don't call me singer
Chapter 654 Bell and Flute Concerto, "Han Jian Rising Dragon"!
Chapter 654 Bell and Flute Concerto, "Han Jian Rising Dragon"! (three more)
By the Hoan Kiem Lake, under the stage, the audience took their seats one after another.
Gu Xiaobai sat in the middle of the third row, and on his left was the president of the Vietnam Music Association, a very thin and very small Vietnamese man.
On the right of Gu Xiaobai are several people from 306, as well as Fu Wenyao who didn't list their names but felt that he must be "waiting", and Hua Minyu who also didn't list their names but thought he was a "lady" , Wen Xiaowen; and some other people who were not invited but felt that they should have a place.
The invitation letter given to Gu Xiaobai by the Vietnam Music Association had no limit on the number of people. In fact, the entire third row, except for a few persons in charge of the Music Association, was reserved for Gu Xiaobai, so he was allowed to sit. It's full.
Wang Dawen was also there. He looked left and right, and suddenly saw Pei Guangrong sitting in the front row, and immediately greeted him with a smile.
When Pei Guangrong saw Wang Dawen, his ugly smiling face suddenly froze, and his expression was a little unnatural.
Recently, Pei Guangrong has been caught in a moral dilemma.
That is, cheating in a dream... is it cheating?
Should he confess to his wife that in his dream, he had several concubines and many palace maids who could let him get whatever he wanted?
This little day is really too moist.
But he also read the history, his little life won't last long...
Because Li Li lived to be 49 years old!
Thinking of this, Pei Guangrong sighed melancholy.
On the other side, Hao Fanbai was directing many seemingly capable people, busy by the lake.
They moved many large and small empty boxes around, pretending to install something.
This is to prepare for Gu Xiaobai's performance later.
Gu Xiaobai's performance this time will use a lot of system reward props. These things are not as easy to conceal as in China. It is really that the stage equipment in Vietnam is too simple, and it is impossible to achieve so many cool effects.
But when the time comes, you have to find a way to prevaricate.
Recently, Hao Fanbai felt that he was doing this kind of thing all day long, and the court orchestra in Qi State had long been used to running around in two-legged trousers.
Even the tie is slippery.
Apart from kneeling every day, his legs are a bit bow-legged, and his speech is hard to understand, everything else is very modern, and you can't see it unless you look carefully.
But it doesn't matter if you have bow legs, you can pretend to be Japanese.
Even if someone sees a flaw, they can push these things to the "visual effects team from Japan", anyway, they often click on the technology tree!God knows that black technology has been pointed out again.
Pushed cleanly, perfect!
Hao Fanbai directed the people to make blind gestures by the lake for a long time, seeing that the time was almost up, Ming Jin withdrew his troops.
Soon, the show started.
For Gu Xiaobai, the performance was a bit boring, but not completely boring.
Vietnamese folk orchestras are similar to domestic folk orchestras. In China, they are probably at the level of a provincial-level folk orchestra, and they have to be relatively low-ranking ones.
The strength of Vietnam's symphony orchestra is also mediocre. Although a foreign conductor was found to conduct it, the level of the musicians themselves and the overall momentum, dynamics, and speed are not satisfactory.And the repertoire of the performance is also the music composed by Vietnam itself.
Other singing and dancing... It made Gu Xiaobai and the others want to yawn.
Northern Vietnamese music is in the same line as Chinese music. Gu Xiaobai heard many familiar tones, but Vietnamese tones have eight tones, twice as many as Chinese four tones, so it sounds more tactful, but also Something weird...or ugly.
Vietnam's Nantune (Southern music) uses five tones instead of the Chinese five-tone pattern 1, 2, 3, 5, 6 (CDEGA), but 1, 2, 4, 5, and 6, that is, C, D, F, G, bA, slow speed, lyrical tune, very Southeast Asian style, it is more interesting to listen to.
But it's just fun.
However, the head of the Music Association in Vietnam was still asking Gu Xiaobai how he felt.
How can I say this?
Although he can be very sharp on the stage, Gu Xiaobai is still a good boy most of the time in his daily life, and he can be regarded as helping him to get ahead. At this time, Gu Xiaobai still doesn't want to say too nasty things.
I can only comment a few tactfully.
It can be seen that the person in charge of the Music Association is not very satisfied.
Our show is so good!
Such a high level!
How can you be so indifferent!
After a while, it finally came to the performance of the duchord.
The video of Gu Xiaobai's question and answer with an unknown musician has already blown up the Internet, and the person in charge of the Music Association has also watched it many times.
It seems that Gu Xiaobai likes the duxian very much.
