Riding the wind of rebirth

The genuine product is still genuine, but it is still a folk kiln. The point of controversy is which generation of folk kiln it is.

There is a small sawtooth mark near the glaze on the fetal foot of this small appreciation bottle. Although it has been trimmed, it can still be seen a little scratched tire.

This point basically means that it is a purely handmade object, at least, it is not turned out of the factory standard wheels in batches,

This sawtooth mark is also a common feature of small pieces of folk kiln porcelain after the Qianlong period, and even official kilns occasionally have them. Therefore, this vessel must have belonged to the post-Qianlong period of the Qing Dynasty.

The next step is to study Jilan's hair color.

Sacrifice blue is a high-grade glaze for official sacrificial vessels. Generally, the early and mid-term use of life belts is made of Soviet and green materials, and the color is indigo, that is, the blue is precipitated to a little black.

In the late Ming Dynasty, due to the shortage of resources of Soviet materials and high-grade Huiqing materials, the Qing Dynasty began to extract the top-level material from Huiqing materials. Glaze kind.

In the later period of Qianlong, the national power declined, and the green material of Buddha head was rarely seen in firing vessels, and the tire material and color material became further rough.

"The body of this appreciating bottle is relatively light, indicating that it was made of clay by hand;"

"The glaze color is relatively stiff and dull, not as pure as the early Qianlong period, and even harder to match the freshness and elegance of the Kangyong period."

Seeing that Lao Li's expression became stiff and dull, Zhou Zhi smiled and said, "However, stiff and stiff is not a derogatory term here, because this kind of stiff and dull is exactly the characteristic of blue offerings in the late Qing Dynasty."

"Because after Tongguang, such glaze color can only be called 'frivolous'."

"With the brown glaze ring bottom at the bottom, this is a common feature of the blue porcelain in the middle and late Qing Dynasty. The six-character three-line seal script of the 'Daoguang Year System of the Great Qing Dynasty' is also formal and in line with the official style..." Finally, Zhou Zhi said The appraisal opinion: "This piece of porcelain is genuine, and its name should be called Qing Daoguang Guan Kiln Jilan Glazed Small Appreciation Vase."

"Is it true? How much is it worth?" Lao Li suddenly changed from blunt and dull to joyful.

"I don't know about this, and I don't care much about the price..." Such things can be called "small boutiques" in the mouths of Wenwan players, but such small boutiques are seen a lot, and they really don't pay much attention to them. Pass.

On the contrary, Lao Zhang picked up the bottle and looked at it: "Your product is a bit different. Look here, there is a notch here, and there is a chicken foot, but because the blue glaze color for official sacrifices is rare, we will accept more than 700." .”

Zhou Zhi was secretly shocked when he heard that, if Gongmei charged more than 700 yuan, the takeaway would be at least [-] less, which means that the price of antique porcelain is starting to become a little bit prominent.

"That's all right, this is all done, these two things can be auctioned, do you want to register?"

Lao Li took back the small blue glaze bottle: "I want to keep this one."

Lao Wang said: "I will give you the Longquan plate."

"Then Xiao Xu registers for Lao Wang. Hey, Lao Chai, you haven't left yet?"

"I'll wait for Lao Wang and Lao Li together." Lao Chai is the owner of the celestial bottle just now: "I also want to buy a set of the book list made by Teacher Xiao Zhou."

"Old Chai, let me remind Li that those books are quite expensive. A book costs forty." …

Lao Chai guessed that he was not short of money, so he just waved his hand: "It's better than taking medicine."

"That's fine." Zhang Lao said: "Then follow me."

After XCMG registered for Lao Wang to participate in the auction, and Zhang Lao found a picture album for Lao Chai, the three still did not leave.

"Is there anything else you can do?" Mr. Zhang was a little puzzled and couldn't help asking.

Old Chai smiled shyly: "Didn't Mr. Zhou say that he also came out to make things? We were thinking if we could...open our eyes..."

"This is not the rule in the antique business." Mr. Zhang frowned.

"This is not a ghost market for sending Xianqiao, this is a labor-saving beauty." Lao Chai said with a playful smile, "We are all workers in the new era, and we are not evil people. We just want to learn from Teacher Xiao Zhou..."

"Send Xianqiao also opened a ghost market?" Zhou Zhi asked.

Sending Immortal Bridge is at the mouth of Huanhuaxi, not far from Du Fu Thatched Cottage. According to ancient legend, someone once saw Lu Dongbin there, and later it seems that Lu Dongbin often appeared there to be discovered, so it got such a name.

Later, it became a flea market and a second-hand market, and then developed into a cultural play market. Now it should be the era when the second-hand market has begun to take shape, and there is already a ghost market for cultural play trade.

"That's right, every Sunday morning, it starts at two or three o'clock and ends at dawn." Lao Chai said, "Mr. Zhou, do you want to go?"

"Let's get down to business first." Elder Sun interrupted the chat between the two: "Elbow, I would like to ask for your opinion, do you want to show the goods you brought?"

"Let's go and see Shu embroidery." Jiang Shuyi was no longer worried about Zhou Zhi being "bullied". He felt that it was boring to listen to them appreciating cultural relics, so it was better to go and see the handicrafts here.

"That's right..." Mr. Zhang said with a smile: "First arrange for Xiao Lin to take you to see our Gongmei artworks, many of which are worth seeing."

Master Qiao likes both ends. After struggling for a long time, he thought that he had seen all the things Zhou Zhi brought, but he hadn't touched Gongmei's works of art: "I'll go with Tingting and the others, too."

After Jiang Shuyi and the others left, Zhou Zhi opened the box he had brought.

The inside of the box is arranged very tightly, and bamboo shavings are densely packed between things.

Most of the things are stored in beautiful cloth bags, and Zhou Zhi takes out the things from small to large ones one by one.

The first cloth bag was opened, and there were four small cloth bags inside. Elder Sun shook out four small jade articles from inside.

Among the four small jade wares, there are two rectangular seals, which are carved from XJ Hetian mutton fat white jade. There is no "seal" on the contrary.

The other two pieces are made of Khotan green and white jade. One of them is a small jade figure with rough and simple knife skills, bright and smooth. The shape is also somewhat abstract, but it is very vivid and can be called a fine art.

The other one is also similar to the seal, but there is a thin line in the middle to divide it, similar to the jade cong style, but there is a small flat button at the bottom, and a small ruyi-like spoon on the top.

Lao Chai and the others looked at each other, completely unaware of what these things were.

"It's a good thing..." Mr. Zhang rubbed it with the jade figure: "The jade is of excellent quality, the patina is thick, and the eight swords of the Han Dynasty are sharp. This is a typical thing of the Western Han Dynasty."

"Old Sun, what is this?"

Elder Sun smiled and said, "Elbow, what's yours, can you tell me about it?"

Zhou Zhi smiled and said, "These are all the items that the rich and powerful of the Han Dynasty often wore to ward off evil spirits. The little jade figure in Old Sun's hands is called 'Weng Zhong'."

"There are many theories about the origin of Weng Zhong. It is said that his surname is Ruan. He was from Annan in the Qin Dynasty. He was one foot and three feet tall and had a brave temperament. .”

"Later, the statues of civil and military figures before the tombs of princes and marquises were often called Weng Zhong."

"In the middle and late Western Han Dynasty, the plague was prevalent. At that time, it was rumored that wearing some objects could ward off evil spirits, so it became popular."

"These four items are a set of evil-proof utensils that were popular at the time."