Riding the wind of rebirth

Chapter 740 Film
Wenwanxing calls calligraphy and painting "soft film", and porcelain painting is called "hard film".

And it's funny, experts who study calligraphy and painting often look down on experts who study porcelain, that is to say, those who play soft films look down on those who play hard films.

In fact, the two have the same context. The "hard films" of the same period will definitely be affected by the "soft films" of that time. That is to say, the painting methods and popular themes of literati paintings in a certain period, The popular fonts and the compositional structure of running brushes will inevitably be reflected in porcelain paintings.

Therefore, this traditional prejudice is not unreasonable. People who have studied soft films and then study hard films are like practitioners who are armed with theory and can quickly become proficient.

Sui Huaxuan has a big place, and the warehouse has relatively good security and storage conditions. Zhou Zhi brought the things that are easy to carry this time.

In just two years, Zhou Zhi has already collected a lot of good things. No wonder my mother complains that she has too many things.

Just for the film, Zhou Zhi now has a very impressive collection.

Five Dynasties and Song Dynasty:
Paintings by Ma Ben, Ma Yuan, and Ma Lin, "Si Yuan Tu" inscribed by Huizong, Ningzong, and Lizong;
Calligraphy by Shi Yannian, Ouyang Xiu, Ouyang Xuan, Su Mai, Yue Ke, Cai Jing, Song Huizong's inscription and postscript "Cuibi Post Poetry";
The ancient "Sitting Dragon Picture";
"Shu Mountain Map" by Jing Hao;
"Landscape Tuanfan" by Liu Songnian;
Ming Dynasty:

"Lotus Stork Lighting Fish" by Bada Shanren;
Qing Dynasty:

Kun Can's "Mango Bamboo Entering the Mountain";
Wang Wumin's Bamboo Fan Surface "Orchid and Stone Picture"

Zhou Ding's Bamboo Fan Surface "Melon and Cui Tu"

Liu Yong, Zeng Guofan, Li Hongzhang, Zuo Zongtang, Zhang Zhidong's nave couplets;
modern:

Li Keran's "Ten Thousand Rivers and Thousand Mountains";
Wu Guanzhong's "The Lion Forest";
Jiang Zhaohe's "Return to the Native";
Jiang Zhaohe's "Second Brother Out of Sichuan";
Xu Beihong's "Kyushu No Matter, Happy Farming";
Qi Gong's "Sui Hua Xuan", "De Mian Tang", "You Wang Cong Temple" three Dharma scripts;
Wang Shixiang's "Zhi Xuelian".

In addition, in the mid-70s, "Anthology of Great Men" was printed on Ning Huazhiping's 'Yukou Paper' and "Literati Poems" was printed on Jiangle's 'Xishan Paper'.

This is a gift from Director Yuan of the Ancient Book Restoration Research Office of Shu University. Although it is a handicraft, it is also a rare treasure.

These have been made into scrolls for the fourth cousin, then packed in cardboard tubes, and pretended to be wire mesh for releasing rats, and are now properly stored in a warehouse with constant temperature and humidity.

As for Wenwan small pieces, there are more of them.

Among them, the most valuable ones are the Gangmao three-piece set of the Han Dynasty; Huang Tingjian's own engraving of Dongpo Ci and the landscape Huang Dayin; A complete set of coral top smoke paste jars and gold and silver supplies;
There is also a bag, which contains the Nanhong Chaozhu that has finally been pieced together.

The reason why it is said to be about the same is because the Nanhong Chaozhu has already found a hundred and eight, and there are even more, more than a dozen.

In addition, there are two emerald Buddha heads, two emerald Buddha shoulders, a coral stupa, an enamel inlaid hibiscus stone back cloud, and a tourmaline pendant, all of which have been assembled.

However, there are still three twirls, and three small drop angles under the twirls.

Ji Nian is three strings of small beads, usually made of pearls or turquoise, located on both sides of the beads, ten in each string, representing ten days.

The three strings represent the first, middle and late ten days, which add up to exactly one month, 30 days.

