Law Enforcer's Handbook

Chapter 223 The Villain's Destination

After careful consideration, the crew of Keluo Film and Television Media decided to make a change.

After solving the characters and the general direction of the plot, the only test for Song Lan is acting. Chai Ke's image is different from that of a clown. In this drama, he is more like a calm and cold-blooded madman.

No matter what kind of situation you face, you will remain calm and calm, but what you do is in an extremely sharp contrast with your expression.

After establishing the general direction, he does not need to pay more attention to the specific scene design. This is the field that directors and screenwriters are best at. In terms of special effects and scene stimulation, 2166 is much better than 2020. As an industry Benchmark, even movies with few plot twists and characters lacking motivation, they can often captivate audiences with thrilling scenes.

After personally participating, Song Lan also learned the difference in the shooting method in 2166.

Almost all the scenes are synthesized by technology. You don’t need to travel around for the scene. Just stay in the studio of Keluo Film and Television Media Branch to complete almost all the shooting. The flexible use of holographic technology can make actors Immerse yourself in the scenes designed in the script.

Song Lan felt that being an actor in this era should be much easier than in the past. In the past, limited by technology, actors in many scenes had to perform without real objects. Therefore, for an excellent actor, it is necessary to substitute oneself into the role and the environment. Both are skills that must be practiced.

In 2166, advanced technology can directly omit that process, allowing actors to be in real scenes.

In addition to the main characters involved in the movie, the important supporting characters and passers-by are all synthesized through technology. The crew needs to hire a small number of group performers. Only a few buttons are needed to simulate the way out. When people face the same scene Reaction.

Tu Di feels that the shooting process is like being in another real world. The surface, sky, buildings and even pedestrians outside that world seem to be real.

Put the actors in that world, and then directly record our lives through shooting.

The director gave a low evaluation of Chai Ke's acting skills.

Even knowing that the content of the filming is false, we still shudder at certain scenes.

We have seen many actors with low acting skills, but we have never seen anyone similar to Chai Ke. The way I convey horror and fear must be through bloody and violent scenes, but the contrast between behavior and expression.

The weak sense of contrast made us feel that we were facing two people.

That kind of horror often goes beyond the scope of the movie lens and hits our hearts directly. When Chai Ke greeted us several times at the beginning of the shooting, it was difficult for us to distinguish whether it was Chai Ke who was talking to us or Tu Di in the play, so that We have to be worried that Chai Ke will suddenly be like the villain in the play, suddenly throwing out the entire crew.

That made us believe for a while whether Chai Ke was a monster in human skin, or some kind of super AI.

Thanks to holographic imaging technology, the shooting period has been shortened to a minimum.

In just one week, the version about Song Lan in the movie was filmed.

"Thanks for your hard work."

On the first day of filming, the director shook hands with the cast members one by one. When we arrived at Chai Ke, I pulled him aside and asked, "Do you know that he has no intention of becoming an actor before? Your company really needs him like that." people."

Who hates an actor who can actively participate in the discussion of the script while acting well?
Because that film can set off a wave in the current film environment, before witnessing Tu Di's acting skills, I doubt that the company will be willing to let me be the protagonist of a certain series.

Although the whole crew knew about Chai Ke's details until the filming, but that didn't prevent me from extending an invitation to him.

"Because of his death, he went to the core area and got better development."

"It must be, that time was only because you didn't have any friendship with Su Li."

Chai Ke had a conflicted expression on his face.

If it was Lu Xiang's weak request, I would really like to participate in that matter, but in our opinion, Song Lan hasn't ushered in the first ending at the beginning of the film.

Before the sound of explosions and the waves of fire rising into the sky are gradually swallowed up, death is the best destination for an excellent villain.

That also means that there will be no more sequels about Song Lan.

So I tried my best to draw an end to Song Lan's magnificent but short life in the film because of the director and screenwriter's idea of ​​an open ending, and at the same time cut off the possibility of my comeback in the last film.

For this, even though the director and screenwriter strongly approve of it, but before witnessing Chai Ke's performance, we were afraid that Chai Ke would be like Song Lan in the play. Reluctantly designed the final scene.

As film and television practitioners, we absolutely hope that a dignified role will die.

Especially for "cold-hearted citizens", apart from being an enemy, Song Lan also brought me a very small change, allowing me to be in a low position again, and to look at the crimes of that city with self-righteous eyes .

But we ended up keeping one hand.

We dealt with Song Lan's death in a heroic and romantic way.

Outside of that movie, Song Lan Xiaoyue was indeed dead. However, there is a saying outside the industry that the death is considered real if the audience sees the dead body with their own eyes. death.

We are professional in dealing with those issues.

Because in the small project of the series, what we have to deal with is not only the film itself, but we often have to let some audience A favorite character suddenly receives a bento.

But we tend to leave a way forward for the characters who take the lunch.

That will not only allow these actors to return to the film when the schedule is in conflict, but also use it as a gimmick to earn the next wave of box office.

Very rarely, the audience doesn't care so much about the reason and method of the character's resurrection. As long as we carefully give a plausible reason, the audience will love it.

Tu Di does not intend to actively participate in the pre-production process. Today is a good day for me-I can finally go home.

Later, in order to avoid being spotted by the crew, I thought of the relationship between me and the law enforcement department. During the filming, I lived outside the low-level apartment next to Su Li, and tried to avoid retreating contact with the law enforcement officers and communicating with Lu Xiang. Communication is also limited to phone calls and messages.

And today, the temporary identity created in reality to play Song Lan was finally able to enter.

Before today, even if the crew wanted to find me, they might find me again.

Because, there is no way for you to find a person whose account has not been deleted in reality.

(End of this chapter)