musicians of old

Chapter 928 "The Power of Creation"!
The hymns and instruments intertwined in counterpoint, and the passionate chorus spread like wildfire between every brick and stone of the magnificent church.

A lively orchestral transition follows, and the atmosphere becomes increasingly open and expansive.

The higher registers became a new and mysterious place to explore. The heavy bass was strangely drawn away by Fanning, giving the whole music a weightless, soaring feeling.

Thus, this enormous and magnificent church seemed to have become "lighter" due to the pull.

It continues to rise.

More and more children, formed from "starlight," gradually appeared from higher positions.

The musical aid these children received, which they had never met in most of their lives outside the Turner Theatres headquarters, across continents and in every corner of the world, was now being used by them. They flew around the choir seats, singing clear and light heavenly songs.

The theme "Children who have ascended to heaven" is also known as the "Ascension Children" aria.

Those endless, sincere blessings transformed into strands of pure starlight, gracefully descending and settling onto Fan Ning's mangled body.

"Hand in hand, we dance the waltz with such joy."

They danced and sang, filled with sacred emotion!
If love comes from heaven, if we can be blessed by it,

Then the group that ascended to heaven welcomed him wholeheartedly!

Fanning's arms guided the upward rhythm, the musical lines were clear and bright, and the previous gloom and struggle were completely replaced by a clear and radiant light belonging to heaven.

"Wait, where are the fragments of the 'Unending Secret' within my divinity?"

He suddenly began to mutter to himself.

“This is changing.”

"This is a tribute."

As Fan Ning carefully sensed it, a dazzling golden light burst forth from his "attempt to push" action, then transformed into a sacred vortex that swept over his entire body floating on the sacred altar!

"This key that touches the essence!?"

He felt a brand new door silently opening from within his divinity—the true knowledge belonging to the sixth level, the "Gate of Dawn"!

The current situation shares similarities with the moment he comprehended the "Gate of Midnight" in the Void Realm. The Radiant Tower was destroyed, the path shattered, and the gate buried. However, Fan Ning, through his extraordinary feat, paid homage to this "old wound." He recalled that within the original system of the Holy Sun Church, this key should have required at least several continents, a sufficiently long era, and the realization of a large-scale conversion of believers to "bring the dawn." Now, his own homage ceremony was—

Strip away and return to those "characters" that do not belong to oneself, and with the light of a "thousand people" chorus, briefly but thoroughly illuminate the entire history of art!

Although this feat was brief, it encompassed countless moments and times, was both incredibly tragic and brilliantly glorious, and its "universal" essence was the same: to awaken faith, to dispel ignorance, and to reveal the truth!

A more primal secret is awakening from his mutilated body.

A blinding light poured down from behind and above, and Fan Ning, dressed in rags and with his chest exposed, spread his arms and looked up into the distance.

He seemed to directly "hear" the principles that constituted the church, and could manipulate their "rhythm" and "harmony" with his own will, like a tuner tuning a harp of creation.

That's right, the "secret of the endless cycle" has been broken. That's right.

Speaking solely of that unified theory in the field of music, it was indeed "prematurely killed," having completely dissipated from Fanning's divinity. However, those people later misunderstood. Fanning's pioneering path was not interrupted; instead, it was reborn and sublimated, becoming an even more fundamental secret!
Now, this pioneering path should be described as—"The Power of Creation!"

His wrists suddenly became nimble, and as he looked around, his eyes traced an arc like a divine decree.

Instructions, demarcation, separation.

The children's choir formation shifts, with girls and boys each occupying a side to correspond to the scherzo section that follows—the voices of the "younger" and "older" angels.

The air seemed to be infused with a different texture, no longer a fierce plea or a desperate struggle, but a vitality that was both innocent and noble.

"We scatter roses to the mortal world—from the loving and holy hands of the penitent woman;"

These flowers helped us win the victory and reclaim this precious soul!

The girls, who played the "younger angels" part, took the lead.

It has a distinct rhythm, with the uplifting quality of a march, yet it is also as light and playful as a divertiment.

"We throw them, and the demons flee in terror; we strike, and the evil spirits scatter like rats."

It was not the usual hellish torment; the evil spirits were troubled by the afflictions of love.
Even the old head of the demon was pierced by sharp pain throughout his body.

Rejoice! The great undertaking is about to be accomplished!

The melody here is light and cheerful, yet it also possesses a narrative quality of battle. The word "scatter" is accompanied by the crystalline running of the woodwind section, like rose petals fluttering down. At the point where "the demons flee," the low instruments emit a clumsy and angry roar, which contrasts sharply with the lively singing of the girls in the high register.

Next, the trumpet plays a clear and bright "light theme," and the music slides into an unexpected D major transition section. The strings quiet down, leaving only the thin woodwinds to play a melody that "focuses on human vulnerability." This material comes from the ending phrase of the first part and is reviewed at this moment.

Then the boys' formation began to echo the voices of the "older angels"—

"Moving the remains of this mortal world has exhausted us."
Even if it is as non-flammable as ash-free wood, it is still not perfectly clean.

The angels seemed to start complaining.

Asbestos is also known as "unburnt wood." In the original work, Goethe described Faust's remains as having a texture like "unburnt wood," which cannot be burned and will not deteriorate. Although it is close to being weightless and pure, it still carries a trace of earthly elements, so moving it made the "older angels" very tired.

Then, Gubaidulina, the avant-garde composer from the 0th Anniversary of the Founding of the People's Republic of China, took over the singing. She played a mezzo-soprano solo, her rich and understanding voice seemingly pointing the way for this predicament—

"If one has a powerful inspiration, one can fuse all the projections of 'radiance' within one's body, even without angels."

Then the boys continued with the lyrics of "No Angels," singing a reflection of the "Holy Spirit of the Creator" theme from the first part, and declared with sudden realization—

Even without angels!
It can separate this duality of spirituality and divinity;
But eternal love,
But it can separate the two!

The answer that Fanning had realized during his final prayer in the "Sanctuary," the secret that "love never ends," was miraculously revealed to the entire church at this moment.

Since Faust's body was too heavy for the angels to move, they further purified the duality of "spirituality and divinity," allowing eternal love to separate them!
"boom----"

Fan Ning's mangled body, bathed in holy light, suddenly exploded amidst the heavenly voices of the children's choir, becoming scattered specks of golden light!
But as the "power of creation" was activated, the relatively dark particles fell silently, and the remaining suspended light spots began to gather, recombine, and grow in the air.
An obstacle in the harmony ends, the music pauses for a moment, and then is refreshed.

A completely unharmed figure of Fanning, dressed in a black tuxedo, reappeared in mid-air, looking down at the "thousands" of people in the seats as if "commanding the Pope"!