Reborn Hong Kong Wild Age

Chapter 129 The Introverted Sister Guan
Before the Hong Kong film market was booming, opportunities for these young people came from television stations such as TVB and ATV.

In a sense, although Sir Shao is stingy, this stinginess really allows you to wear several hats and try your best to solve countless problems.

And after the film market is booming, every second after the filming starts is money, and these filmmakers are so busy that they don't have time to wait for the script, so they need ability even more.

That is to say, in the past few years, the production capacity of Hong Kong films has been amazing, and the sales in Hong Kong have been very successful, and the demand in the local and various regions is huge.

The supply is almost in short supply, and it can be said that the goods are in rotation, so there are a lot of movies, and many investors make movies just to make quick money.

Hong Kong movies are basically entertainment movies that seek commercial interests.

Therefore, the whole business is rushing to make films, and all filmmakers try their best to deliver on time.

Hong Kong, where efficiency is paramount, naturally does not talk about red tape and theoretical routines.

But it is time-saving, labor-saving, and process-saving to complete the task.Therefore, this kind of clever woman who can urge no rice is forced out-Hong Kong filmmakers.

What kind of urgency is it that makes directors and producers unable to wait for the script?

Many directors and actors keep making film appointments. Maybe they are still shooting one in the morning, and they are already rushing to shoot another one in the afternoon.

Therefore, the production pace of Hong Kong movies is very fast.

How fast is it?It's almost time to shoot even before the script.

Of course, this is different from Wang Jiawei's art willfulness without scripts, because there is really no time to wait for scripts.

Since everyone wants to shoot fast, what should we do?
One is the rush of time, the leading star usually has several film appointments, and the schedule is limited, so the crew works tirelessly to catch up with the filming.

Whether it's actors or directors in Hong Kong, most of them are notoriously hard-working Saburo.

Every day, I shoot from morning to night, I sleep on the set, and I may have to get up to shoot again after a few hours of squinting.

As for ordinary staff, it goes without saying that they are often doing nothing.

The second thing is of course Flying Paper Boy. The director only has the outline of the story before shooting, and after the filming starts, he can only wait for the screenwriter to pass on the script to be shot that day.

Like Xu Ke's version of "A Chinese Ghost Story", Cheng Xiaodong has to wait for Grandpa Xu's flying paper.

When Liu Weiqiang made "Young and Dangerous", he had to wait for Wang Jing's flying paper.

To put it bluntly, the convenience of "puppet director" lies here, just wait until "Flying Paper Boy".

They don't need to go through too much brain at all, as long as they film the meaning conveyed by those 'overlords', it's over.

But this way of "flying paper boy" is a test of everyone's business level.

The third is the second group system, because Hong Kong has rich experience in action guidance and is quite professional.

Wang Jing and his like often only focus on filming literary dramas, and the action directors are solely responsible for the gunfights, martial arts, chases and crash scenes.

As a result, an ordinary commercial film can usually be completed in only a dozen or so days.

Just like the production of big casts like "Yi Tian Tu Long Ji: The Demon Sect Leader", they will continue to start "sub-groups" under the "second group" of martial arts (the first group of martial arts, the second and even third group of martial arts) refer to).

Many movies even give you five or six groups to rush to shoot in order to catch up on time.

Maybe you are taking Zhang Guorong to shoot in Hong Kong, and I am taking Zhou Runfa to shoot in the United States, and another person is taking Zhong Yuhong to France.

If it is combined with writing the script while filming, it will really test the supervising producer, torture the director and screenwriter below, and cause headaches.

Now Du Qifeng and Chen Musheng are in a hurry to form a group. Although they are not in a hurry to earn hot money, the situation is similar. They just want to catch up with the schedule of Liu Dehua and others, as well as the movie's release date.

Situations like this will happen more frequently in the future.

Where is the best place in the world?Fortunately, the family has cultivated a group of popular movie stars.

When it comes to the critical moment, whether it is the producer, director, or star, there is enough time for shooting.

Hong Kong films are popular, and theaters need a large number of Hong Kong films to fill each schedule, especially several important schedules every year, such as summer, Christmas, and so on.

In important schedules, there must be a superstar in charge. Currently, Liu Dehua of Tianxiayi has been cultivated. In important schedules, Tianxiayi's movies will definitely be indispensable.

Just like after "The True Colors of Heroes" became a hit, almost every drama has Zhou Runfa, which is a reason.

……

"Boss, "Carmen in Mong Kok" is now being filmed in multiple groups, and Du Sir should be able to check it out. It should not be a big problem."

"Debao called. Zhou Runfa's schedule has been confirmed. The opening ceremony of "God of Gamblers" will be about four days away."

"Miss Guan Zhilin and Miss Yang Ziqiong's "The Bandit" has already started."

……

The world is one, the office.

Ju Jueliang reported on his recent work. This afternoon, Li Guoxing from Meiya will come to visit in person.

So Gu Xiayang came to the company early.

Speaking of which, Cen Jianxun may have been educated by Pan Disheng recently, and Gao Zhisen and others have joined Debao during this period, and finally it is no longer a group of literary and artistic films.

After "A Match Made in Heaven", Guan Zhilin was very popular with Yang Ziqiong and others. The two almost became best friends, and somehow became a pair of twin female stars.

I collaborated with "Royal Warrior" before, and now I simply arranged for a special person to write the script and made a "Tiantian Thief".

But compared to Yang Ziqiong, Guan Zhilin's fighting scenes will be much less, but she no longer copes like before, but really works hard.

Gu Xiayang touched his nose, wondering if it was because of the recent brainwashing with sheep placenta.

Recently, Sister Guan has really shifted towards career women.

What he didn't know was that Yang Ziqiong told Guan Zhilin that our boyfriends are all engaged in film companies, since they spend money to support us, we can't waste this money, or they will have ideas.

Guan Zhilin thinks about the recent media reports on how dedicated Wang Zuxian was during the filming of "A Chinese Ghost Story", etc., the sense of crisis continues to rise, and she also begins to involuntarily.

"Boss, Boss Li from Meiya is here."

"Please come in."

At one o'clock in the afternoon, Li Guoxing arrived as scheduled.

This young publisher has built Meiya into a distribution company second only to Cathay Pacific in just two years, and his ability should not be underestimated.

Similarly, Li Guoxing was also very interested in Gu Xiayang.

There is no distribution company that doesn't like Tianxia Yi, a film company that sells almost every movie.

For such a film company, they don't even need to use the word 'gambling'. At present, none of the films that have obtained the rights to show the films and videotapes of Tianxia Yi have lost money.

In particular, Meiya has just bet on "A Match Made in Heaven". Although it has not been officially released in many regions, the box office markets in Singapore and Malaysia have a good reputation. Needless to say, the video tape of this movie can make a lot of money.

(End of this chapter)