musicians of old
Chapter 676 Very explosive, very abstract
Chapter 676 Very explosive, very abstract
"WHAT'S THE FUCK?"
Many listeners couldn't help but swear in their hearts.
Which great genius designed the stage design? Which god did the makeup for these dancers?
Is the South so poor that it has no costumes to wear?
Some of the official insiders who were watching the performance even saw familiar faces among the actors - several "flower-touched people" from the remnants of the Fragrant Flower Temple actually went on stage!
"Uuuuuuuuuuuuuuuuuuuuuuuuuu"
The low, ghostly passing notes of the wind instruments began again.
Many academic composers with keen hearing now feel that they have lost their tune.
"What the hell is this?"
"Tonal music? Atonal music? Neither is right."
It seems that there are the central tone and the color triad, and the boundary from the dominant to the tonic.
In fact, according to the classification of previous and later generations, "The Rite of Spring" should be classified as "pan-tonal" music!
Several harmonic systems with completely different tones were now rubbing against each other harshly!
The lead dancer Su Luo finally entered the stage.
She wore a similar makeup, hunched her body, and tapped the ground with her toes. The prop in her hand was a stick woven with dry grass and vines.
Lean forward and move your arms in circles.
30 degrees left, 40 degrees right, 55 degrees left.
There is no pattern at all.
The dry grass stick pointed in the direction where the girls were dancing in a circle, as if giving them instructions.
“Clang! Clang! Clang! Clang! Clang! Clang!”
To the heavy and chaotic beat of the music, the dancers faced the center of the circle and continued to tap and turn, with their upper bodies performing a series of stiff movements.
Sometimes I look up with my arms forward! Sometimes I look down with my arms backward!
Moreover, the positions are rotated in odd and even numbers. When the odd-numbered girls do the front movements, the even-numbered girls do the back movements!
This, this is too fucking abstract!
At the premiere in the South Continent, as well as at Turner Theaters around the world, many listeners were already becoming agitated!
Especially the elderly, those who come from a musical family with a more traditional education, or those who are religious priests.
“Is it possible that this aesthetic is a little too early for me?”
Some people began to hold their aching chests and exchanged glances with others.
Well, I should say that until now, the audience has been very restrained, relatively restrained. Fanning leaned leisurely on the right corner of the sofa, and saw Sheeran and Roy looking at each other in confusion from the corner of her eye, without saying anything.
He didn't have much energy to speak now, after all, most of his spiritual thoughts were controlling the remains of the "Red Pool" and the "Fountain in the Painting", and letting Scheller, who was far away in the southern continent, take charge.
However, he still had enough energy to free his hands so that he could drink some tea.
The entire orchestra became louder and louder, and the percussionist at the back began to scrape the surface of the gong with a metal striker in a shocking way!
The sound head is stretched, and the subsequent decay trend slows down. The intense and harsh sound makes people tremble with fear. The woodwind and trumpet fly up and down in the high pitch, and the piccolo and flute parts blow tremolo with fff in the very high pitch.
In particular, the highest note of the piccolo actually reached the C in the clef 5, which is the highest note on the rightmost side of the piano keyboard!
Many woodwind players who heard this in the audience didn't know how to play this sound for a while. On some piccolo, if it is not modified, it is probably impossible to reach this height! This time, the sound is produced with the force of fff, rough, sharp, with a strong airflow sound and extremely strong penetration!
This is the third part of Act I, the game of abduction!
The male dancers who had been lying on the ground before now also joined in this ancient and wild dance!
The game of abduction represents a wedding robbery scene in a primitive clan, and is also the most brutal and terrifying part of the entire dance.
These people moved like puppets, their bodies were curled up, their limbs were stiff, and their shoulders were not level. The girl who was "kidnapped" by the men mechanically cooperated with them in dancing a duet!
Suddenly, the atmosphere slowed down again, and the melancholy bass tone of the brass instrument rose and fell. To be precise, it was "five ups and seven downs" or "six ups and four downs" at one time, without a very regular rhythm.
The oboe plays a never-ending, winding melody.
The 4/4 beat is quite stable for a while, and the accents follow the distribution of "strong-weak-secondary-strong-weak", but more tones are squeezed together without any harmonic relationship.
Act I, Part IV, Spring Rondo.
The dancers were scattered.
From time to time, he would bow down, prostrate himself on the ground, and kowtow in worship;
6◇9◇Book◇Bar
From time to time, he would stand on tiptoe, tilt his neck back, and his arms seemed to be spreading something behind him;
Sometimes, they huddled down and looked around humbly.
"It's a hoax! It's a hoax!"
Elsewhere on the cinema broadcast station, in the San Pereto Jubilant Theater, the principal dancer Alanjewska could no longer bear it, and suddenly stood up in the audience and roared loudly!
What is ballet about? Grace! Balance! Stretch!
What is the most iconic move? The tiptoes lightly tap, and the body rises and falls gracefully!
If the score of The Rite of Spring was a little strange, and she could tolerate the curled-up bodies, stiff limbs, and uneven shoulders in the dance movements, but what about the dancers' foot positions now! ?
Toes touching, heels spread out! ?
Fuck you! Is this ballet with pigeon toes?
Doing ballet with your feet turned inward?
This isn't a question of whether it's abstract or not, this is simply fucking explosive!!!
"It's a hoax! Scheler's The Rite of Spring is not music or a ballet! It's not a work of art at all!!"
Alanjewska's roar echoed throughout the seats of the Jubilant Theater, and all the audience looked towards her tall figure with outstanding temperament.
"Very good, very good. Well, this can be regarded as a mockery and deconstruction of the fixed routines of traditional classical dance! In other words, instead of resolutely parting ways, our Pearlescent Secessionists also held this determination to break away from the art system of the seminary. The perspective relationship of some dance postures is very similar to the composition that Secessionist painters usually like to use. I think the cooperation between Scheler and Sulo has promoted the birth of modern dance in the true sense."
Painter Klimt was also at the Jubilant Theater. At the moment, he was absorbed in the ballet. When he saw Scheele's groundbreaking attempts, he began to comment on them in his mind and even spoke them out loud accidentally.
"What did you say!?" The dancer Alanjewska, who had already been overwhelmed by anger, was now even more furious.
Klimt was still thinking about how "Secession" magazine should write the music review next, when suddenly, there was a rustling sound of a skirt, and a lady's high-heeled shoe kicked him directly on the back!
"boom!"
The sudden force, coupled with the fact that Klimt was originally in a relaxed state, caused him to fall directly into the corridor, and he fell on his face like a dog eating shit!
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