The origin of the star lotus world
Chapter 2351
Chapter 2351 Main Text
Chapter 2274 of the main text
Look at the VIP Mo Di; he has passed the Flying Dragon Flower Hall in the central area of the main hall of the Zunyan Dragon Hall and is still walking forward.
I waved gently to him, signaling for Mo Di to return to the area of the Flying Dragon Flower Palace and not to go any further. Guan Zejin Cailian had already instructed him to kneel and offer blessings at the Flying Dragon Flower Palace, and he should follow the instructions.
Mo Di said he obeyed the decree, and with a smile, he wanted to kneel at the very front of the Zhongjing Hall, and immediately knelt down.
I told him to step back a little further and kneel on the Glory Cloud Carpet in the Flying Dragon Flower Palace. I told him not to just grin like an idiot, but to look at the ground. There was a cloud carpet, but he wasn't using it. Kneeling on the Glory Cloud Carpet in the Flying Dragon Flower Palace was in accordance with the arrangement.
Mo Di knelt on the Glory Cloud Carpet, feeling that it didn't matter whether or not it was covered by soft clouds.
He kowtowed repeatedly, using the most solemn and divine form of worship, to express his sincere blessings and respect to his original master.
Mo Di said he wanted to wish me a belated Happy New Year. He said he was grinning foolishly, and he had his reasons for being foolish. He thought the Source Master looked so good, even more so than when he last visited. How beautiful and wonderful! He blessed the Master with holy and beautiful blessings, that he might forever enjoy the infinite glory of the multiverse, the supreme and the best, the most wonderful and the most supreme.
I said that according to the timeline of the mortal world, summer is almost over, and yet there are still people wishing me a Happy New Year? That's strange, but the Dragon Year banquet is a traditional festival feast, a celebration of New Year's greetings and festivals, which is fine (it's all because the author has been procrastinating on writing, dragging things out; some plot points that should have happened much earlier have been slowed down). Praising the fat man's appearance is truly insincere, which is rare, but what normal person doesn't want to be praised? Whether it's true or not, it's better than being called ugly. Those who constantly say others are ugly and ridicule their appearance will eventually face misfortune. One should speak kindly, or of course, not at all, as long as one doesn't say anything unpleasant. Those who constantly use words to hurt others will eventually pay the price; one should understand this principle.
Mo Di straightened his body, raised his head, and said joyfully that he felt the Origin Master looked good in any form. With such bearing and temperament, the Creator Saint was unique, and only the Primordial Heaven Master could be on par with the Origin Master. In his eyes, everyone else was like insignificant illusions, mere specks of light. He had existed in this multiverse for a very, very long time, and he had always believed that the two masters were the best. He would continue to believe this, forever.
If I say it looks good, then it looks good. Receiving praise is a good thing, so I will gladly accept it. Some praise is very good.
The image I use here in the Holy Palace is much better than the image of the author in the mortal world, who has been obese for nearly 240 pounds over the years. This is an indisputable fact. The image I use here, although also quite fat, is naturally very good and beautiful due to the Holy Item enhancement and handsome attire.
In the mortal world, the author hasn't heard anyone praise his appearance in a long time. Now, in his mortal body, he's older and heavier, and years of laziness have left him with little money. Finding a partner seems as unattainable as a fairy tale. He spends his days writing and researching the text of his Star Lotus story, seemingly lost in thought. Over the years, he's had ample time, yet he hasn't put in the effort, just getting by. He feels that simply persisting, slowly rereading and writing a little each day, is already good enough; the key is persistence. To others, this literary work is nothing special, just an ordinary piece, nothing remarkable. But to himself, the Star Lotus story is the best work of his life. At least the sheer volume of text is vast and numerous. One could say it has its merits; even if the plot and writing style are ordinary, it's still a work of painstaking effort, accumulated bit by bit. The author has poured out his entire life's energy and inspiration to create the infinitely perfect Star Lotus story system.
Mo Di said that in his view, the Star Lotus Story Infinite System of the Origin Master was the best system, capable of true eternity. Even if they disappeared after countless years, as long as the Origin Master wished, these important characters could still reappear. Wasn't this the most stable database of the multiverse? Some works, no matter how good the plot, how beautiful the writing, or how rich the content, would still be washed away and eliminated over the long years. But the Star Lotus Story didn't use a plot, but rather the eternally existing divine will of creation and data foundation. For example, if the New Three Illusions Universe disappeared, it could be reset and recreated, even infinitely. There would be no data damage or loss; it would be recreated and reshaped, maintaining its unchanging nature to cope with the infinite. That's how stable and balanced it was. The Origin Master explicitly mentioned many times in the Star Lotus Story that he would permanently preserve and maintain the Origin God Heavenly Domain, the Origin God Universe, and the Twelve Celestial Universes—these were his own cosmic forces. Having heard the Origin Master speak to them with divine thought, everyone was reassured, feeling that it would be very stable and balanced, and could exist infinitely for a long time.
In his eyes, the fact that these important characters could serve their master indefinitely was a miracle of creation. The plot and the story itself didn't matter; when emotions and spirit reached their zenith, transcending even that, that was eternal light and boundless brilliance—it was wonderful, truly wonderful. He wasn't good with words, but he knew these things were very good. The original master was writing and perfecting his work; this was a process of purifying the mind and cultivating the spirit. This state was rare, and to resonate with it would be a great honor. Opening the book was beneficial; one could gain something from it.
I said, Mo Di, what you said was very well said. Your speech this time was truly remarkable and of a high standard. The author, by using the praise of an important character in the work to say that the Star Lotus story is good, and even more so, that you yourself think the Star Lotus story is exceptionally good, is simply self-praise. You should believe in the future of your own work. In the work you painstakingly created and perfected, your deep-seated passion and determination remain. Isn't that a kind of personal home and sanctuary? In your own work, you can realize your own value; you can create what you want within your work, consolidate and balance it, and possess and maintain it.
Mo Di expressed his gratitude for the recognition from the Source Master, stating that he was genuinely moved and that some of his words reflected concepts and ideas previously mentioned by the two Masters. He took this opportunity to elaborate on these points and felt that he had spoken very well, that his words were insightful, and that they were truly excellent.
The timing of expressing certain thoughts or words can have a significant impact.
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