Hong Kong Entertainment's Life Simulator

Chapter 21 Can you raise any comments?

In the warehouse where everything has been arranged, small searchlights are being lit in the depths, and the lighting engineer is lighting them up.

The hair boy in a suit and leather shoes sat with his legs crossed, his back to the searchlight. Behind him, on the left and right, and in front of him were all young men in suits and leather shoes who were ready.

Chen Baixiang sat on a chair and was tied up, silent without saying a word, waiting to act.

The operator grabbed a film in a dark bag, skillfully put it into the film box with a little trembling, and left a loop to load the film into the camera for testing.

Du Qifeng Du sir is using the viewfinder to check the scene and lighting in the shot.

Cheng Xiaodong and Sir Cheng re-investigated the artificial setting of the scene, such as the scene of extorting a confession at the beginning, after the scene of pouring props and cement, and Ah Cheng standing outside the warehouse holding cigarettes and posing.

While he was posing, the younger brothers sent the cement buckets to the elevator, pulled them out of the warehouse and sent them onto the ship, and then in the sea breeze under the night, the freighter started to ride the wind and waves... one by one in suits and leather shoes or white shirts, black Boys with ties walk on deck, pushing buckets of cement into the sea.

The scene of the cement bucket going into the sea and hitting the water surface must be shot with an underwater camera, so that it will have a more visual sense and impact.

When shooting, it will only be a bucket filled with heavy objects, but what will be shown in the post-production cuts is to extract a confession, pour cement, enter the bucket, board the bucket, roll the bucket and throw it into the sea, and the water is everywhere.

Ah Cheng, played by Zhou Runfa, is ruthless and cold-blooded throughout the whole process, showing the coolness, sharpness and cruelty of big brother Ruan in his small emotions.

If you want to play the feeling of disregarding human life, trampling on the law and the world, the more small the movements and "big eyes", the more shocking the performance will be.

For a good actor, explosive power is crucial.

In The King of Comedy, Yin Tianchou put his arms around Du Juaner to rehearse the script, crying and reciting lines, while his nose was about to drip on Du Juaner's face.

The Hong Kong Island film and television industry tried many times to cultivate Xingzi's heirs, but they couldn't.

Liang Chaowei, the undercover agent in the original Infernal Affairs, saw that everything was bright and was about to usher in a new life, but he was shot in the head by A Dong and killed him. Even if there was no soundtrack, the explosive power of his eyes was very good.

That is the eye play that is close to a static explosion.

Zhao Donghuai grabbed the loudspeaker and walked to the side of Fazi who was sitting on the chair with Erlang's legs crossed, and said with a smile, "Afa, you have been preparing for a month or two. For the explosive power of the opening scene, the smaller your body movements, the better." , and the dynamic explosion is also very expressive."

"But it's better to be near static to be more contagious and image."

When an actor plays an angry scene, I throw a cup and smash the TV, all of which are dynamic explosions. The audience can easily feel your anger from these actions and know that you are losing your temper, but this kind of explosion is far inferior to ordinary walking and sitting quietly In the middle of the show, there is a look in the eyes that wants to stab someone to death, which is more profound and intense.

Ah Fa immediately put away Erlang's legs and got up, sneered, "Director...director...I..."

Zhao Donghuai frowned, "You are a big brother, a big brother who is fierce and unscrupulous to accomplish his goals, even your boss, Uncle Pei, is afraid that you are too ruthless, so he arranges your confidant younger brother and wife as undercover agents to monitor you. "

"You are in a panic, no way."

Zhou Runfa, "..."

Those who didn't know thought that the director was telling the play with his heart? ?

Zhao Donghuai said again, "Come on, the first scene of the new play, I invested 500 million, real money, although making money is not that difficult, don't let the boot stop, too many entries are unlucky."

After speaking, he patted Ah Fa on the shoulder, and he went to tell Guan Lijie, Zhou Xingxing, Liu Qingyun and others.

He just asked for one thing, you guys, you guys should stand up handsomely and walk coolly, clean up the society, and fight for the acquittal of the big leader.