Now he wants to let Gu Xiaobai know that that level is nothing at all!Today we are on stage, is the first-class duxian master!
A Vietnamese man with messy hair came to the stage with a gorgeous Duchord carved like a dragon, and played "Threading the Needle and Thread", which Gu Xiaobai had played before.
Everyone in the audience shook their heads, and the person in charge of the music association turned to look at Gu Xiaobai, only to find that Gu Xiaobai was quietly wiping away tears.
Well, Xiaobai was moved!
In fact, Gu Xiaobai just yawned quietly...
They must be trying to put me to sleep, so I won't be able to perform later!
I have seen through your vicious thoughts!
But when the Bamboo Orchestra came on stage, the teenagers off the stage stared wide-eyed, looking very interested.
In fact, there are also bamboo bands in China, and all musical instruments are made of bamboo.
Bamboo organs, percussion instruments made by beating bamboo tubes...
The most interesting thing for teenagers is a musical instrument called glombu, which is like a super-large panpipe, but it is not blown with the mouth, but is poured into the bamboo tube by the wind of clapping with two hands to make a sound ...
The performers swayed on the stage, clapped their hands in front of different bamboo tubes, and moved quickly, as if they were dancing.
This way of playing is very novel, but its expressiveness... can only produce one sound at a time, and it is impossible for an instrument with too fast rhythm, how can it have too high expressiveness?
In addition, there is another musical instrument called Fengxiao, which is just a bamboo tube without any sound hole, blowing air at one end, blocking the tube with your hand below, or even inserting your fingers into the hole to change the length of the tube to produce different tones... …
Looking at traditional Vietnamese musical instruments, for Gu Xiaobai, the biggest feeling is that they are simple and simple.
I feel that the musical instruments in Vietnam are just cut off from the bamboo forest and become musical instruments.
Think about the seven-hole bone flute that existed in China 7000 years ago, and the huge two-tone chime bell that was cast in the Spring and Autumn Period 2700 years ago. Gu Xiaobai is very glad that he did not travel to Vietnam.
Are we really of the same origin?
Why is there such a difference?
How does the radiation of civilization attenuate?
Finally, the show came to an end.
Announcers come to the stage to announce:
"Next, I invite young Chinese musician Gu Xiaobai to bring you a wonderful performance!"
Gu Xiaobai got up, although he thought he should be called a young musician, but he didn't seem to have this title.
Gu Xiaobai picked up the flute box next to him and went to the stage.
He walked to the microphone and looked down the stage.
"We once copied a Vietnamese song. To express our apologies, now I will give you one back."
He paused and said, "This song is dedicated to Vietnam and all Vietnamese."
With a light step on the left foot, the flute box standing on the ground like a sword box opened with a click.
The eight flutes spread out like a peacock spreading its tail.
Behind Gu Xiaobai, eight words slowly appeared on the big screen:
Bell and flute concerto, "Returning the Sword and Rising the Dragon"!
The stage of the performance venue was backed by the calm water of Hoan Kiem Lake. At this moment, puffs of mist grew from the lake and slowly covered the entire lake.
Two phantoms slowly floated up from the lake water, looming, seemingly real or illusory.
On one side is the carillon, on the other is the drum.
Below the stage, countless people exclaimed.
What the hell, when did these two pianos hide in the lake!
How did it get up again!
What a trick!
Around the entire Hoan Kiem Lake, countless tourists nearby also exclaimed.
This opening is really cool!
Just looking at the blurred fog and faint light, many people also realized that this might be a projection.
But it's so realistic!
In seconds, all previous performances on Eight Hundred Streets!
Everyone looked at the qin of bells and drums, and then at the flute in Gu Xiaobai's hand, and immediately understood.
This is the bell and flute concerto!
"Returning the Sword and Rising the Dragon"!
(Note: In fact, Hoan Kiem Lake is like a small third-tier scenic spot in China that no one goes to. It’s quite broken. I guess it can’t support such a performance. This is a novel. Let’s pretend it’s okay.
In addition, when I read "Southeast Asian Folk Music" a few days ago, I saw that the author wrote at the end of the chapter "Vietnamese Music": "In the process of writing Vietnamese music, the author still went to Hanoi, Vietnam despite the financial difficulties. I went around and felt the life of the Vietnamese people... Since I couldn’t go to the vast rural areas of Vietnam to collect first-hand music materials, and I couldn’t collect pop songs with their own national style created by Vietnamese musicians, so , Vietnam has a lot of national music culture, and more scholars need to study it.” After reading this paragraph, I suddenly felt... Sure enough, it doesn’t matter if you write music history or music novels, anyway, you can write music. poor. _(`”∠)_)
(End of this chapter)
By the Hoan Kiem Lake, under the stage, the audience took their seats one after another.
