the overall appearance was too good-looking, and the tables where other actresses sat around didn't dare to come and say hello casually.

Miyazawa's business expression is the most perfect. Tianhai, Zhongmori and Sakai are discussing about delicious HK snacks. Lu Xi puts small blankets on Cheng Yuling and Chen Weiyu. Isn't your hip skirt cold? I brought Mink and Luo Li Playing with An Ning and hugging Lan Ling, Bai Lianting put down her face and asked Jiao Yi about the performance of the electronics factory, so Sudou ignored these people and quietly looked up at the big screen.

That means Pan Yunyan is qualified to stand at the exit of the stage and record everything about Jing Xiaoqiang on stage.

Because on the big screen, as his figure spread to the entire HK scene, and then moved to the background of the bright and brilliant Central Buildings, it began to switch to the video clips in the background.

It was natural to switch to the stalls of the Temple Street Night Market, where there were red-lettered New Year’s goods, and my grandma smiled and said Happy New Year.

The same subject matter, shot with Pan Yunyan's Polaroid, is completely different from a SLR with a set of tens of thousands of dollars, and a professional photographer with a set of hundreds of thousands of lenses.

A lot of people like to make excuses that most of the common people don't have much appreciation, so we can fool around, and we can just shoot some dirty things to make do with it.

Little do they know that people do have different levels of aesthetics, but they will definitely tend to the true most beautiful.

The New Year's goods in the foreground are slightly blurred, the red Spring Festival couplets, Fuwa, and pendants, the clearest focus is on the wrinkles of the grandmother's gray hair, no matter how many imprints the vicissitudes of the years have left, but at this moment she is smiling and radiant.

There is a kind of ordinary beauty that touches people's hearts.

Have a good year with or without money.

Chinese New Year is actually very important in the meaning of Chinese life.

The camera didn’t stop, it switched to the incense burning at Tin Hau Temple, and flashed through the fireworks to Chinatown in London, with signs written in Chinese and English, the same oriental faces, the same busy shopping for new year’s goods, and the same smiling faces to congratulate the new year.

Life is inherently difficult, and who doesn't wish for a new year and a new look, with a little hope, so that they have the strength to encourage themselves to face the new year.

The Chinese in Flushing, the clerks at the pier in Sydney, and the Chinatown in San Francisco are interspersed with scenes of the Spring Festival that were shot throughout the urban and rural areas of the mainland.

There are not only the posters of the New Year’s Eve performance in front of the Pengzhen Opera House and the actors preparing for the backstage, but also the singing of the band of college students in the crowded Spring Festival at the Guangdong Railway Station, and the farmers in the field market who say the New Year to each other, focusing on the Spring Festival The workers who ensure the power supply, and even the construction workers who are busy on the scaffolding in West Asia.

They all showed their different innocent smiles to the camera, and shouted blessings for a happy New Year and a happy Spring Festival in various dialects.

The value of artistic processing lies in making the economic level that differs greatly from reality, in the language of the lens, full of prosperity and joy.

It can be easily blended into silky smooth.

To be honest, Chinatowns and the like seem to be dirty and almost old in European and American countries, and foreigners will not feel that they are uglifying.

But invisibly, the relationship between several scenes has been leveled. Most of the mainland ones focus on people, showing the kindness and beauty that anyone can show. Foreign countries mainly feature close-up scenes and objects, suggesting exchanges through those pictures of Chinese and Western products and cultures coexisting.

To put it bluntly, this scene is a proper cultural output, a harmonious scene filtered and operated by professional personnel.

Foreigners mainly want to watch it lively and fresh, and understand the characteristics of ethnic minorities. Overseas Chinese are heart-warming after watching it, and there has never been a show with them as the protagonists.

After all, it’s okay to dislike it outside, but it’s very uncomfortable at home to drive out insults in addition to asking for it.

A little bit of warmth will make overseas travelers feel that they have something to rely on.

But the shock to the entire mainland audience was too great.

The poverty and ugliness filmed by our directors have won international awards, so we feel that we are really poor and ugly.

But look at the same scene, or those people, and shoot it with another person.

It is the beauty full of fireworks.

In the simple and honest smile, there is no cunning or treachery.

And this is a rare perspective of ordinary people in the 90s.

There is no grand narrative, no Wei Guangzheng's slogans, just "plain and unpretentious" lens language, using the most expensive imported equipment to interpret the meaning of the New Year for ordinary people.

The playfulness and confidence of those song and dance actors, the college student band who is the mainstay in the train station crowd, the delicious market soup, and the family photos taken out of the pockets of the workers who burn the lights at night.

Isn't this the meaning of the founding of New China, isn't this the purpose of reform and opening up?

There are no illusory slogans, only bits and pieces of ordinary people.

In fact, this is the most skillful routine played by European and American media.

What kind of doctrine are we talking about? We only care about the love of ordinary people. As long as love can generate electricity, all sufferings should be handed over to God. That must be God’s will.

Why can they brag about these beautiful soap bubbles, but we can only go down to the details and down-to-earth?

If it wasn't for Jing Xiaoqiang who took the burden and would have been killed just from the start of the project, how could the foreign scenes be side by side with us at this time, and how can we make it back after the huge gap under the dual-track system is exposed to the national audience.

Isn't this very mellow now?
Bright and rustic colors, vivid and sincere expressions, details captured by high-definition lenses, and visual center contrast formed by high fogging.

It's all technical work.

Jing Xiaoqiang showed everyone what the world's leading whitewashing technology is.

What is the purpose of literature and art? It is cultural and artistic processing.

Is a piece of white meat delicious when boiled in water?
Wouldn't it be more attractive to add some ginger, onion, garlic and vinegar to turn it into braised pork with a good color, flavor and taste?

Literature and art are seasonings.

An artist is a skilled cook.

Of course, the foundation lies in the raw materials, and it is difficult for a clever woman to cook without rice.

But for the New Year's Eve dinner on the table, there is a big difference between whether there is a good cook or not.

Just like the song "Love Floods" that accompanies the whole process lightly, the gentle and romantic precision guides everyone's emotions.

Following the picture on the big screen, the local HK citizens cheered bursts of cheers, it’s beautiful, it’s really beautiful, and we have the confidence to face life in the coming year.

Even though it is another year closer to the deadline that those people advocated, this moment is really encouraged and nourished.

The old gods all looked up at the Vientiane world that they hadn't been in for a long time, and of course their eyes would be on the young man standing behind the electric piano and manipulating the black and white keys.

It's clear he's in control of it all.

It was like the governor slowly fixed his eyes on Jing Xiaoqiang.

He is a politician, a top politician, and he must be able to feel different feelings from ordinary people.