The star is suspected of being mentally ill

Chapter 255 Tragic Times, No One Can Escape

For the premiere of Farewell My Concubine, Yanjing was chosen.

The old place, Luowang Mansion, movie theater.

Logically speaking, this movie about Beijing opera should have invited a lot of people in the Beijing opera industry to watch it and listen to it.

However, at the premiere of "Farewell My Concubine", there was not a single outsider in the Beijing opera business.

Those who came were all those who had participated in the movie.

At the scene, there were many film critics and drama critics.

But today, these film critics and drama critics, let alone sit in the first row, the first three rows are not playing.

The good news is that film critics have never sat in such a good seat in their life. After all, they always sit in the first row to watch movies, and the angle of view is as bad as it is.

But today, they are sitting in such a good position in the fourth row, but many people are not happy.

Since ancient times, I like to pay attention to personal dignity.

The reason why ancient emperors and scholar-bureaucrats liked to carry sedan chairs rather than ride in carriages was because they were uncomfortable with someone sitting in front of them.

Sitting in the fourth row today, the film critics are certainly not happy.

Usually, no matter how many stars come to the premiere to support them, they still sit in the back row, and they are unlikely to want the first row.

The reason is also simple, the stars who came to join in the show are all to get acquainted with the director and investors, and they are here to find work, and they are also to support the main family.

To support the scene is to come to help, and of course the helper does not need to sit in the expensive seat.

Of course, the film critics are not happy with this treatment today.

However, after someone complained a few words, they realized that they could only sit in the fourth row.

Take a closer look, the first three rows are all directors.

If you don't look carefully, the lights are dark, so you can't see it.

Taking a closer look, all the big directors with names and surnames are present.

Those well-known directors who are in the limelight are also here.

Even some directors from the Beijing circle were present.

The film critics murmured, what the hell is this? I have never heard of a film premiere with a bunch of directors.

It's like opening a restaurant, and it's normal for a bunch of bosses to cheer.

But what the hell is a bunch of executive chefs here?

However, Han Zhou on the stage gave the answer: "This time for the filming of "Farewell My Concubine", my fourth uncle and I co-directed, but my fourth uncle directed more scenes, and I directed fewer scenes."

"In this recent season, firstly, there is no film festival, secondly, there is no big schedule, and thirdly, it is not a hot season for filming. Everyone is free. It was my idea to invite everyone. I didn't expect everyone to come. I can only say, Peng Piper shines."

After being polite, Han Zhou continued: "There is no other meaning in inviting everyone to watch the movie. I just want to invite everyone to watch the movie. Also, Fourth Uncle wants to get together with everyone. Please say something to Fourth Uncle."

Hearing that Han Sisheng was going to speak, all the directors on the scene applauded.

Han Sisheng, even if he stepped back, no one would dare to neglect him. Do you know how many people in this movie industry have received Han Sisheng's favor?

Han Sisheng took the microphone: "Don't believe what Han Zhou said, the main director of this play is him, not me."

"I invite everyone to come here with only one purpose, which is to ask everyone to learn from this play."

As soon as these words came out, the faces of many people at the scene changed, including those film critics.

One must know that the people who can appear on this occasion are all great directors, so what does it mean to ask them to study hard?
Don't these people lose face?

But no one dared to confront Han Sisheng face to face.

And Han Sisheng continued: "I hope that Huaguo movies will get better and better, but good, there must be a standard. After editing this movie, it refreshed my perception of good."

"See for yourself."

Han Sisheng's words gave him room to maneuver what he just said.

However, the voice fell to the end, and the room was blocked again.

Your movie is really invincible, dare you say that?
In fact, Han Sisheng had a purpose in saying this today.

Han Sisheng has walked all his life, how many great directors have he seen who are invincible when they debut?

But in the end?Almost no one is truly monumental.

Seeing Han Zhou's progress in every movie, Han Sisheng thought that Han Zhou was already better than all the directors in China. He deliberately said this to let the directors and film critics watch the movie with a magnifying glass or even a microscope. Movies are nitpicking.

It depends on whether they can pick it out.

Fourth Uncle is so capricious, Han Zhou can't say anything.

In fact, Han Zhou also understood the meaning of this.

There is almost no difference between the previous life and this life.

For example, a certain national teacher surnamed Zhang was famous for his unique use of color and even reached the pinnacle when he debuted.

When film critics write film reviews, it is also a mess of boasting.

But this kind of public opinion is going to cause problems.

This Zhang Guoshi, the later movies, that is, one road leads to death and the other road leads to darkness, and does not turn back until it hits the south wall.

