Feng Shui Emperor

Chapter 264 Entering the Inheritance Stone

Chapter 264 Entering the Inheritance Stone (Second Change)
Because the entire inheritance stone has existed in the ancient tomb for nearly a thousand years, it has a sinister aura of its own.

So Mr. Tan felt the chill just now.

It is precisely because of this that Qin Feng chose Jinxia Mountain as the place to inherit.

The two walked into the village.

All the houses in the village that are close to the street almost consciously shorten the bottom half of the house corner by about [-] centimeters from the position of about two meters above the ground, fully presenting a humanized architectural style.

Walking in the village, deserted and inhabited, Qin Feng knew that although it was an illusion, everything here was exactly the same as the original Longmen Sect, except that there were no disciples of the Longmen Sect.

Keep walking.

In the village, there is a drainage channel that can accommodate an adult crawling on his knees, winding for [-] meters and under the house.

It is not difficult to see from it that the houses in the village seem to have been planned and built.

There is only one four-story building in the middle of the village. There are buildings on three sides of the house, and it is also very artistically connected with buildings and bridges to form a structure where the houses are connected.

On this road, there are many graves, and even some graves. The time of burial is not long. In China, there is basically no such situation in any village. The houses in the village coexist with the graves. .

Then, the two came to one of the three temples in the village. This temple worshiped a pair of stone statues of a man and a woman in official attire.

On the left is a military general with wide-eyed eyes, and in the middle on the right is a civil servant. On the left of the civil official is a yaksha, and on the right is a maid.

Mr. Tan carefully looked at it. Compared with Tang suits, Ming suits have obvious inversions in the proportions of dresses and skirts. The tops are short and the bottoms are long, and the tops are gradually lengthened, and the length of the exposed skirt is shortened.

The collar has also changed from the opposite collar in the Song Dynasty to the round collar.

The most prominent feature is the buttons on the front placket instead of the knots that have been used for thousands of years.

But the button did not start in the Ming Dynasty. From the waist of the braided jacket in the Yuan Dynasty, the form of buttons was seen.

The use of buttons is also a kind of change, reflecting the progress of the times.

In addition, the popularity of Neo Confucianism also affected the clothing style to a certain extent.

Women's jackets in the Ming Dynasty had three collars and narrow sleeves, three feet in length, and two or three inches of exposed skirts.

At that time, a new style was popular in Yangzhou: the blouse was two feet and eight inches long, and the sleeves were one foot and two inches wide.

Dresses tended to be lighter in color in the early Ming Dynasty.Skirt pleats are very popular, with fine pleats and large pleats.

The pleated decoration is very particular.Some also hand-made fine pleats from the whole piece of satin, named "pleated skirt", and a 24-pleated skirt named "jade skirt".

It was more common to take this style in the Ming Dynasty. Its shape is like a long colorful hanging belt. Each Xiapei is three inches two inches wide and five feet seven inches long. The jade pendant therefore looks more noble.

Clothes for Scholars in the Ming Dynasty The round-neck and large-sleeved shirts in the Ming Dynasty were the costumes worn by Confucian scholars. Like other officials, they have detailed systems.For example, "Students' shirts are made of jade-colored silk, with wide sleeves and soap borders, and soap bars and soft towels hanging down.

Anyone who raises a prisoner will not change his obedience. "This is a set of scholar's clothing unearthed from the Ming Tomb in Yangzhou, Jiangsu. At that time, it was called "straight skirt", or "straight body". Scholars in <<Rulin Waishi>> often wore this kind of clothing .

Officials of the Ming Dynasty wearing black gauze head and gold-woven boa robes in court and official uniforms.

The costumes of civil and military officials in the Ming Dynasty mainly include court clothes, sacrificial clothes, official clothes, regular clothes, and gift clothes.The boa robe is a gift from the emperor, and a jade belt is required to wear the boa robe.

The boa robe is similar to the dragon gown worn by the emperor. It is not an official uniform, but a special reward for the envoys, eunuchs and prime ministers in the Ming Dynasty.

It was considered a great honor to receive such a boon.

The two statues in the temple in front of me, because of the serious erosion, so look very carefully.

There are actually three temples in one village, which is an abnormal phenomenon in itself.

I believe many people know.

also know clearly.

There is a custom of not entering the village and not entering the temple at night.

In rural areas, temples are rarely built in villages, and even in villages, there are no houses next to temples.

However, the three temples in Fengmen Village are like private houses, closely next to the nearby houses.

At the same time, do not enter the temple at night.

There is also a basis for this custom.

Let’s not talk about whether ghosts or gods are worshiped in the temple.

Ordinary temples, because of the incense, have very strong aura fluctuations.

After night, because of the disappearance of popularity, the fluctuations in the aura of general temples will weaken.

There is a saying in Feng Shui that one place has one atmosphere.

A temple is basically the place with the strongest aura in a place.

Nature.

The temple itself is a deterrent to the lonely and wild ghosts here.

There are so many people during the day, and the sun is positive, so lonely ghosts dare not approach.

But at night, the popularity dissipated, and the evil spirit became thicker.

These lonely ghosts usually go to the ghosts and gods worshiped in the temple to complain about their grievances.

That's why, here's the thing, don't enter the temple at night.

Since ancient times, most temples, including many tourist attractions in China, are closed at night.

I believe that many people have seen and seen this point.

In fact, this is the reason.

The two did not enter the temple.

Qin Feng came here once.

Know that the place of inheritance is not in this temple.

The two continued to walk.

To be precise, Tan Lao followed Qin Feng.

Probably just in the middle of the village, Qin Feng pushed open the gate of a courtyard.

This is the largest yard in the whole village.

There is a Taishi chair in the living room in the courtyard. Judging from the style, it should be a Taishi chair.

The house with the Taishi chair is the only independent house facing north and south. Looking through the yard, there is no sundries in the empty house except for a Taishi chair. It seems that this house was built for the Taishi chair.

The Taishi chair seems to be made of pear wood. The seat board of the chair is not very wide. The back position is surrounded by round wood to form a 45-degree chair. It should be more comfortable to sit on.

However, judging from the structure of the house, the topography determines that the house can only be built in the north-south direction, and the door of the room on the first floor opens to the south independently, just facing the sun, and it is also a good place to bask in the sun and enjoy the scenery.

According to the general situation, there should be an old man with limited mobility among the members of this house. When he has nothing to do every day, he just sits there and basks in the sun, looking at his relatives working in the fields and the scenery.

And Qin Feng also spoke at this time; "Old Tan, sit on it!"

 PS; Sorry, I have a cold and a fever. I came back from the drip and endured the discomfort. After finishing these two chapters, Cigarette will resume updating as soon as possible. Please forgive me!

  
 
(End of this chapter)

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