From traffic to movie star

Chapter 451 Blast!

Hong Kong films have been in decline for a long time.

The theme of gangster shootouts, which occupied half of Xiangjiang's movies, has long been filmed badly. Although film critics believe in Wei Xun's ability, it is difficult to imagine how Wei Xun will tell the story of "Infernal Affairs" story.

In particular, gunfight gangster movies sound like commercial movies, and it is difficult to analyze and excavate them in terms of acting skills, art, humanity, and character depth.

In terms of box office, no one will worry, after all, this is Wei Xun's movie.

But can a movie about the underworld really impress the Cannes Film Festival?

At the moment, the film critics at the premiere of "Infernal Affairs" have their own thoughts, occasionally glance at Jean Besson sitting next to Wei Xun, trying to guess something from the face of the Cannes chairman.

But Jean Besson was always staring at the screen intently.

For film reviewers, carefully watching the reviewed films is the greatest respect.

On the big screen, Chen Yongren and Liu Jianming briefly met in a video store, and then the two strangers left separately.

Chen Yongren played by Wei Xun and police officer Huang Zhibin played by Chen Qiuheng met on the rooftop.

As soon as they met, the two film kings started to flirt with each other.

"Tell me, how many times have you been arrested just for hurting people, I tried my best to tell the lawyer that you have problems in your heart, let you see a psychiatrist, and you beat people everywhere."

Officer Huang leaned on the railing of the roof, stared sideways at Chen Yongren, and asked, "Are you still really psychotic, forgetting whether you are a good person or a bad person?"

There was impatience in Chen Yongren's tired eyes, and his expression was even more irritable: "It's three years, three years later, three years after three years, three years after three years, almost ten years, boss."

After working as an undercover agent for ten years, although he always reminded himself that he was a policeman, after a long time, he himself was a little lost.

The two were chatting on the rooftop, and at one point they were about to collapse, but... despite his grievances, Chen Yongren gave Huang Zhibin the triad boss Han Chen about the smuggling transaction.

When Jean-Besson saw this, he had some enlightenment.

This Chen Yongren was put under the shackles of a 'good guy'.

As soon as the camera turned, Liu Jianming appeared on the stage, and the police got the confidence of Han Chen to ship the goods, and planned to carry out the arrest operation that night.Liu Jianming, who was in the police station, secretly revealed the news to Han Chen.

As a result, an invisible dark line began to emerge.

Without knowing each other, Liu Jianming and Chen Yongren became rivals.

At the same time, because of the failure to capture Han Chen before, the two sides realized that there was an inner ghost of the other party in their team.Coincidentally, Liu Jianming got the task of cleaning up the ghosts in the police station. Han Chen, the boss of the triad society, also hoped that Liu Jianren could find out the ghosts in the gang.

The plot suddenly tensed up here.

Because the two male protagonists both got the task of 'discovering themselves'.

Liu Jianming took advantage of his position to find out that Huang Zhibin was meeting the "inner ghost" of the triad society, and quickly notified Han Chen.

Han Chen sent someone to catch the ghost, Huang Zhibin and Chen Yongren hurriedly separated, but when they met again, it was at the entrance of the building, just as Chen Yongren got off the car, Huang Zhibin was thrown from the roof.

boom!
That loud noise not only smashed into Chen Yongren's heart, but also made the whole cinema instantly quiet.

Chen Yongren shivered subconsciously, then turned around, his eyes widened suddenly, staring at Huang Zhibin's body firmly, the complex emotions conveyed by those dark eyes made one's scalp tingle.

But the director didn't seem to realize how difficult such a shot is. He wanted to hit Chen Yongren's face with the long shot, and he didn't move away for a full 3 minutes.

Jean Besson sat up straight, his face full of excitement.

Song Ziwen read it and forgot to take notes.

The rest of the film critics also stared wide-eyed, and everyone looked at Wei Xun's performance on the screen with deep wonder on their faces.

This 3-minute silent film-like plot does not have any lines, but from the door of the building to Huang Zhibin's body, Chen Yongren's tired and moist eyes, from bewildered to unbelievable, to unacceptable, vividly expressed.