Gu Xiaobai sat in the middle of the third row, and on his left was the president of the Vietnam Music Association, a very thin and very small Vietnamese man.
On the right of Gu Xiaobai are several people from 306, as well as Fu Wenyao who didn't list their names but felt that he must be "waiting", and Hua Minyu who also didn't list their names but thought he was a "lady" , Wen Xiaowen; and some other people who were not invited but felt that they should have a place.
The invitation letter given to Gu Xiaobai by the Vietnam Music Association had no limit on the number of people. In fact, the entire third row, except for a few persons in charge of the Music Association, was reserved for Gu Xiaobai, so he was allowed to sit. It's full.
Wang Dawen was also there. He looked left and right, and suddenly saw Pei Guangrong sitting in the front row, and immediately greeted him with a smile.
When Pei Guangrong saw Wang Dawen, his ugly smiling face suddenly froze, and his expression was a little unnatural.
Recently, Pei Guangrong has been caught in a moral dilemma.
That is, cheating in a dream... is it cheating?
Should he confess to his wife that in his dream, he had several concubines and many palace maids who could let him get whatever he wanted?
This little day is really too moist.
But he also read the history, his little life won't last long...
Because Li Li lived to be 49 years old!
Thinking of this, Pei Guangrong sighed melancholy.
On the other side, Hao Fanbai was directing many seemingly capable people, busy by the lake.
They moved many large and small empty boxes around, pretending to install something.
This is to prepare for Gu Xiaobai's performance later.
Gu Xiaobai's performance this time will use a lot of system reward props. These things are not as easy to conceal as in China. It is really that the stage equipment in Vietnam is too simple, and it is impossible to achieve so many cool effects.
But when the time comes, you have to find a way to prevaricate.
Recently, Hao Fanbai felt that he was doing this kind of thing all day long, and the court orchestra in Qi State had long been used to running around in two-legged trousers.
Even the tie is slippery.
Apart from kneeling every day, his legs are a bit bow-legged, and his speech is hard to understand, everything else is very modern, and you can't see it unless you look carefully.
But it doesn't matter if you have bow legs, you can pretend to be Japanese.
Even if someone sees a flaw, they can push these things to the "visual effects team from Japan", anyway, they often click on the technology tree!God knows that black technology has been pointed out again.
Pushed cleanly, perfect!
Hao Fanbai directed the people to make blind gestures by the lake for a long time, seeing that the time was almost up, Ming Jin withdrew his troops.
Soon, the show started.
For Gu Xiaobai, the performance was a bit boring, but not completely boring.
Vietnamese folk orchestras are similar to domestic folk orchestras. In China, they are probably at the level of a provincial-level folk orchestra, and they have to be relatively low-ranking ones.
The strength of Vietnam's symphony orchestra is also mediocre. Although a foreign conductor was found to conduct it, the level of the musicians themselves and the overall momentum, dynamics, and speed are not satisfactory.And the repertoire of the performance is also the music composed by Vietnam itself.
Other singing and dancing... It made Gu Xiaobai and the others want to yawn.
Northern Vietnamese music is in the same line as Chinese music. Gu Xiaobai heard many familiar tones, but Vietnamese tones have eight tones, twice as many as Chinese four tones, so it sounds more tactful, but also Something weird...or ugly.
Vietnam's Nantune (Southern music) uses five tones instead of the Chinese five-tone pattern 1, 2, 3, 5, 6 (CDEGA), but 1, 2, 4, 5, and 6, that is, C, D, F, G, bA, slow speed, lyrical tune, very Southeast Asian style, it is more interesting to listen to.
But it's just fun.
However, the head of the Music Association in Vietnam was still asking Gu Xiaobai how he felt.
How can I say this?
Although he can be very sharp on the stage, Gu Xiaobai is still a good boy most of the time in his daily life, and he can be regarded as helping him to get ahead. At this time, Gu Xiaobai still doesn't want to say too nasty things.
I can only comment a few tactfully.
It can be seen that the person in charge of the Music Association is not very satisfied.
Our show is so good!
Such a high level!
How can you be so indifferent!
After a while, it finally came to the performance of the duchord.
The video of Gu Xiaobai's question and answer with an unknown musician has already blown up the Internet, and the person in charge of the Music Association has also watched it many times.
It seems that Gu Xiaobai likes the duxian very much.
Now he wants to let Gu Xiaobai know that that level is nothing at all!Today we are on stage, is the first-class duxian master!
