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Chapter 553 I'm not acting anymore!

The sound of the two arguing outside the shed can be heard by the staff in the shed.

Jiang Wen argued with Cheng Yu'an while smoking a cigarette, saying that Xiong Wanli had the heroic spirit of "even though there are tens of thousands of people, I will go for it" and the heroic spirit of "doing what he knows can't be done".

"Such a character is worth digging deeper, and it must look good when photographed."

Jiang Wen's interpretation of the character Xiong Wanli, Cheng Yu'an agrees: "But the name of our play is "Legend of the White Fox", and it tells the story of Bai Ling and Tang Ying. There is no 10 minutes before and after Xiong Wanli, so it is impossible In order to dig deeper into his line of action and change the structure of the whole play.” Cheng Yu’an has a pleasant face in life, but he also has a temper on the set, and he often quarrels and curses.

"What's so interesting about two kids getting married." In his eyes, the "Painted Skin" series is "things about getting married." I've already thought it out for you, but in the end the plan for reconciliation failed, and the war between monsters and monsters broke out, and with your special effects, it's absolutely amazing."

Cheng Yu'an knew that if Jiang Wen's idea was followed, it wouldn't be bad, but he still couldn't agree to this request: "No, we can't change the supporting role into the leading role."

"Why don't you listen to good words." Jiang Wen was angry, "I'm doing it for the sake of the show, and you don't need money. Why are you always staring at the money at the box office?"

Cheng Yu'an replied unceremoniously: "I don't pay attention to the box office," pointing to the studio, "What do these hundreds of people eat? I don't pay attention to the box office. What do the more than 4000 people in my company do to support their families? Make a living?"

"Am I telling you about raising a family? What I'm talking about is a drama. "Legend of the White Fox" should be filmed as you are doing now. At its peak, it will be a popcorn movie. After enjoying it in the cinema, forget it."

Cheng Yu'an smiled and said, "That's fine. I'm afraid the audience won't enjoy watching it. Now that you've said that, I'm relieved."

Jiang Wen was taken aback, you kid doesn't play cards according to common sense.

"You have Oscar and Palme d'Or, why do you still make this kind of movie."

"That's right, I already have an Oscar and a Palme d'Or, what other art films can arouse my interest?" This trick is called hitting a snake with a stick.

"I can't explain it to you. This character has a story behind him, and he can dig a good movie out of it."

"I know. But at least in "Legend of the White Fox", I don't plan to dig deep into the character Xiong Wanli."

"Anyway, you don't intend to photograph Xiong Wanli, do you?"

"Yes, no filming."

"If you don't shoot, then I won't shoot, I won't act! I'll go home!"

Hey!Use this to scare Cheng Yuan?Cheng Yu'an really doesn't like this.

"Just right, Xiao Qi (Cheng Yu'an's new assistant), send Teacher Jiang back."

Xiao Qizhen trotted over with the car keys: "Mr. Jiang, wait a moment, I'll drive the car over."

Jiang Wen was about to die of anger!
In the past, on the set, whether as a director or an actor, he always won more and lost less when he quarreled with others. He didn't expect to encounter Cheng Yu'an's stubbornness today.

He was able to evade Lu Chuan at the beginning because Lu Chuan had just made his debut at that time. He had connections but no means and no celebrity, and he couldn't hold back the ghosts and snakes of the crew. Jiang Wen was already a top director and actor at that time. Come without reaching out.And compared to Lu Chuan who just debuted, the investors also believed in Jiang Wen more, so they didn't care about his hypocrisy.

But "Legend of the White Fox" is different. Guo Fan is not as famous as Jiang Wenda. It is easy for Jiang Wen to mess with Guo Fan, but he can't die.

Cheng Yu'an is willing to delegate power to Guo Fan, but anyone who wants to bully Guo Fan has to pass him first.