These are talking eyes!
This is definitely enough to blow people's minds for 3 minutes of acting highlights!
It is also because of this that when Chen Yongren felt his scalp numb in the movie and couldn't help scratching his hair, many people watching the movie felt their scalps numb.

What a terrifying expressiveness and ability to convey emotion!

"Brother Ren, there are policemen, run away!"

However, Chen Yongren didn't even have the qualifications to look at Huang Zhibin at close range. The fight between the police and the gang was imminent. Chen Yongren was dragged by his younger brother and got into the car to escape. Bullets were flying around him. He sat completely, staring at Huang Zhibin dead body, with red eyes.

The gushing tears, as well as the tired and sad eyes, were projected from the big screen, and the people watching couldn't help trembling.

"Just based on this performance, he deserves a Cannes Best Actor."

Jean-Besson thought so in his heart.

But in the final half, the really exciting part of "Infernal Affairs" finally comes.

Liu Jianming got Huang Zhibin's mobile phone and contacted Chen Yongren, and the two worked together to kill Han Chen.Chen Yongren went to the police station to restore his identity, but was shocked to find that the undercover agent Han Chen sent to the police station was Liu Jianming.

This reversal of the plot is simply a stroke of genius, which makes all the foreshadowing in the first half instantly uplifted!
Song Ziwen almost shouted well in the theater.

Some screenwriters even couldn't help exclaiming.

It turns out that reversing the plot can still be played like this, and it turns out that gangster movies can also push out the complexity of human nature and dig into such a wonderful depth.

Jean-Besson is even more indifferent to other things, completely immersed in the plot.

This is definitely the most ingeniously arranged and amazing reversal plot I have seen in recent years!
The two 'undercover agents' had a showdown with each other and made an appointment to meet on the rooftop.

Liu Jianming looked at Chen Yongren and said, "I had no choice before, but now I want to be a good person."

Chen Yongren smiled: "I'm sorry, I'm a policeman."

Liu Jianming's eyes were deep, and his face was calm: "Who knows?"

Squeeze!

These words completely angered Chen Yongren, he almost immediately raised the gun in his hand, loaded the bullet, and pressed the void between Liu Jianming's eyebrows.

However, just when the tense atmosphere was on the verge of breaking out, the police came to interrupt their confrontation.

After all, Chen Yongren was soft-hearted, pointed a gun at Liu Jianming, and decided to leave with the policeman and go to the police station to clarify the matter.

However, the three walked from the rooftop to the elevator room, and Liu Jianming pressed the elevator, ready to go downstairs.

At this time, gunshots rang out.

A sudden gunshot stunned everyone in the cinema.

Then, Chen Yongren fell down, and his body was stuck in the middle of the elevator. The elevator door was bounced open and closed, closed and bounced open again, and the cycle repeated.

Liu Jianming looked at Chen Yongren's body with a dazed or dazed expression, but he didn't come to his senses.

He who just wanted to say 'be a good person' is still alive.

However, Chen Yongren, who said 'I am a policeman', died like this.

Not to mention that Liu Jianming was a little confused, even the film critics in the cinema were confused.

The back and forth of the elevator doors, and the dead body of Chen Yongren stuck in the middle, made the hearts of those who watched it twitch violently.

The good guys are dead and the bad guys are alive.

Live as a good person.

This ending was too unexpected, or what it wanted to express was too heavy and complicated, so that by the end of the film, the entire movie theater was quiet and scary.

"Wei, you are definitely a genius! A genius among geniuses!"

After a while, Jean-Besson stood up and looked at Wei Xun excitedly, his eyes were filled with surprise and praise that could not be concealed: "This "Infernal Affairs" is definitely the most profound Huaxia movie I have ever seen. This film is fully qualified to enter the main competition in Cannes!"

And after Jean Besson's words fell, the whole cinema came alive, and every film critic's face was full of undisguised excitement and shock.

This "Infernal Affairs" should definitely be blown up!
(End of this chapter)