People are in the comprehensive tomb, unloading the mountain and stealing the chief

Chapter 629: Corpses of mother and child?
In fact, not only Chen Ziyan thought so, other people had similar ideas. The guys next to him with shining eyes couldn't help but sigh with regret after seeing the mausoleum buried in the snow.

If they still had a chance to follow the content in the previous movies, now that hope is extremely slim.

To put it in a more vivid way, it is like falling into an ancient tomb while taking a walk. It is as difficult as finding a needle in a haystack.

Chen Ziyan naturally knew what these guys were regretting, but he didn't intend to pay any attention to it. It was as if he didn't hear anything. He naturally turned his eyes and looked at the last picture.

This film is different from the previous ones. It no longer depicts a complete picture, but a series of scattered scenes that are pieced together to form a painting.

The first scene is at the foot of a mountain, which looks like the mountain range in the previous movie. In the vast snowfield, a ragged man is seen dragging a coffin.

Although we cannot see too many details due to the shortened length, it is not difficult to see from the deliberately depicted drag marks and the cave at the foot of the mountain that this clip describes the scene of Wang Canghai's escape from the Yunding Palace.

Of course, this refers to Chen Ziyan. After all, he has known the inside story for a long time, but others don't see it so clearly.

But...what's going on with this coffin?

Looking at the coffin being dragged by the figure in the painting, Chen Ziyan was full of doubts, because this was not something in the original plot.

Could it be that the corpse of the twelve-armed woman is in the coffin?
After thinking about it, Chen Ziyan couldn't help but think of the deformed female corpse he had seen in the golden nanmu tree before.

Originally he thought that this deformed corpse was made by Wang Canghai, but now it seems that there may be other possibilities.

However, Chen Ziyan did not jump to any conclusion. He just kept this guess in his heart and continued to read the other content below.

He felt that even if the rest of the film's content could not directly answer his questions, it would certainly provide some inspiration.

It turned out that his idea was correct, because the next picture gave the answer directly.

The second scene of this film is at a coast. There are many ships docked on the sea. Two people are standing opposite each other on the shore, and next to them is the coffin.

Although this is all the content in this scene, anyone with normal logical thinking can connect the two together.

If you look closely, even the size of the coffins in both scenes is the same.

After pausing for a moment, Chen Ziyan continued to look downwards. The next few scenes were all similar, all of which were the process of building an underwater tomb, similar to the murals he had seen in the coffin before.

After watching the entire film, Chen Ziyan had a rough idea of ​​the whole thing in his mind.

If his analysis was correct, this should be what happened after Wang Canghai escaped from the Yunding Palace. It seems that when Wang Canghai was building the Yunding Palace, he not only glimpsed the secrets of King Wannu and the bronze gate, but also took a corpse with him when he escaped.

As for why Wang Canghai didn't just bring King Wannu's body here, Chen Ziyan felt that it was probably not because he didn't want to, but because he simply couldn't do it.

After all, as far as he knew, King Wannu might not be really dead, and it was more likely that he had entered the bronze door.

This also explains why a female corpse appeared in the underwater tomb, because Wang Zang could not get the body of King Wannu.

As for the origin of the female corpse, Chen Ziyan thought it was either a spare body of King Wannu or a concubine buried with him. No matter what, this corpse also had twelve arms, which was not something that everyone in the ancient country of Dongxia could have. It was definitely a person closely related to King Wannu.

wrong……

But as soon as this thought emerged, it was overturned by Chen Ziyan himself.

Because he discovered a problem, that is, this could not explain the origin of the white-haired drought demon.

If the female corpse was brought out from Yunding Palace, then where did the child’s corpse come from?
No matter how powerful Wang Canghai is, he can't make a corpse pregnant and give birth to a child, right?

Chen Ziyan felt that this point could not be explained, and the above two speculations could not be truly established.

But according to the description in the film and television, Wang Canghai did bring out a coffin from the Yunding Palace, and he would not simply think that there was nothing inside.

Maybe other people would bring the coffin out because of its material, but that person would definitely not be Wang Canghai. Moreover, given Wang Canghai's personality and status, he would not solemnly record the property he brought out.

That's so unclassy!

Therefore, Wang Canghai must have brought the corpse out from there, and the only person in the underwater tomb that met the requirements must be the twelve-armed female corpse no matter how you look at it.

But the problem is that this cannot explain the existence of the White-haired Drought Demon. Whether it was what he had seen before or his memory of the original plot, it seemed that the White-haired Drought Demon was related to the twelve-armed female corpse.

It goes without saying what kind of connection there would be between the corpse of a woman who had once been pregnant and the corpse of a child. What else could it be other than a mother-child relationship?

and many more!

Mother-child relationship... Could it be that what Wang Canghai brought out was a mother and child corpse?
A flash of inspiration came to Chen Ziyan, and he suddenly thought of another possibility.

He was just thinking that since Wang Canghai had brought out a female corpse from the Yunding Palace, the corpse could not have been pregnant, but he completely ignored another possibility.

That is, the female corpse and the child corpse were buried in the same coffin, which explains the matter.

After thinking of this possibility, Chen Ziyan reviewed the whole thing again, and the more he thought about it, the more likely it seemed.

He turned his head to look at the white-haired drought demon held in the hand of the flower fox. This guy was still struggling, but it was all in vain.

After carefully examining the little drought demon, Chen Ziyan slowly came up with a guess that this might not be a pure drought demon because it was too active.

Chen Ziyan hadn't realized it before, but now he suddenly discovered that the little drought demon's constant struggling behavior was more like the reaction of a young animal after being captured than a corpse.

This discovery gave Chen Ziyan another idea in his mind, that is, is this little drought demon really a pure child corpse?
If this little drought demon was born from the corpse of a twelve-armed woman, then it must be a child corpse without a doubt, but if not, then there is something to say.

I don’t know where the inspiration came from, but Chen Ziyan suddenly thought of a word - breeding warehouse.

He now doubted very much that the little Hanba was the being created by Wang Canghai, and the twelve-armed female corpse he brought out from Yunding Palace served as a 'breeding warehouse'.