How did I become an old artist?

Chapter 26 Yamano Villager, Idle Cloud Wild Crane!
After visiting the Guan Kiln Museum, Zhao Chen rested in the living room.

Sun Maohai and Madelu had already confirmed the composition of the flower mouth pot, and both of them believed that what Zhao Chen said was right.

The Huakou pot looks gray-black, but under the thick gray-black glaze, there is also a thick pink-blue glaze.

This discovery provides a new direction for the study of official kiln porcelain in the Southern Song Dynasty, which is of great significance.

"Old Sun, what is the background of this young man? This vision is too powerful!"

Madeleine was amazed, his face full of disbelief.

"His craftsmanship is really good, and he has a unique vision. One thing to say, it's really not easy for our industry to produce such a seedling."

Sun Maohai also said with emotion.

Many industries require talent, especially craftsmen and traditional folk industries.

For example, Li Qin was born in Kunshan City, the birthplace of Kunqu Opera. When she performed on stage at the age of 13, she was recognized by a group of powerful Kunqu Opera teachers as a talented person, and she was designated as the successor of Kunqu Opera.

Although she later made other choices for better personal development, there is no doubt about her top opera talent.

Now, Zhao Chen has shown amazing talent in the field of porcelain art.

This kind of talent can't be hidden at all, and those who know how to do it can know his strength at a glance.

Now that Zhao Chen started broadcasting, the number of people in the live broadcast room is about 3000-6000, and the number of fans of the Douyin account is 9.

In fact, Zhao Chen's popularity in the porcelain circle is much higher than on the Internet.

A young man who can refine ancient Southern Song official kiln porcelain, and his craftsmanship is superb.

This incident has spread rapidly in the porcelain circle.

This International Porcelain Exhibition is even more like a catalyst, allowing Zhao Chen's reputation to spread rapidly in the field of porcelain.

The official kiln porcelain of the Southern Song Dynasty also attracted the attention of countless people for a while.

At this moment, Sun Maohai entered the waiting room.

"Master Zhao, let's go to the place where the exhibition is held in a while."

"Before the exhibition is on display, craftsmen and porcelain masters from various industries can enter the exhibition in advance."

"On the one hand, it is cultural exchange, and on the other hand, it is also the arrangement of the venue."

Sun Maohai said politely to Zhao Chen.

Zhao Chen nodded, and replied: "That's troublesome."

For Zhao Chen, he really wanted to go to the exhibition to take a look.

He likes porcelain culture very much. The exhibition can see all kinds of porcelains developed to what they are today, which just satisfies his desire to appreciate porcelains.

China's porcelain culture has a long history.

China first discovered the existence of celadon 4200 years ago.

From the celadon porcelain in the late Eastern Han Dynasty to the black porcelain that appeared in the Jin, Southern and Northern Dynasties, porcelain is constantly developing.

The white porcelain of the Sui and Tang Dynasties also attracted worldwide attention and amazed the world.

After that, the porcelain of the Song Dynasty reached its peak, and the five famous kilns competed for splendor, each leading the way.

The Yuan Dynasty was a dynasty that inherited the past and ushered in the future, with new breakthroughs in technology. Kublai Khan established the "Fuliang Porcelain Bureau" to lay the foundation for the vigorous development of porcelain.

Then, it entered the era of Jingdezhen.

In Jingdezhen during the Yuan Dynasty, the new achievements in craftsmanship included the firing of blue and white and underglaze red.This kind of firing method is something that Zhao Chen has never come into contact with.

Therefore, Zhao Chen also wanted to learn these new firing methods.

Zhao Chen and Sun Maohai drove to the place where the International Porcelain Exhibition was held.

The place where the porcelain exhibition is held is an art hall. The exhibition hall displays porcelain from various dynasties and generations in the order of Chinese history.

At this moment, many porcelain artists in the exhibition hall are admiring the handmade porcelain made by various schools and schools.

In this exhibition, the best handmade porcelain from various porcelain companies was selected as the exhibition items.

Celadon from the five famous kilns of the Southern Song Dynasty, underglaze red from Jingdezhen, depicting jars from Longquan Kiln, plum vases with peacock green glaze patterns from Cizhou Kiln, plain-pattern tripod furnace from Dehua Kiln, etc.

Really dazzling, beautiful!

People from the Porcelain Association also communicated friendly in the exhibition hall.

At this time, Zhao Chen and Sun Maohai walked into the exhibition hall.

When Zhao Chen saw so many excellent handmade porcelains, a look of interest appeared in his eyes.

He saw a lot of people gathered around a showcase, gesticulating and commenting.

That showcase has the most people.

