What kind of bad thoughts can the director have?

Chapter 50
During this period of time, sister Tao has continued to massage her waist. After New Year's Day, she will join the filming crew of "Iron Burning" for a month, and then return to Beijing in early February to continue rehearsing the Spring Festival Gala sketches.

Yang Shu saw a bunch of scripts and work plans including "Iron Burning", "Dear Marriage", "Let's Get Married", and "Ode to Joy" at her home.

"Iron Burning" is an anti-Japanese drama. It tells the story of three brothers fighting against the Japanese invaders together. The woman, sometimes pure and pleasant, sometimes charming and coquettish, in short, she is a beautiful fairy.

She herself said: "This character is a vase. I change my costumes every time I appear on the stage. Student outfits, lady outfits, young women's outfits, dancer outfits, and special agent outfits. It should be more fun."

"I wish Sister Tao's drag show a great success."

Yang Shu casually picked up the script of "Ode to Joy": "Andy?"

Liu Tao was a little surprised: "You didn't even read the script, you know I'm playing Andy?"

This kind of subconscious mistake has been made more than once, and Yang Shu responded very skillfully: "I have read the novel of the same name, it should be this one, there is a returnee female executive named Andy in it, I think it suits you."

"You really know everything. I did play Andy, working with Jiang Xin, Yang Zi, Jin Dong and others."

"Ode to Joy" is the work of the online writer Anai. Like the authors of "Langya Bang", "Zhen Huan Biography" and "Miyue Biography", she is also a female writer in Jiangsu and Zhejiang. Apart from writing, I am also a well-known writer in Zhejiang. Corporate executives.

Anai is very talented. Not only did she write "Ode to Joy", she also wrote "Dajiang Dahe" and "Everything Is Well", all of which were adapted into TV dramas.

There is a similarity between mainland China and South Korea. Female screenwriters or adaptations of female writers play a pivotal role in the TV industry.

Some things still need to be greeted first, and Yang Shu told Sister Tao about writing a disclaimer of copyright to Ruhe.

After all, she was the one who contacted "Lover at the Table" at the beginning, and "Langya Bang" and "Legend of Miyue" that she collaborated with have not yet aired.

Sister Tao's attitude was beyond Yang Shu's expectation: "Don't be too anxious about this kind of thing, I have been out for 14 years, I don't know how many times I have been cheated, some companies cheated me while cooperating with me, it is unimaginable, right?
The film and television industry is not a place to talk about feelings, just do what you want, how do you say it? "

"What is that ruthless, what is that unrighteous?"

Sister Tao laughed: "I originally wanted to say that there are no eternal friends, no eternal enemies, only eternal interests."

"However, although what you said is ugly, it is not wrong. It is ruthless and ungrateful to act on the spot. This is how the entertainment industry is."

"Sister Tao is right. After most companies make their artists popular, they try their best to squeeze them out, and then the artists rebel against the contract and defect from the company. How many years does this kind of drama happen?"

"The ones that are not popular are more squeezed, and fame and fortune are impermanent. It is because this is the norm in the industry, and the management has become particularly sensitive, so I know that after you disobey Confucian arrangements, you will worry about their arrears of copyright fees. In the end, you ended up extorting two script."

Yang Shu looked a little aggrieved: "Obviously I made money for the company, but in the end I didn't even have the slightest attitude of equality and respect, otherwise I wouldn't have come to this point."

"Don't talk childishly. As I said just now, disobedience to the arrangement is a big taboo. Every big company has painful experience and lessons, and it becomes increasingly unbearable for disobedient people."

Yang Shu agreed: "That's true, the team is not easy to lead, and the hostility is heavy."

"So don't think that it's all about making money, any celebrity doesn't make a lot of money for the company, but some companies don't treat their artistes as human beings at all, and there are all kinds of scandals about drinking and sleeping together. This is a vicious circle in the industry. "

Yang Shu pretended to be pure: "I have heard of it, but I don't quite believe it. I always feel that it is a bit embellished."