It is true that some of the later films had a strong use of color.

Because of the uniform color and the similarity of these two words, Grand Scene, Zhang Guoshi has gained the title of Invincible in Big Scene.

But that's all.

Since then, Master Zhang has come to an end.

Obviously, it is possible to study and study the story on the basis of color and big scenes, and make great progress.

But he doesn't.

Amidst the beeps of bulls, he has long lost himself, thinking that the use of colors and grand scenes are his 'king'.

But he forgot one thing, his kingly way is not equal to the kingly way of the movie.

So in this environment, this guy got bored with the movie "The Great Wall".

Is the big scene of this movie weaker than before?No.

Is the use of color in this movie less exciting than before?No.

How is this movie?Rubbish.

A rubbish story, no matter what it is whitewashed with, it is rubbish.

Even if it is put in a trash can made of gold, it is still garbage.

And it looks more conspicuous and disgusting.

Zhang Guoshi suffered such a big defeat, probably because he doubted his life.

Why is my color invincible in the world, why is it yellow?

Zhang Guoshi learned from the pain and filmed "Shadow".

In this time period, the use of color is strong, the understanding of color is strong, and the combing of stories is strong.

Although the film still has flaws in the film structure and story script, fortunately, Zhang Guoshi proved that he is still the same Zhang Guoshi in his use of color.

But that's it.

Zhang Guoshi has been praised for his color all his life, and he can't get out of this trap anymore.

In the end, I came to the lowest point of my career with "Man Jianghong".

With the director's name covered, it is difficult for anyone to watch this movie to see that it is Zhang Guoshi's work.

The use of color is a paste.

When Zhang Guoshi realized that those who praised him were cheating himself, it was too late, because he had become a stubborn little old man.

A little old man who lost his judgment on external information and even lost his source.

The same problem also happened to Chen Dao, the original director of "Farewell My Concubine".

Film critics, directors, and industry insiders from all walks of life, if they catch that boast, they will choose his strongest "lens language" to boast.

I boasted that Director Chen had an illusion.

I think that my movies don't speak human language, don't use lines to express, but only use the language of the camera to perfectly show a story.

Dao Chen used "The Promise" to strengthen his own characteristics.

Then, the mess.

The story of "The Promise" actually has a certain artistic quality and room for thinking. If the lines are written with a level of human language level, even if it is not a masterpiece, it will not be a super bad movie.

but!
In this movie, he just doesn't speak human words.

After "A Murder Caused by a Steamed Bun" became popular, the whole network ridiculed Mr. Chen.

But in fact, if you think about it carefully, the stories told in many movies are based on small things, and some people make a steamed bun, or even half a steamed bun, into a classic.

Why can't "The Promise" work?It is because Wuji does not speak human words.

The camera language is strong, can it replace the lines?
Strong colors can replace the plot?

These big directors have forgotten the basic composition of the movie amidst the beeps.

It should be said that they are clear, ten thousand times clearer than ordinary people.

But that is, disdain to do it.

Like, saint.

Confucius said to achieve benevolence, and Meng said to obtain righteousness.

This is how a sage defines a successful person.

That is what is required of a good king.

These two sentences can be understood by elementary school children.

But those universities study those great Confucians, he just insists on explaining.

Do annotations and explanations, the explanations are not enough, and I even write books to explain them.

Writing a book to explain is not fun, and I have to bring a few more twists and turns to explain the story.

At the end of the explanation, the Confucian students were stunned.

At the end of the study, none of them learned benevolence and righteousness, but they just opened their mouths about the allusions of benevolence and righteousness.

Everyone is hypocritical, and everyone demands benevolence and righteousness from others.

The same goes for great directors.

Obviously, a movie is to tell a good story with a good rhythm, so that the camera, music, lines, composition, and colors all serve the story.

That's the thing, but they are going to act like monsters, because ordinary expressions seem to be incompatible with his lofty status as a great director.

Today, Han Sisheng said that on purpose to do two things.

The first thing is to deliberately anger all the directors and film critics, and let them criticize Han Zhou.

Not just today, but also in the future.

In the future, whenever Han Zhou does something wrong, some people will inevitably think of today's shame and whip Han Zhou.

Shame today?That's right, Han Sisheng has already confirmed that everyone who came to watch the movie today was scolded by him, and none of them could explode.

That's the second thing he wants to do.

Let all domestic directors know how good they are!
Because of Han Sisheng's words, the major directors were basically not interested in the upcoming activities of the leading actors. Everyone wanted to see what movie was so awesome, and they called me to the cinema and wanted to slap me in the face.

