meaning of aurora

Chapter 67 Conspiracy
Delayed manuscripts are da Vinci's biggest "stain in life" besides that chicken crime.

Da Vinci's procrastination is not the same as the cuckoo of contemporary Internet writers.

Internet writers are gooing, and they have to pay the price of the manuscript fee.

If you didn't write a word, who will pay you for the manuscript?

Da Vinci was different. He always collected the money first, and then he was calm and relaxed.

If the employer asks, he will treat Dongpo pork with the same attitude as Su Shi - [don't rush him until he knows it well].

Su Dongpo's meat is beautiful when the heat is sufficient, and Da Vinci's paintings are beautiful when the inspiration is sufficient.

As for artistic creation, if you say postponement, you must postpone it. What can you do without inspiration?

Writers have to obediently ask for leave from readers, even if some are already repeat offenders, they will still give all kinds of reasons.

Da Vinci was different, he was quite righteous.

A writer's Calvin is Calvin, and Da Vinci's Calvin is waiting for the burst of inspiration.

If he can't finish painting, he won't paint.

I felt bored while painting, so I stopped painting.

Why does it sound like the eunuch's book is similar in purpose?
Since then, Cuckoo and the eunuch have another reason - my idol is Leonardo da Vinci.

The most important thing is to quote the classics and learn from the past.

Da Vinci sneered and expressed his protest: "It's a joke, there are people in this world who think I'm a draft master."

Meng Xinzhi: "Isn't it?"

Brother Leo: "Of course not."

Meng Xinzhi: "What's the reason?"

Brother Leo: "Let's not talk about this for now, let's talk about that annoying guy Soderini. He forced me to paint with the sloppy Michelangelo. Did he succeed in the end?"

Meng Xinzhi: "You have at least finished the draft."

Brother Leo: "You also said it was a draft, sister of the heart."

Meng Xinzhi: "That's not because you, brother Leo, are too aggressive."

Brother Leo: "What did I do? You future generations can't talk like this."

Meng Xinzhi: "Brother Leo, I was wrong, I should say that you are too creative...creative."

Brother Leo: "What is this and what?"

Meng Xinzhi: "I also see it from historical materials. You painted "The Last Supper" with eggs and honey, and it began to fall off shortly after the painting was finished. It made the person who restored this painting miserable. "

Brother Leo: "What's wrong with being so miserable? Isn't that painting still in good condition?"

Meng Xinzhi: "Brother Leo, you don't consider maintenance costs too much."

Brother Leo: "It's your future generations who want to maintain it. What's the matter with me? Don't maintain it if you think the cost is too high."

Meng Xinzhi: "Okay, this is the fault of our future generations. Then you already know that your innovative pigments will have many sequelae. Why do you continue to innovate in the battle of the century with Michelangelo?"

Brother Leo: "How did I innovate?"

Meng Xinzhi: "When you painted "The Battle of Anjili", you didn't use traditional fresco paint."

Brother Leo: "You're talking about painting on wet slaked lime so that the color blends into the slaked lime wall, right?"

Meng Xinzhi: "Yes."

Brother Leo: "You Chinese have an old saying that slow work produces fine work. The wet slaked lime wall dries too quickly, which does not suit my creative style."

Meng Xinzhi: "So you treated the wall with wax, and then used oil paint to paint on the dry wall from the bottom up, right?"

Brother Leo: "I can even write mirror image characters. Is there any problem with drawing like this?"

Meng Xinzhi: "There is no problem, but you put two stoves in front of the murals treated with wax, and instead of drying the paint, you directly melted the paintings that have been painted for a whole year."

Brother Leo: "What if I do it myself? Why don't I wait until I paint for a year before starting to bake?"

Meng Xinzhi: "You mean that Michelangelo deliberately roasted the mural you painted in order to win?"

Brother Leo: "No, Soderini did it!"

Meng Xinzhi: "Ah? Why is this? Isn't this entrusted by him?"

Da Vinci and Michelangelo were "invited" by the Florentine consul Soderini to paint two wars in the Concierge, the Hall of 500 people - "Battle of Angeli" and "Battle of Cascina" ".

The common feature of these two wars is that the Florentines won an overwhelming victory.

Soderini hoped to boost the morale of the Florentines through these two paintings.

In the beginning, only Da Vinci was invited to paint "The Battle of Anghiri".

Because of Da Vinci's reputation for procrastinating manuscripts, and because he had no intention of writing for a long time, Soderini had no choice but to come up with the ghost idea of ​​inviting Da Vinci's deadly enemy to "fall in love and kill each other" with him.

The Archon has a good idea.

It also successfully stimulated these two rivals.

It's just a bit of a thrill, causing both da Vinci and Michelangelo to go -- off topic.

What they drew was not what the Consul wanted at all.

It is also true to say a few words of justice for the draft master Leonardo da Vinci.

To some extent, his procrastination is indeed a performance of excellence.

Da Vinci's delay in writing was not necessarily due to his passive sabotage.

In order to complete the work "The Battle of Anjili", he interviewed people who had witnessed the war and did many interviews. These interview records were all written in his notebook.

Not only that, he also thoroughly studied the drafts of the war drawn by the predecessors and the history of the war written.

If so, there is not much difference between him and Michelangelo who painted "The Battle of Cascina".

Leonardo Da Vinci was ruthless. In order to paint wars, he directly followed Cesare Borgia to observe the war at close range.

This is Da Vinci's attitude towards his paintings.

Whether it's anatomy or experimental paint, his degree of seriousness comes from scientists, which is definitely not comparable to other painters.

This incident happened before the war of the century between him and Michelangelo.

Therefore, not part of being stimulated.

Having experienced the war personally, and just hearing about it, the understanding of the war is definitely different.

Da Vinci wrote in his diary about the war:

[The real war is invisible... only chaos is visible. 】

[Hurry up and save me from the war... this is animal madness. 】

[If you think destroying nature is wrong, then taking human life is an unforgivable crime. 】

Leonardo da Vinci finished the draft of "The Battle of Anghiri". In his sketch, there is no hearty and hearty sketch that Soderini expected, but only thinking about the truth of the war.

(End of this chapter)