If it is done well, it will be a great achievement, and the leader is happy. Ding Qing (Wan Ziliang), who appears to be ranked third, is actually the biggest contender for the next leader, the better.

Hello big brother, you have a bright future.

Immersed in it, the purpose of doing things is to get a promotion and a salary increase to win Bai Fumei, and to reach the pinnacle of life!

One person attains the Tao and ascends to heaven.

Even if you are acting as chickens and dogs, you have to make a taste of it.

After a while, Zhao Donghuai sat behind the optical viewfinder, glanced left and right, and gestured to the scene manager without turning on the phone for a rehearsal.

The scene manager decisively held the drawing board and said, "The first scene No. [-] shot, the first time, Aikesh!"

"Snapped!"

Accompanied by the sound of Aikesh and the sound of hitting the board, the actors who were originally static came to life one after another, and the cameras on the track were also resurrected.

Chen Baixiang possessed a playful spirit, and screamed. This scream and wail was the sound of being tied up and his mouth sealed... It has the eight-point charm of the previous teacher Hongxie when he was performing and teaching. Old Chen is a good actor.

The camera aimed at Chen Baixiang after a second of screaming.

Followed by a close-up of the actor showing his face, in the close-up, Teacher Chen screams, struggles, and looks miserable under the special dress. I don't worry that he has the comedy atmosphere of being beaten by Wu Sangui in the star version of Deer and Ding Ji.

During the struggle, an over-the-shoulder shot shifted from Chen Baixiang's face to his shoulders, and then to the second actor, that is, a close-up of Zhou Xingxing, who is meticulously combed back in a white shirt, black tie, and hair parted.

At this moment, the relationship between characters, positions, identities and other backgrounds can be determined through the language of the camera. After watching the camera, the audience will know that Chen Baixiang was kidnapped and abused, and Xingzi was the perpetrator.

While flicking his fingernail impatiently, Xingzi gave Chen Baixiang a cold look, turned around, and the camera moved along with Xingzi's gaze. In the distance was the Erlang-legged Fage sitting under the searchlight with his back to the light and his face blurred.

There are eight black suits or white shirts on the left and right, standing straight or slightly slanting their legs sideways, all with blurred faces under the searchlight, Wu Zhenyu turned sideways, and the younger brother took out a cigarette.

When Old Wu came, Xingzai retreated with a hammer.

Wu Zhenyu stood in front of the bloody and swollen Chen Baixiang and slapped him before squatting down to take out a cigarette and light it calmly, "Director Cui,..."

At this moment, one of the two small searchlights behind Ah Fa and the others suddenly went out!
Wu Zhenyu continued reciting his lines.

Zhao Donghuai grabbed the loudspeaker violently, "Crack!!"

Does turning off the lights make a big difference?The two small search photos can clearly reflect everyone's body shape and standing posture, but the face is a little blurred in the black shadow, and when one is turned off, most of it becomes black.

What about the overall picture presented in the camera?Now it's all film, and it can only be seen after it is developed in the later stage.

But I also want to know, what kind of sudden deviation of painting style will be.

With the two lamps lit like this, what Zhao Donghuai wanted was a stern and dark temperament, and one...

For lighting, the brightness, color temperature, etc. of the lighting must be measured for each scene, and then the art director plans the film style, temperament, etc., and it is slowly discussed.

A group of actors who were concentrating and engrossing their attention loosened one after another, and all of them were out of state, and then?

Zhao Donghuai stared at the lighting team, a lighting engineer is also commonly known as Lord Deng, and two assistants, staring at them for 2 minutes.

When the atmosphere became more and more depressing, he smiled and said, "Uncle Zhong, right? Many people call you Master Zhong, the Shaw Brothers old lighting engineer..."

"As I said earlier, if you have any opinions, you can raise them. I am a reasonable person."

Ah Zhong, the master of the lamp, pointed to the left and right excitedly, wanting to explain, but the more anxious he became, the less he knew what to say.

It was all a misunderstanding, and it must have been an oversight.

Even if he wanted to test something and find an opportunity to make money, it wasn't the time to do it.Not to mention that he is the one who does things directly, the easiest way to test and break through is to use props directly.

(End of this chapter)