musicians of old

Chapter 933 The Paradox of the End

Fanning looked around the church, his ominous premonition growing stronger, but even if Pogrerich didn't speak, the music couldn't just stop.

The situation was already hopeless from the very beginning, let alone now? Indeed, the instrumental transition has ended, and it's time to introduce the next aria, which is very likely the final part of the choral ceremony designed in the creative intent.

Fanning's approach to the "Concert of Creation" was initially to proceed cautiously, but it has become very clear at this point: the first part uses the "starlight" of the "Night Pilgrimage" to create a sacred space, guiding the "thousands" back to their places midway; the second part uses the metaphor of "Faust's Ascension" to elevate this "kingdom of creation." Specifically, it first indicates the "scene of elevation," and then the trajectory of elevation is "valley - mid-air - upper realm."

In the valley, guided by the "divinely engrossed priest" and the "priest in the abyss," more "starlight" transformed into human figures and returned to their places;
In mid-air, guided by the chants of "younger angels," "older angels," and "ascended children," one simultaneously sheds spiritual impurities, purifies divinity, and ascends to the sixth level of order.

Therefore, based on Fanning's superb artistic understanding and judgment, the mystical metaphor successfully took effect, and this enormous Church of Creation truly gained lift.

Now, as the music reaches the upper part, the aria "The Magi" has been introduced, and the position of the entire Church of the Creation has probably been elevated to a height even higher than the sixth door. According to Fanning's vision, what follows should be "three converts praying for Gretchen's repentance, receiving a response from the 'Our Lady of Glory,' and then together with Faust, achieving salvation!"
“Our Lady of Glory,” Fanning murmured.

This is by no means any existing witness. The dwelling has already collapsed, and it has already become a "concert of creation." Why would we place our hopes on those beings who are struggling to survive themselves?
In short, this theme of "Our Lady of Glory" is actually a collection of the qualities of truth in a new world that Fanning herself summarized, described, and created, based on the most beautiful female image in the church's past doctrines, and also inspired by high-person concepts such as "path" and "pillar".

In the hope that it would serve as the "force" to elevate the entire church.

After a moment of contemplation, Fan Ning's divine "perspective" clone, standing in the turbulent river with a guitar on its back, finally dissipated temporarily.

As the pinkish-red stars returned to the sky, the "Gloriosa" theme, which had been fully developed in the orchestra, quietly transformed. The "Doctor in Praise of Mary" section of the Father Liszt and the Master Choir temporarily faded away, and Miss Nightingale, the lead singer in another area, stepped forward with a pious expression.

The chorus of "Greece the Penitent" leads in first, and Miss Nightingale lifts her icy blue, starlight-studded train, leading the female chorus behind her in a heartfelt call to "Our Lady of Glory"—

"As you ascend to eternal 'glory,' hear our plea."
You are incomparable, you are infinitely compassionate!

But then came another loud "boom".

The entire church's foundation collapsed!

The edges of the sealed hole began to soften again, oozing multicolored pus. Especially the largest gap above, directly facing the "Midday Moon," suddenly increased in brightness, with light pouring in like a green asphalt waterfall. Wherever it shone, the pillars and walls, the flattened, monotonous structures, rapidly sprouted new fleshy buds. At the far end of the gate, the swirling vortex of the "Viper of Truth" expanded wildly in diameter and increased in speed. It no longer emitted chaotic babbling, but transformed into a blasphemous whisper that seemed to be rapidly chanted by countless people in breathy voices. This whisper, along with the pulsating of the enlarged "Three-Pointed Petals" above, subtly formed an evil counterpoint!

"Pfft!" "Pfft!"

Pogrelic swung his sword, severing several cavities, causing the church base to sink. Fanning led the masters in the choir to fire over a hundred "whirling fire arrows" in unison, which collided directly with the corrosive green waterfall of the "Midday Moon." Visually, the forced twisting effect of the brilliant gold was obvious, but the church base sank even further.

A set of "Purema" of "Ashes" with the meaning of coercive control was directly and forcibly enveloped by Pogrerich in the door that was torn apart by the vortex of "Word of Truth", and the church base remained heavy.

"worm."

Pogorelich's eyes sharpened.

"The worms at the end of things are the fattest?"

Fanning also looked serious.

Once, in a certain modern snow-capped mountain timeline, the contents of the notes of worm scientist Scriabin.KI, relayed by Joan, allowed Fanning to grasp even more the essence of the bizarre and distorted facts above.

Just as the Holy Sun Church and the Serpent Faction suffered two predictable defeats in their struggle for the "Pillar of the Trinity," this had nothing to do with any question of "which side's divine power is stronger." Similarly, the elevation of this magnificent church, whether relying on the Eighth Symphony, the "power of creation," "Our Lady of Glory," or anything else, likely faces a distorted paradox—

The higher the ascension goes, the closer it gets to the "Gate of the Dome," which also means closer to the heterogeneous "Radiance" and the collapsing "Gathering Point"! The "Secret of the End" will only grow stronger, and the "worms" will only become more active!!

"Foolish! Foolish!!" Mr. F roared again, his voice filled with rage. "Fanning! I've done everything I can to help you understand the truth! And you still don't realize how ugly this defective product you sent up is!!"

"Pogorelich! You think cutting off a few 'fingers' will stop the sinking?! Foolish! Look at your 'hearts'! Listen to your 'music'! It no longer belongs to you! And this is, you betrayed it first!!"

The entire Church of Genesis trembled violently, as if it had been shoved down hard by an invisible, world-covering giant hand!
At that moment, a sickeningly loud crash of collapsing rock came from the base, and the river flowing into the main aisle of the church rose sharply in both level and speed, almost reaching the altar! All the low-lying wooden benches were thrown into a whirlpool!
Pogrelic's expression remained cold and stern as he strode onto the altar, wielding "Blade."

Their steps were so heavy they were suffocating.

Along the way, several deformed intestines that tried to drag the musicians away, and a corridor railing that suddenly drooped with dense "snail eye stalks," were almost annihilated by the knife in His hand.

The figure in the dark blue suit stood directly in the center of the "thousand-person" choir seats, diagonally below Fanning's floating conductor position, and a few meters away from the old symphony orchestra's performance position.

He kept repeating the same thing:
"Continue with your work."