Looking directly at the ancient gods for a whole year

Chapter 2170 Confinement (Thirty-nine)

Is Emily gone? Yes.

The fact that Rachel can't see her doesn't mean anything, after all, there's a high probability that there's a dimension difference between them.

But if I were in his shoes, it’s hard to imagine that I would be willing to just leave when faced with such a strange person.

Therefore, the conversation with Tina just now almost assumed that there was an audience.

As for the coin-tossing game at this moment, one of its greatest significances can be said to be testing whether the listener is still there.

How did the old hunter manage to make himself and Tina enter the other world without knowing it?
Perhaps at first glance it looks very similar to the situation in the art prison, but after observing it all the way, it can be considered that there is a reason why that place is so special - upside-down trees grow there.

Just like all stories involving disasters, why is this "dying" town showing these strange behaviors? It seems that to some extent, it can be regarded as the source of everything.

The crazy artist accidentally touched something extraordinary, or thought he touched something extraordinary.

They are not afraid to resort to outrageous means, using human bodies as a breeding ground, hoping to break boundaries and complete "pollination."

The difference between the inner and outer worlds is simply the difference between success and failure.

The residents there are also affected differently.

The inner world is already in ruins, like a toilet that has exploded after being smashed.

As for the real world, although it is not contaminated by dirt due to the supernatural prohibitions, the negative mental influence is also transmitted from the anchor point.

The most direct result was that at the beginning of the mission, I had a look comparable to that of a sexy nurse in a porn movie.

For Qian, this is his most likely guess about the two worlds inside and outside.

From this point of view, it is understandable that the art prison, as the source, behaves in a special way.

In comparison, the old hunter's flexible operation is another matter.

The specific method may be a little hard to imagine, but if you really struggle all the way in the other world and eventually master such skills, it is not too strange.

What Fu Qian was curious about here was the specific effect - it was so natural.

Don’t forget the art prison. I went in alone and had no one to refer to.

The reason why we brought Tina this time is essentially to make the possible traps more powerful.

In the end, he walked in as naturally as before, with no changes in his coordinates, expression or clothing.

With such a development, it is almost impossible for others to help but doubt whether the trap exists at all.

Although it was subsequently successfully proved that "Emily" might be a fake, another question that arises is whether the previous "anchor point" theory is still valid?
Since the two worlds operate relatively independently, what is the probability that Tina from the other world happens to come here?

Then there is the most fatal question. I guessed earlier that because I am a tasker with a special physique, I can enter the other world without an anchor point. Then for Emily who is in ambush, wouldn’t it be that a person will just jump out of thin air?

Then what's the point of guessing and testing? Can't we just directly determine that there is a problem, then apply extreme pressure, torture, etc.?

Just like what might have been done to the real Emily.

To sum up, the communication about "traps" is not over yet.

On the one hand, the other party is unlikely to leave easily, and on the other hand, it is obvious that the other party is at a deeper level, which means that the previous performance may be teasing you.

Although it seems that you are pressing forward step by step, in fact, you are always being guided.

And in this case, Rachel becomes an interesting point.

"If it's the front, we need to go inside and look at it."

Fu Qian did not rush to open his palm, but looked at Rachel very viciously and read out the consequences of stimulating the nerves.

"But it's okay, I'll take you in."

……

What would happen if I took Rachel in there again?

Several possibilities.

One is that it is as natural as Tina just now, and nothing happened. This is actually the most difficult situation, because it represents many possibilities. For example, the battle of wits and courage just now was actually his own Void Search, and that was the real Emily.

Another example is that the old hunter was indeed at a higher level, and he had the courage and wisdom to decisively cancel the trap, causing himself this kind of simple misleading.

Or maybe all the previous theories about anchor points are wrong. For an experienced hunter, it is arbitrary to pull anyone in, and the confusion he will suffer in subsequent actions will be even more difficult to distinguish.

Either explanation would make the situation more complicated.

As for the second possibility, it is that Rachel disappears halfway through the journey, the previous guess is correct, the trap is exposed, and the whole thing is revealed.

As for the third option, you would walk in quite naturally, only to find that the person in charge, who had been away the whole time, was sitting there.

The latter two situations both mean that "Emily's" performance has been wasted, and her plan has failed. The best way to deal with it is to kill herself directly.

Yet the ability to kill is made up of two parts: strength and the will to command that strength.

The old hunter would most likely crush him to pieces, but Fu Qian doubted his courage to make such a decision.

This is the conclusion drawn after making further progress step by step.

So when this coin is tossed, if the old hunter can observe across dimensions to a certain extent, then the probability is that he hopes Rachel will win - and lose.

Generally speaking, this should be positive.

Slowly spreading out their hands, the two parties were silent, and Fu Qian revealed the final answer.

The limits of the opponent's capabilities seemed to have been explored - between being truly unable to observe the real world, and being able to observe but unable to influence it.

"very good."

Fu Qian was very satisfied with the result, although neither of the other contestants thought so.

"Stop messing around. I can admit defeat."

The winner, Tina, expressed her objection almost immediately and strongly demanded the addition of a surrender button.

"Okay."

The request was granted instantly.

Ding--

Fu Qian flicked the coin into Rachel's hand and was already walking ahead.

"Don't lose your lucky coin."

……

"Go straight to my house?"

Rachel didn't catch it after all. She picked it up in a panic and hurriedly followed.

But once she was in the driver's seat, her questions sounded a little odd.

"Okay."

Fu Qian agreed very naturally, his eyes looking outside.

So the trap pattern is indeed special?

Anyone who enters the real-world world will be forcibly positioned at the current time, no matter where their original self in the other world was?

Otherwise it would not be enough to explain why his sudden appearance did not arouse enough vigilance.

As a result, the existence of this inner world is obviously more stream-of-consciousness, and the degree of surreality is increasing.

"Keep going forward and go to the prison first."

The car was moving quickly in silence. At one moment, Fu Qian suddenly turned his head, looked at Rachel's pitiful profile, and signaled to change the route.

"I forgot something."