don't call me singer

Chapter 1119 "The King in the Clouds" Arrives

The night is like ink, and the sea is like a dark blanket, spreading out on the sea.

But there is a sea area, which is like a dragon palace, which is completely illuminated. Looking at it from a distance, it seems to be floating on a piece of amber.

"Sea Dragon Palace Chinese Pop Concert" is in full swing.

From far away, one can see beams of light shooting straight into the sky, creating dreamlike colors.

Zhou Jingfei was sitting in the arena with his girlfriend, and his voice was almost hoarse right now.

In fact, two people came to participate in this "Hua Liu Concert", on the one hand, to make up for the regret of not participating in Gu Xiaobai Bihai Riding Whale Concert, and on the other hand, to support Hua Liu Concert going out of China and going to the world.

But for this concert, the two actually didn't have too high expectations.

A concert...isn't that what it is.

But it's only been less than an hour since the actual opening, and the voices of both of them are almost hoarse.

This scene is really amazing!Strong enough to exceed the expectations of two people.

On the one hand, the hardware of Sea Dragon Palace is really great. As long as you want to do it, it is almost impossible to do it in this venue.

On the other hand, as the most famous and charismatic agent in the industry, Hao Fanbai used his influence and professionalism to invite the strongest team.

The music director of "Hua Liu Concert" is jointly held by Feng He and several of his friends. The live stage effects and visual effects are in charge of the team brought out by Gu Xiaobai before "Riding the Whale in the Blue Sea". The singer is also the most powerful.

In terms of arrangement, this concert actually paid tribute to Gu Xiaobai.

The first song at the opening was the first song "Singing Girl at the End of the World" that Gu Xiaobai once sang.

While paying tribute to a generation of golden voices, several singers were also invited to sing a few Chinese masterpieces in the great Shanghai era.

For example, the very jazzy "Rose Rose I Love You", which hit the Billboard charts and was widely translated into various languages, is probably one of the most influential Chinese songs in the world.

Then there was another song "Night Shanghai", which made everyone unable to help but sway to the rhythm.

The Great Shanghai of that era was known as the Oriental Magic City. It was the most developed and influential city in the Far East and had the ability to lead the world trend.

These songs represent the charm and confusion of the great Shanghai era, and it seems that they instantly brought everyone back to the era of wars and riches.

After the great Shanghai era, it entered the Hong Kong era, and Cantonese songs appeared.

However, the first Cantonese song was still "Shanghai Bund". The "Walking the Waves", which almost everyone could hum, blew up the audience.

Then there is a song "Laughing Marriage" that almost marks the emergence of Cantonese songs.

Cantonese also has a great influence overseas. Even if you don't speak Cantonese, when the familiar melody sounds, there is a chorus at the scene.

After two Cantonese songs, it entered the era of Taiwan. Teresa Teng's representative work "The Moon Represents My Heart" opened the prelude to the era of Taiwanese music. Then under the "New Folk Song" movement in Taiwan, there was an explosion of outstanding creators. Gradually get rid of the influence of Japan, Luo Dayou's "Love Song 1980", Li Zongsheng's "Across the Ocean to See You", Zhang Yusheng's "I Want to Fly Higher"...

Even among overseas Chinese, they all have a very high degree of singing.

Next, the rise of mainland music!

Cui Jian's "Fake Monk" and Tang Dynasty Band's "Dream Back to Tang Dynasty" brought the scene into the rock era.

Then, the northwest wind blew strongly, and the song "Xintianyou", which was simple and straightforward, sang the endless northwest wind.

At this time, the Chinese pop music world began to enter a stage of vigorous development, and the resurgence of mainland pop music made the "Hua Liu" begin to unify. You influence me, and I influence you.

"You at the same table" in the era of campus folk songs aroused everyone's inner memories...

Then, the Hualiu music market developed rapidly, and there were more and more Chinese and Western music.

Tao Zhe, who combined R&B and other genres, Jay Chou who played Chinese style on the basis of Tao Zhe, Lin Junjie from Singapore, Wang Leehom from the United States...

The Four Little Heavenly Kings ruled for a decade, and in the next decade, the mainland music boomed again.Chinese folk songs, dialect rock, Chinese ancient style, Chinese rap...

Some of these songs have been sung by original singers, and some have bought the copyright and asked others to sing, but almost all of them are the most representative, popular, and historically significant songs in Chinese pop music.

For Chinese audiences, almost every song is a song that people can't help but sing along with.

However, almost every one of these songs has been adapted. While retaining the original flavor, new things have been added. Not only is there no aesthetic fatigue, but it even feels refreshing.

Paired with the cool stage of Shanglong Palace in Shanghai, the incomparable dance beauty made the audience unable to stop high.

Moreover, visible to the naked eye, funds are burning!

Arranging, playing, and arranging, the cost is really too high!

The first half of the "Hua Liu Concert" was more like a "Chinese pop music history lesson".

Sort out Chinese pop music clearly.

Time has entered the third decade of the 21st century.

Everything has changed again!

The post-00s are on the most shining stage!
The opening of the second half of the concert was given to Fu Wenyao, and the song "bad boy" blew up the audience.

As the new generation may be one of the strongest all-round songwriters, Fu Wenyao sang three songs in a row.

The three songs "bad boy", "Don't Define Me", and "He Said" made the scene extremely high.

Then 306/1 came on stage, "One Hundred Days", "Humph, I'm Angry", and "Single Dog Song".

Although Xiaobai was not there, the three people whose singing skills had evolved still held the stage.

With "Single Dog Song", Zhu Qinan came on stage, and the hot rap "I Want a Girlfriend" brought greetings from the post-90s generation, and made the audience laugh from ear to ear.

Then it became a post-00 show, Shao Yangyang and Tong Yu's "Face Stealer", and Tong Yu sang Gu Xiaobai's "Champion Overture"...

During this period of time, too many excellent musicians continued to emerge.

Some original musicians and newcomers came to the stage. In order to maximize the influence of Gu Xiaobai, a few original songs that Gu Xiaobai had sung were interspersed in the middle, and the response was very good.

Next, is the real fairy fight.

"Yanyan", a collaboration between Zhoujiu Band and Tao Ran, sang the harmony between heaven, earth and man alone, which made people almost mistake Xiaobai for coming.

Then there is Qin Qing's "Jianjia". Have you ever seen someone singing high in a venue with 8 people, between heaven and earth, above the sea, and then suddenly throw away the microphone and sing without the microphone?

After Qin Qing carried Zhu who was out of tune, shook his ragged robe and turned to leave, the scene shouted his name wildly for almost 5 minutes.

Who will be next?
Will the Moth Emperor come?
It is a pity that Xiao Mozi did not participate in this Hualiu concert.

In the next second, the whole venue went dark, dim light hit the air, and the smoke spread above the central stage, slowly forming three large characters
"Mr. Cloud"!
(End of this chapter)