The story of "Farewell My Concubine" is actually not complicated.

What is really powerful is that every character in "Farewell My Concubine" responds to the times and to the current story, that kind of powerful expressiveness.

At the beginning of the story, Duan Xiaolou and Cheng Dieyi re-entered the stage at the end of the 80s.

Not for many years.

Collaborate again.

sing a play.

She sang the Beijing opera "Farewell My Concubine".

After the beginning, we entered the feature film.

In the black and white film quality, a beautiful woman walks into the frame with a child covering her face.

Flyover, mixed environment.

Yanjing in the old Huaguo.

The woman is very beautiful, so beautiful that everyone on the side of the road takes a second look at him.

Ever since, a benefactor found her and recognized her as 'Yan Hong', the number one business owner he had taken care of.

So go up and say hello.

The woman smiled back at him.

The passer-by reached out to touch the woman's face, but the woman pushed his hand away.

When he went to pull the woman's arm again, the woman turned her face and pushed him away.

The woman watched the woman take the child away with a complicated expression, and finally tuied: "Smelly bitch."

Then, the woman continued walking with the child, and saw a troupe performing on the street.

The performance is a monkey show.

In such a passage, many great directors are thinking about what is the meaning of this beginning and what is expressed.

Many people think about something, of course, maybe everyone thinks differently.

During the monkey show, some people jumped out to make trouble, and were dissatisfied with these unexciting performances.

It is said that what they are performing is obscene.

Xiao Shitou, who came back after chasing the escaped Laizi, saw this scene, turned everyone away, and performed a trick.

The exciting scene attracted the applause of countless people, and rewards were flying all over the sky.

Those who make trouble don't make trouble anymore.

And this scene just sets the tone for the whole film.

The child brought up by the woman is called Xiaodouzi. As a good prostitute, how can she afford to raise a child?Want to drag the child to the theater troupe.

The head of the troupe saw that Xiaodouzi had six fingers, and said that he was born unable to eat the rice of singing.

The woman knelt on the ground with the spring breeze on the spot, with all kinds of amorous feelings, and the amorous expression on her face also made the audience at the scene stunned.

"It's not that I can't support him, it's that the boy can't be kept when he grows up. If you promise to keep him, I can do anything."

Many people have contempt for this woman.

What is not enough to live, is clearly not enough to live.

Some people also thought that she pushed away the former guests before.

Ruthless and ruthless.

At this moment, the appearance is really good.

And the head of the theater troupe: "They're all inferior, whoever compares to whom..."

"He was born unable to eat this bowl of rice."

The shouts of 'sharpening scissors and kitchen knives' outside the door kept coming.

No one expected that when the woman went out with the child in her arms, she covered the child's face and dragged him to the scissors-grinding bench where there was no one there.

Then he raised his knife and dropped it.

The child was already unconscious from the cold, and when he slowly pulled off the scarf on his face, he saw that his extra fingers were gone.

The screen cut back to the theater troupe, and there was a scream, which startled everyone.

The story is just beginning.

It’s a very simple story, but why such a thing happened and the background of this era are the focus of the performance.

Whether it is the language of the lens, the performance of the actors, or the form of the lines, almost all of them are exquisite to the extreme.

Han Zhou did not completely use the original lines, but determined the lines after studying the characteristics of Yanjing dialect in this world and the language characteristics of that era.

The story is still advancing, and many people are immersed in the story.

When they heard that this story was called "Farewell My Concubine", everyone probably imagined what kind of story it was.

But I didn't expect that this drama, from the very beginning, the director opened up the posture, starting from the protagonist's childhood, he made it clear that it was the posture of 'I want to show his whole life'.

This posture here is enough to attract people.

Not to mention whether it can be done or not, it is enough to attract people to judge.

For the rest of the content, the entire movie hall with more than 300 people was silent.

Only one film critic is still writing with a pen.

[It seems that the director wants to use a piece of content to show how a person's three views in the old society are distorted by poison... (cross out)

The director used a piece of content to show how the three views of people in an old society were poisoned and distorted. 】

【I am a girl but not a man. I have never heard of this aria that Xiaodouzi will never learn, but it shocked me deeply.

After Xiao Laizi and Xiao Douzi escaped, they went to see Jiaoer.Xiao Laizi doubted his life with tears streaming down his face, how could the one on stage become a corner character, and how many beatings would he have to suffer?
However, what I didn't expect was that when I turned my head, Xiao Laizi couldn't bear the beating he was going to receive after fleeing, so he hanged himself.