He's not as easy to bully as Lu Chuan. If you dare to take pictures with Cheng Yu'an on the set, he will be louder than you.Overwhelm Cheng Yu'an with his celebrity, let alone China now, there is no director with a higher celebrity than him in the whole of Asia.

The key is that the investors recognize Cheng Yu'an. If Jiang Wen wants to make a feature film, the investors will of course give him no less trust than Cheng Yu'an.

But if Jiang Wen wanted to use Guo Fan to shoot special effects blockbusters like "Legend of the White Fox", investors had to consider whether Jiang Wen could do it.

The investor didn't even believe Guo Fan, whom Cheng Yu'an personally appointed, so he didn't hesitate to spend another 2000 million to ask Cheng Yu'an to follow "Legend of the White Fox" throughout the crew.

Jiang Wen didn't seem to be able to play special effects.

As long as he dares to ostracize Guo Fan, the investors will dare to withdraw their capital and let him go.

…………

The market in March is always relatively deserted, and Yaoyuan only released "My Girlhood" on the 3th to catch up with the Qingming holiday.

As the finale of the "My Youth" five-part series, although the film investment is not large, the company hopes that the film will draw a perfect end to this series.

This is also the most important film that the company praises Tan Songyun.

When "Love Letters of Time" was released last year, the heroine Ding Zijun gained a lot of fans for this little girl.

The company positioned her as a ghostly girl.

If "My Girls' Generation" can achieve a good result, the company will release Tan Songyun to open a personal studio this year.

When it comes to artist management, Cai Yinong is really struggling.

In the face of upstarts in the film and television industry who are not short of money, such as Wanda and Ah Li, the traditional big artist agency model is collapsing—a collapse that cannot be recovered.

They are so rich!

Hiring actors was really a waste of money, Cai Yinong obviously felt that the artists under his hands were not so obedient.

Asking them to film the company's drama is still timid.

Cheng Yu'an's worries about the artist brokerage business at the beginning finally happened.

The company will definitely lower the price of an actor taking over the company's play. If it is a good play, like last year's "Legend of Lu Zhen", the lower the price, the lower the price, and everyone is willing to share their profits.

The problem is that although Yuanyuan is the largest private production company in China, it cannot guarantee that all of its works are high-quality.

Sometimes there are high-impact or not-so-good films that need actors.

At this time, the artists under the banner will have considerations. If they can’t make a good movie, the company’s salary is not high, and they still have to be drawn, so it’s better to accept a high-paid movie outside.

In fact, the remuneration that Long-distance gives to its own artists is not low, but it is indeed not as good as the group of Internet workers outside.

In the past two years, the remote culture has gradually become unstable.

Cai Yinong had to propose to Zhong Lifang to reorganize the remote culture.

It is necessary to change the training mechanism for artists. The traditional 2-3 years of supporting roles and then giving a leading role to a film is too backward to face the impact of Internet companies.

The second is that the remote culture must be transformed into a lightweight one. The model of a large brokerage company has become unsustainable, and the independence of its artists must be accelerated.On the premise of retaining a few necessary artists, Remote Culture will transform into a brokerage investment and service company.

To put it simply, it is to let all the artists under the banner go out to open independent studios or companies, and the remote no longer directly manages the artists, but chooses to participate in the daily management of the artist studios in the form of shares, and will also provide services for the artist companies.

Remote culture no longer directly interferes with the artist's reception.

Zhong Lifang looked at Cai Yinong's plan and thought it was generally good, but there was no specific feasibility report, so she asked Cai Yinong to go back and continue to improve, but she agreed in principle to reorganize the remote culture in this way.

"Yu'an also mentioned letting artists go out before, but she didn't say anything because of your feelings."

Cai Yinong has always been in charge of the remote artist management business. If he suddenly wants to make a cut in this area, Cai Yinong will inevitably think too much, but now it is much easier for her to propose it herself, and her own plan is better than Cheng Yuan's own draft Much more complete, Cai Yinong's power has not been curtailed, the remote culture has only been hidden deeper.

(End of this chapter)