There is a wooden plaque on the display case, which says the porcelain exhibited in this display case:
Southern Song Dynasty Official Kiln Porcelain

In the showcase, there are two sets of porcelain, one set of five pieces and one set of four pieces.

These porcelains are the official kiln porcelains fired by Zhao Chen himself!

Zhao Chen noticed that everyone was talking about his porcelain, and his heart didn't fluctuate much.

Because he knows that, speaking of craftsmanship, the porcelain he burns has no flaws.

Perfect.

The reappearance of the ancient method of manual official kiln porcelain in the Southern Song Dynasty has attracted the attention of countless people.

Moreover, Ding Wu, vice president of the Porcelain Association, decided to make the porcelain fired by Zhao Chen the top priority of this exhibition. It can even be said that these two sets of Southern Song official kiln porcelain are the finale products of this exhibition.

Therefore, the craftsmen naturally focused their attention.

Everyone admired these pieces of porcelain.

No matter from which point of view, these two sets of porcelain are impeccable.

"The craftsmen who fired these two sets of official kiln porcelain are really only in their 20s?"

A middle-aged man was full of disbelief.

Before coming here, he had heard about the ancient methods of official kiln porcelain in the Southern Song Dynasty.He thought it was just a gimmick, but he didn't expect to see it with his own eyes before he knew it was true.

Everyone in the exhibition hall was free to move around, and Zhao Chen didn't know anyone, so he walked along the entrance of the exhibition hall alone, admiring the brilliant porcelain culture that started from the Han Dynasty.

Most of the people here have their own sects, which are divided into sects, but Zhao Chen is just an unfettered craftsman.

Villagers in the mountains and fields are just idle clouds and wild cranes.

The porcelain on display is beautiful.

From these porcelains, Zhao Chen saw the fire of Chinese traditional culture, which was burning vigorously.

Every piece of handmade porcelain is a work of art.

In his eyes, these porcelains may have some flaws, but the basic craftsmanship and craftsmanship are still worthy of careful appreciation.

At this time, many people noticed Zhao Chen.

Everyone was discussing for a while.

Many people came forward to say hello to Sun Maohai. After all, in terms of status in the world, Sun Maohai is a representative of official kiln porcelain and a nationally certified art master.

Next to the official kiln porcelain, there is also a display cabinet with a plaque on it that reads: Southern Song Dynasty Ru Kiln Porcelain.

A gray-haired old man and a 20-year-old girl stood in front of the showcase, looking at Zhao Chen from a distance.

This old man is also a master in the porcelain industry, a representative of Ru kiln porcelain in the Southern Song Dynasty, and a master of Ru kiln porcelain art, Liu Hanlin.

"Grandpa, it's just the ancient method of official kiln porcelain. Is it necessary for so many people to discuss it?" Liu Xi complained with a bit of annoyance.

Official kilns and Ru kilns have always been in conflict. After all, they are both representatives of the Song Dynasty. One is the official family and the other is the private sector.

Liu Xi was very beautiful, with a slender figure, fair skin, and a pair of long, thin and straight legs.

Liu Hanlin replied with a light smile: "There are many types of porcelain, but do you know what is recognized as the highest state of porcelain in the field of porcelain?"

Hearing Liu Hanlin's question, Liu Xi was slightly taken aback.

The highest state of porcelain?
Is there a higher state of art?

Seeing the doubt in Liu Xi's expression, Liu Hanlin continued to talk: "The highest state of porcelain is monochrome glazed porcelain."

"Although the monochrome glaze has a single color, it is not flamboyant, clamorous, glamorous, or glamorous. It is natural and coincides with the aesthetics of modern minimalism."

"This is also the embodiment of the aesthetics of the Southern Song Dynasty, which is why the status of Southern Song porcelain is so high."

"The official kiln porcelain fired by that young man has attracted so much attention not only because of the ancient method, but also because of his technique."

"Monochrome glaze wins with pure color, which is subtle and timeless, but it is also the most difficult to fire."

"If you deal with some serious collectors, you will know that what those people like to collect most is porcelain with monochrome glaze."

"Those pieces of dark blue official kiln porcelain are of excellent craftsmanship, even reaching the most difficult state of porcelain, which is as jade-like as a close-up look."

"That young man is not simple."

Liu Xi never expected that her grandfather would speak so highly of Zhao Chen.

She has watched Zhao Chenchuan's video on Douyin.

It's just a dilapidated fenced yard, with two cute little foxes and a small kiln, completely different from those magnificent kilns of the porcelain family.

But in such an environment, several pieces of ancient judge kiln porcelain were born that attracted a group of porcelain firing craftsmen to watch.

Looking at it this way, Zhao Chen is indeed amazing!
(End of this chapter)