Xiao Laizi died, and under the persecution of his senior brother, Xiaodouzi learned "I am a girl, not a man". The senior brother didn't know that the drama he thought was the life that Xiaodouzi thought. 】

[This Eunuch Zhang, the remnants of the previous dynasty, is like a ghost, a wild ghost that has been homeless.

He lost everything, so in his own world, he used all means to maintain everything before.

He is a rootless person, but he wants to prove that he still has sexual ability. From today on, Xiaodouzi is no longer a child. 】

The development of the story is beyond everyone's imagination.

Everyone never thought that art and pornography would be combined so vividly.

No one thought that the so-called art could be used to show the collapse of an era.

Some people remembered that they had read "Diary of a Madman" written by Han Zhou. This is a world of cannibalism, save the children.

The film critic went on to write:

[If this movie ends when Xiaodouzi walks out of Eunuch Zhang's mansion, then this is also the best Huaguo movie of this century, and this movie seems to have a long way to go. 】

It's a pity that film critics can't predict the future, otherwise they would know that Xiaodouzi came out to pick up the baby after being spoiled by Zhang Gonggong, which was the most ironic scene in the whole play.

The old society is distorting everyone's thinking, everyone's three views, and everyone's code of conduct.

In order to survive, to have a meal, to wear a good dress, to be rich, everyone has distorted themselves in this distorted era for different things.

Even if you insist like Xiaodouzi, you will compromise because of countless things.

The most hateful thing is that some people enjoy it.

The plot advances little by little, and every paragraph is extremely exciting.

Every paragraph makes people sigh.

Every passage is starkly tragic.

Xiaodouzi has gone through a lot in his life before he became Cheng Dieyi.

A boy became a patient with gender cognitive impairment when he was shaping his three views.

In the continuation of this story based on this, an endless tragedy is staged.

The head teacher in the play has spoken out many things that seem to be the philosophy of life.

But he was also the one who sold Xiaodouzi.

It seemed that he gave Xiaodouzi a mouthful of food, but there was a price for this mouthful of food.

Cheng Dieyi is getting older and more famous.

Overlord Duan Xiaolou and Concubine Yu Cheng Dieyi have become hotter roles than Boss Wang that Xiaodouzi met back then.

But Jiaoer is only a corner in one-third of an acre of land.

Your life is "Farewell My Concubine", but many people are not.

When times change, everything changes.

Cheng Dieyi suddenly discovered that what he had gained by giving everything, whether active or passive, was in vain in the end.

Not just that, with the development of the plot.

Cheng Dieyi found that what he had gained by voluntarily or passively giving everything was a disaster to himself today.

When the flames in the camera ignited, both Cheng Dieyi and Duan Xiaolou were detained.

The sword obtained by Cheng Dieyi and the sword given to the senior brother also became the fuse of everything.

"Have you... have you, have you, he was..."

"I want to expose..."

The tragedy of one era completely detonated in the tragedy of another era.

And what detonated everything was the child that Xiaodouzi brought back.

Everything in the world was doomed long ago. In this era, every innocent child will become the one who committed crimes.

Layer upon layer of injustice intertwined throughout the world, and no one survived.

Of course, the perpetrators of evil cannot escape after all.

After the film critic finished watching, he wrote another sentence during the casting time.

[That year when I was young, I picked up a gun on the road, and I pulled the trigger, but nothing happened.

Many years later, when I was walking on the road, I heard a loud noise. When I looked back, I saw a bullet between my eyebrows. 】

Critics wondered, "Where should I deduct a point from this movie? Isn't a ten point too weird?"

"Well, the movie's duration isn't actually an integer, but it's counted in seconds, and a tenth of a point will be deducted."

When the movie ended, there was loud applause in the cinema.

It seemed that everyone wanted to use the hustle and bustle to dispel the mixed feelings of the nearly three hours.

The big directors in the front row looked left and right.

It seems that no one can find any problems with this movie.

At the scene, there were Beijing opera actors who sold tickets and sat at the end to watch the movie, and they were silent.

There is a passage in the play, "Since ancient times, in all dynasties, there has never been that kind of play that has become as popular as today's Beijing opera. It's a good time for you to catch up!" '

This Peking opera actor uttered a very philosophical sentence: "Go to your mother's Beijing opera."

----

Ask for a monthly pass.

Many book friends want me to write "Farewell My Concubine" in detail.

This is really impossible, each scene is not superfluous. If you tell the plot of the movie once, it will cost [-] to [-] words, and then tell the performance, and it will be tens of thousands of words. Combined with the background of the times, the book will be I can't write.

So, let's see for ourselves.

(End of this chapter)