The wearing method of two left and one right is male, and the wearing method of two right and one left is female.

There is also a small drop angle for decoration at the bottom of the twist.

In addition, Zhou Zhi is still short of being able to string the silk ropes of the court beads, and the ribbons that connect the stupas, back clouds, and falling angles.

The ribbons are generally bright yellow, golden yellow, and stone blue. Among them, the Eastern Pearl and Chaozhu and the bright yellow ribbons can only be used by emperors, empresses, and empress dowagers.

Zhou Zhi knew that the Forbidden City had silk ropes and tapes in stock. Although these two items were the same as the papers stored in the Forbidden City, they might not be included in the ranks of "cultural relics". Money to buy others may not be able to sell.

And the Xiaoji Nian that can be matched with this string of court beads, and the gold "treasure cover" on the pendant corner, because it is difficult to preserve among the people, it is even more difficult to find.

Therefore, what Zhou Zhi owns now is still a large bag of odds and ends.

"Brother Elbow!" Guan Tingting called from outside the warehouse.

"Oh Tingting, I'm here." Zhou Zhi quickly agreed.

"What are you doing?" Guan Tingting walked in, and Fu Xia followed behind.

"I'll tidy up the things I brought here." Zhou Zhi said, "By the way, wipe the furniture."

"All these furniture are piled up here, and you don't use them, why do you need to wipe them?"

Before coming up, Zhou Zhi had already planned to take out some furniture and decorate the ground floor and the top floor. As a result, Tang Qi decorated the top floor very well, and the Nordic style was unified as a whole. Not necessarily pretty.

The only thing left is the small library and the sun room on the first floor. The small library was originally left by Su Huaxuan, and it has not been touched after several times of renovation. The light in the sun room is not necessarily good for protecting the furniture. I can't bear to put it on.

Just give up, just wipe off your dry addiction here.

But these small thoughts and Guan Tingting can't be said, Zhou Zhi just said: "Go to Send Xianqiao for a stroll another day, and find Zhang Tieguai to buy some boxes."

"Let's go, go eat lychees." Guan Tingting said.

"it is good."

When everyone came to the pavilion in the middle of the lake, Mama Guan had already brought out the lychees, with crushed ice under the plate.

Guan Ma is now a recruiter for Jiachuan's office in Shudu, but the salary paid by the county is far less than that paid for helping Tang Qi and Zhou Zhi manage the store and car roof.

Guan Ma is now more like a big housekeeper. Tang Qi is inconvenient to come forward for many things, and Zhou Zhi is not around, so she entrusts Guan Ma to do things for her, such as running some formalities, collecting shop rent, cleaning Sui Huaxuan, and repairing the garden. Look, Guan Ma mainly does this.

There are five or six hundred yuan a month, plus seven or eight hundred in the county, so Mama Guan doesn't even want to be the manager's wife of a sugar and wine company. The stage in Shudu is more suitable for her who is good at dancing.

Guan Ma is mature and generous. Although she is already middle-aged, her appearance is still the same as before. After coming to Shudu for a year, she changed her clothes and even looked younger.

She is good at drinking, good at talking, singing and dancing. The county leaders and big bosses like to take her to create a social atmosphere.

Because she also made a lot of achievements, the county preliminarily agreed to make her a full-time employee, and transferred from the establishment of the Sichuan Opera Troupe to the establishment of a civil servant, as the deputy director of the Chengdu Office.

Talking about these things, Guan's mother is actually somewhat grateful to Zhou Zhi, because many achievements are actually more or less related to Zhou Zhi.

For example, if you go to the teaching assistant, you can find Director Hu; if you go to the media, you can find Chi Xueli;

Even the address of the office depends on Jiang Wu, these are all due to the relationship.

What's more, the mother and daughter here are provided with food and lodging, and their salary is much higher than that of Jiachuan. It is no problem for Guan's mother to support Guan Tingting's education alone.

The most important thing is that with Zhou Zhi's matchmaking, Guan's mother can almost be considered a family with the experience of taking care of Tang Qi for a year, which is crucial to Tingting's future.

(End of this chapter)