A Vietnamese man with messy hair came to the stage with a gorgeous Duchord carved like a dragon, and played "Threading the Needle and Thread", which Gu Xiaobai had played before.
Everyone in the audience shook their heads, and the person in charge of the music association turned to look at Gu Xiaobai, only to find that Gu Xiaobai was quietly wiping away tears.
Well, Xiaobai was moved!
In fact, Gu Xiaobai just yawned quietly...
They must be trying to put me to sleep, so I won't be able to perform later!
I have seen through your vicious thoughts!
But when the Bamboo Orchestra came on stage, the teenagers off the stage stared wide-eyed, looking very interested.
In fact, there are also bamboo bands in China, and all musical instruments are made of bamboo.
Bamboo organs, percussion instruments made by beating bamboo tubes...
The most interesting thing for teenagers is a musical instrument called glombu, which is like a super-large panpipe, but it is not blown with the mouth, but is poured into the bamboo tube by the wind of clapping with two hands to make a sound ...
The performers swayed on the stage, clapped their hands in front of different bamboo tubes, and moved quickly, as if they were dancing.
This way of playing is very novel, but its expressiveness... can only produce one sound at a time, and it is impossible for an instrument with too fast rhythm, how can it have too high expressiveness?
In addition, there is another musical instrument called Fengxiao, which is just a bamboo tube without any sound hole, blowing air at one end, blocking the tube with your hand below, or even inserting your fingers into the hole to change the length of the tube to produce different tones... …
Looking at traditional Vietnamese musical instruments, for Gu Xiaobai, the biggest feeling is that they are simple and simple.
I feel that the musical instruments in Vietnam are just cut off from the bamboo forest and become musical instruments.
Think about the seven-hole bone flute that existed in China 7000 years ago, and the huge two-tone chime bell that was cast in the Spring and Autumn Period 2700 years ago. Gu Xiaobai is very glad that he did not travel to Vietnam.
Are we really of the same origin?
Why is there such a difference?
How does the radiation of civilization attenuate?
Finally, the show came to an end.
Announcers come to the stage to announce:
"Next, I invite young Chinese musician Gu Xiaobai to bring you a wonderful performance!"
Gu Xiaobai got up, although he thought he should be called a young musician, but he didn't seem to have this title.
Gu Xiaobai picked up the flute box next to him and went to the stage.
He walked to the microphone and looked down the stage.
"We once copied a Vietnamese song. To express our apologies, now I will give you one back."
He paused and said, "This song is dedicated to Vietnam and all Vietnamese."
With a light step on the left foot, the flute box standing on the ground like a sword box opened with a click.
The eight flutes spread out like a peacock spreading its tail.
Behind Gu Xiaobai, eight words slowly appeared on the big screen:
Bell and flute concerto, "Returning the Sword and Rising the Dragon"!
The stage of the performance venue was backed by the calm water of Hoan Kiem Lake. At this moment, puffs of mist grew from the lake and slowly covered the entire lake.
Two phantoms slowly floated up from the lake water, looming, seemingly real or illusory.
On one side is the carillon, on the other is the drum.
Below the stage, countless people exclaimed.
What the hell, when did these two pianos hide in the lake!
How did it get up again!
What a trick!
Around the entire Hoan Kiem Lake, countless tourists nearby also exclaimed.
This opening is really cool!
Just looking at the blurred fog and faint light, many people also realized that this might be a projection.
But it's so realistic!
In seconds, all previous performances on Eight Hundred Streets!
Everyone looked at the qin of bells and drums, and then at the flute in Gu Xiaobai's hand, and immediately understood.
This is the bell and flute concerto!
"Returning the Sword and Rising the Dragon"!
(Note: In fact, Hoan Kiem Lake is like a small third-tier scenic spot in China that no one goes to. It’s quite broken. I guess it can’t support such a performance. This is a novel. Let’s pretend it’s okay.
In addition, when I read "Southeast Asian Folk Music" a few days ago, I saw that the author wrote at the end of the chapter "Vietnamese Music": "In the process of writing Vietnamese music, the author still went to Hanoi, Vietnam despite the financial difficulties. I went around and felt the life of the Vietnamese people... Since I couldn’t go to the vast rural areas of Vietnam to collect first-hand music materials, and I couldn’t collect pop songs with their own national style created by Vietnamese musicians, so , Vietnam has a lot of national music culture, and more scholars need to study it.” After reading this paragraph, I suddenly felt... Sure enough, it doesn’t matter if you write music history or music novels, anyway, you can write music. poor. _(`”∠)_)
(End of this chapter)
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