People are in the comprehensive tomb, unloading the mountain and stealing the chief

Chapter 330 Six-legged ancient tripod
"Ding? See you?"

Shirley Yang's words exploded in everyone's ears like a thunderbolt.

It made them look at her with a bit of surprise.

You must know that if the utensils on this mural really exist, they should also be placed in the range of the tomb of the king. From what they have seen, there has never been a visitor here before. How could Shirley Yang see it? ?
Shirley Yang also knew that what she said was a little strange, so she explained: "The tripod I'm talking about is not the one on the mural, or I have seen a pattern similar to bronze."

Chen Ziyan glanced at the mural, and asked suspiciously: "The one on it... Let's take it as a tripod first. The fact that the tripod light on it is six-legged is already inconsistent with the usual standard. Most likely it was created by King Xian himself, or It was some kind of special sacrificial offering from the ancient Dian Kingdom, so it probably didn’t spread out.”

He seriously doubted that the bronze vessel on it should only be found in the Xianwang Tomb.

"Have you heard of Fulu Banquet?" Shirley Yang didn't answer directly, but asked this question instead.

"Fu Lu Banquet? Is it related to the three old gods of Fu Lu Shou?" Wang Kaixuan scratched his head and said.

Speaking of the word 'Fu Lu', he immediately thought of the Three Immortals of Fu Lu Shou.

"No, this Fu Lu Banquet has nothing to do with the three stars of Fu Lu Shou. In fact, it should be called the Fu Lu Banquet." Chen Ziyan actually thought of the most widely circulated fairy tale first, but then he realized that Xueli Yang It should be an anecdote in the late Ming Dynasty.

"The blessing feast of Zhu Changxun, the King of Fortune?" Hu Bayi also reacted.

Then he asked in a bit of astonishment: "Miss Yang, you said you've seen a cauldron like this one, so you didn't mean it was the pot that killed King Fu?"

In the anecdote of the Fulu Banquet, which has not been confirmed so far, in addition to the important people worth mentioning, there is also the "iron pot" that cooked and killed King Fu. It is said that this pot came from Ying En supervised by King Fu himself. The temple undoubtedly adds a bit of mystery to it.

"That's right." Shirley Yang nodded, and then said seriously: "In the notes left by my grandfather, I have seen bronze vessels that are very similar to the tripod on this mural. I have seen the six-legged ancient tripod at Ying'en Temple in Luoyang, so I recorded its shape and style, and later this ancient tripod was lost during the war, and the last time it appeared was at the Fulu Banquet."

If it weren't for the clear depiction of the six tripods on the mural, Shirley Yang would not have thought of this.

"It is said that when King Fu built the Ying'en Temple, he received auspiciousness from heaven. Could it be the tripod?" Chen Ziyan suddenly thought of a rumor he had heard from his classmates before.

At that time, it was just an anecdote, but now combined with what Shirley Yang said, it really has some credibility.

"It makes a lot of sense to say this, after all, how can ordinary things cook the heavens and nobles!" Hu Bayi said thoughtfully.

He felt that regardless of the truth of the facts, if the Fulu Banquet really existed, then the utensils used at that time would definitely not be ordinary things.

"Let's go to the back and have a look. If there is no accident, there should be a sacrificial hall. If the tripod on this mural really exists, it must be placed there." Chen Ziyan said.

Referring to the similar layout of the Ming Tower, we know that even if there is no tripod on the murals in the sacrificial hall of the apse, there must be inscriptions and murals praising the tomb owner.

Everyone else agreed with this statement, so they planned to leave for the apse.

When leaving the front hall, Chen Ziyan couldn't help but look back at the bronze statues. He always felt that there was an inexplicable sense of incongruity in these bronze statues, but he still couldn't tell what was wrong.

After turning his eyes around the bronze statue for a few times, Chen Ziyan shook his head slightly and looked away.

Now that there is too little information, it is difficult for a clever woman to cook without rice, so he can't just imagine it out of thin air.

When Chen Ziyan turned his head, he found that Shirley Yang hadn't left, but was standing there looking at him. Just by looking at her expression, she could tell that she must have sensed something.

But it seems to be the same as myself, just have a hunch, but can't find the problem.

After their eyes met in the air, neither of them said a word, tacitly did not mention anything about the bronze elephant.

After Chen Ziyan walked over, the two of them left here side by side, and chased after the other people in front.

After everyone passed through a short corridor, they came to the more gloomy apse, the so-called sacrificial hall.

From the inscription at the end of the short corridor, we can know that this apse is called "Shangzhen Hall".

The inside of the hall was exactly as they imagined, with numerous inscriptions and eight walls of murals.

These painted walls that coincide with the numbers of the Eight Diagrams of the Nine Palaces are made of whole bricks, all of which are painted in three colors on a white background.

Except for the length of the war scenes, there are almost one brick and one painting on the rest of the wall, or one or two figures, or three or two buildings, which can be said to cover the politics, economy, culture, All fields of military and so on.

However, the number of painted walls is a bit too high, so in terms of perception, you will feel that the overall space of the apse is a little cramped.

And in the center of these painted walls, that is, in the center of the sacrificial hall, stood a huge black six-legged bronze tripod, covered with a copper lid, and a huge copper ring on each side.

The hexapods of the bronze tripod are not in the conventional style, but six half-kneeling beasts. The shape is vigorous and simple, the muscles are knotted, the whole body is covered with scales, and it looks like a unicorn.

"Is this the bronze tripod on the mural?" Wang Kaixuan asked.

"Yeah." Chen Ziyan nodded slightly, then looked at Xue Liyang: "Xue Li, is this the same as the one in your notebook?"

He remembered Shirley Yang said just now that her family's ancestors left shapes and patterns in their notes.

"Except for the different styles of the tripod's legs, the rest are exactly the same." After studying for a moment, Shirley Yang said slowly: "I remember very clearly that the hexapods on the bronze tripod in the notes are deer-shaped creatures, not the ones in front of me. Lin beast."

The reason why she didn't give a firm answer in the front hall was because of this.

Although the mural is very clear, the space is limited after all, so the tripod leg is only a rough shape, and there is no way to tell what kind of beast it is.

But there is no doubt that there must be some kind of connection between the two tripod vessels.

Speaking of things, it is really amazing that two historical figures who have been separated by thousands of years are connected in disguise by means of artifacts.

After Chen Ziyan imagined the deer-shaped tripod in his mind, he said to the others: "Everyone look around, if Xian Wang's tripod is not cast by himself like Fu Wang, then in the surrounding inscriptions, Maybe there will be relevant clues."

Looking at the few words about these two tripods, Chen Ziyan felt that their origin was very likely to be a breakthrough.

(End of this chapter)