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Chapter 81 Script Reading

However, even though he has seen so many mathematical geniuses, Qian Mingli still can only describe Yan Fuguang's talent as "only seen in his life".

For a freshman freshman, let alone solving this century-old puzzle, having a clear idea is already a big deal.

Moreover, what Yan Fuguang gave seems to be a direction that has never been considered by the predecessors.

Qian Mingli fell into deep thought, but he was a little uncertain at the moment.

Now it seems that ordinary undergraduate education is of little use to Yan Fuguang, but if she is allowed to act like this, if a child is really intoxicated with luxury and money, then he is not a sinner through the ages.

"Well, I have no objection if you ask for leave, but you can't stop studying. I will assign you a topic, or you can choose one yourself, and then submit a study report to me every month."

Qian Mingli clicked on the crumpled leave slip, and said, "If you can accept it, I will grant you a half-year leave. If you don't accept it, then stay in school obediently."

This condition sounds very easy, Yan Fuguang has no problem at all, and immediately agreed.

Looking at this proud student who "didn't do his job properly", Qian Mingli was angry and helpless.

"Let's go, let's go!" Qian Mingli waved his hand to drive people out, and he might regret it after a few more glances.

As a result, when Yan Fuguang really got up to leave, he couldn't help but said: "Don't forget to come back for the exam. If any subject is lower than 95, I will count you as failing, hum!"

Yan Fuguang responded with a smile, the old man is hard-spoken and soft-hearted.

Once the school matter is settled, it's time for Yan Fuguang to report to the crew.

Although there is still more than a month before the official start of filming, the schedule is still very tight including the training time for the leading actors.

Although the drama "The Empress" is a costume drama, the background is too old. The more famous movie theaters, such as Hengzhen and Xiangzhen, do not match the age of the scenery. In the end, the crew chose a filming location called Xiling Film Studio. city ​​place.

Xiling is a prefecture-level city in Beihu Province. When the studio project was first approved, it claimed to build an "imperial city 3000 years ago". The historical materials used for design reference were the ancient Shu civilization.

According to historical chronology, the Eastern Wei Dynasty also belonged to one of the stages of the ancient Shu civilization, so Xiling Film City is just right.

It's just a little inconvenient, because the film city has not yet been completed, and the range of activities of the crew is limited to the area that has already been built.

This is Yan Fuguang's first time joining the group, so Mo Yun is going to stay with her for a week.

The itinerary this time is still not made public, and a group of people quietly came to Xiling to find the crew to report.

News about "The Empress" has been heard on the Internet, but most of them are groundless. Whether it is the casting situation or the start time, the crew has strictly covered it up.

Even if it was revealed that Yan Fuguang was the lead actor, the popularity of "The Empress" would rise to the top in an instant, but Yun Zhixia didn't want to do it.

She hopes that Yan Fuguang can have a relatively relaxed performance environment, fully express himself, and be able to create a classic screen image without any scruples.

Including the other actors, no one knew who the lead actress was before officially joining the group.

Until the day of the first script reading meeting.

Yan Fuguang had only arrived the night before. After entering the hotel, he got his room card and went upstairs directly. He didn't meet anyone except the drama staff.

Early the next morning, when Yun Zhixia brought Yan Fuguang into the conference room, most people were at a loss.

The participants in the crew reading meeting include the director, screenwriter, photography team, recording team, art team, production team and main actors. Three NO.40 people filled the conference room to the brim.

"Okay, everyone is here now, let me introduce you, this is the actress who plays the Empress, Yan Fuguang."

Yun Zhixia stood at the end of the long table and introduced to all the participants.

Faced with dozens of scorching gazes, Yan Fuguang remained calm and composed.

Yun Zhixia on the side also knew that there must be many people who were crazily questioning, but it was not convenient to discuss because of the occasion.

But it doesn't matter, they will understand when the reading session officially starts.

The two sides of the long table are full of name tags, the actors sit on one side, and the staff sit on the other side.

Yan Fuguang walked to his seat and sat down, took out the script from his bag, and waited quietly for the reading session to start.

According to the usual practice, the protagonists first make a round of self-introduction.

Yan Fuguang also finally met her father, king and queen mother, as well as the male lead—General Xiangyi, the second male—Wen Xin, the son of Zaizhi Wenzhong, the second female—the maid Yinzhang, and a host of supporting roles.

The script "The Empress" does not fully describe the life of the empress, but excerpts from the death of the king of Wei to the empress's expansion of territory and conquest of the world.

The female emperor's growth process is naturally the main line, and then extends to the treacherous court affairs, the struggle for imperial power, and the cruelty of war.

But Yun Zhixia's drama will definitely not sell bloody romance under the guise of a real drama, and even on the relationship line, she basically follows the conclusion given by the historical circles-the empress is never married and has no children.

So in this drama, Yun Zhixia only added two hidden emotional lines that are not obvious, and it is enough to polish the plot a little and play a certain embellishment role.

The process of the reading session is also very simple. Taking each scene as a unit, the actors bring real performance emotions and read the lines from beginning to end. There is no need for physical performance, but they are full of voice and emotion.

After reading each scene, the actors will ask questions about the parts that they don't understand, and the screenwriter will explain them one by one. After such a process, the actors and crew will have a deeper understanding of the script.

Of course, actors can also make suggestions based on their own understanding. After in-depth discussions, they strive to better integrate the actor's performance method with the role itself.

Except for Yan Fuguang, everyone present is an experienced actor. Even though Wei Ziqian, who plays the male second, is only three years older than Yan Fuguang, he still has two works by his side.

Who is Yan Fuguang, whether he is beautiful or not, the veteran actors don't care that much, the important thing is how the show is and whether it can take on the heavy responsibility of the heroine.

Although these people would not show contempt on their faces, most of them had the intention of trying to teach Yan Fuguang, and they were full of firepower as soon as they came up, and just reading a few lines was enough to attract people.

Yan Fuguang had expected this for a long time.

Whether it is creating an atmosphere with timbre, or telling a story with sound, whether it is breathing, enunciating words or emotional changes, there are too many nutrients in her once long life for her to absorb.

No, as soon as she opened her mouth to say a few words, Yang Hongji, the actor of Wen Zhong sitting next door, couldn't help showing admiration.

(End of this chapter)