Sister Tao hummed and laughed: "In short, you have done everything you need to do. "Lovers at the Table" made so much money, I am worthy of Confucianism."

At the end of the push, Sister Tao turned over and looked at Yang Shu: "Your career has just started, don't believe what some people say that the law of the jungle is no longer suitable for modern society, people who say such things are either stupid or bad.

One thing to keep in mind is that you must have the means to compromise, but you must not have the mentality of compromise. In our industry, the law of the jungle will never go out of style, and don't become someone else's lunch. "

"I remember."

Now that Sister Tao has said so, Yang Shu looks forward to the future, as if he secretly invested money in Ruhe stock.

The filming of "Future Classmates" was done in an orderly manner, and Liu Man's performance became more and more natural, which was a lot better than in "Lovers at the Table".

Sister Lian Tao said to Yang Shu when she visited the class: "The acting style I formed after several years of groping, has now been learned by this girl."

In fact, it cannot be said to be imitation. The two look too similar, and there is an optimal performance according to their own conditions. Liu Man has watched all her plays, so he naturally avoided some pitfalls. Maybe he will have his own experience in the future. The possibility of further improvement is greater than that of Liu Tao.

Of course, you can’t say this to Liu Man, who is so strong. Later, she really asked: "My sister and you are looking at me and muttering, are you judging my performance?"

Yang Shu told her: "Your sister said that you are very talented in acting. This is only the second work, and your performance has surpassed when she first debuted."

"Impossible, did she really say that?"

"If you don't believe me, ask her."

Of course, it is impossible for Liu Man to ask, but the performance is more confident due to encouragement, and there are often improvisations inspired by inspiration. This is called the Rosenthal effect, or the anticipation effect in psychology.

Yang Shu has also played a lot in this play, but it is not improvisation, but deliberation after deliberation, and he feels that the effect is good.

For example, when the plot advances to the truth and the boyfriend puts a ring on the heroine, the hero and heroine of the original work gaze affectionately and movedly, and their emotions are relatively restrained.

This should also be due to Japan's own national conditions. The island country's film and television dramas rarely express emotional outbursts, and even filming Ivy can't see the passion.

If this drama is made into a Korean version, it is very likely to add a confession of the male lead's voice and emotion at this time, a lot of nonsense.

The mainland also has its own characteristics. In fact, in recent years, mainland dramas have been more European and American in terms of emotional processing than Japan and South Korea. "Ghost Love" is so sensational, but how can we not shed tears?How can you not kiss?
So if there is no strong emotion and emotional expression, domestic audiences will not look interesting at all.

For this reason, Yang Shu designed an emotional kiss scene, which can be regarded as a sacrifice for art, and he sacrificed quite well. He wanted to sacrifice a few more times, but it was a pity that he sacrificed completely once.

Afterwards, Liu Man was shy and dissatisfied, and secretly scolded him: "What's wrong with you, don't you control yourself?"

Yang Shu pretended to be stupid: "Is there?"

"Of course, I didn't say hello during rehearsal."

"The rehearsal is just an excuse to make a show. You may be too involved in the performance and can't help it."

"Can't help it? You're not a puppy, so unprofessional."

"I forget myself just because of my profession. This is an unconscious action of autonomic nerves. I can't remember it now."

"It's just nonsense, I believe you've been damned."

"If you don't believe me, you can try again."

"roll."

The kissing scene still had some sequelae, Liu Man and him were obviously closer, maybe it's not impossible to try again someday.

At noon on December 12st, "Future Classmates" was finished, and the first season of "World's Wonderful Events" was completely filmed, followed by a one-month post-production.

And tomorrow, 2015 will arrive.

The break-up banquet at noon that day was also a welcome banquet. Everyone drank some wine, and Yang Shu clinked glasses with everyone with his arms around Ning Song: "2015, fast horses and clouds, everything can be expected!"

(End of this chapter)