Traveling Through the Tokyo Bubble Era

Chapter 61 Open a single chapter to explain
Regarding the non-comicization of "Pokemon", many book lovers have different opinions, let's focus on explaining.

The lack of manga is not because the protagonist wants to monopolize the IP of Pokémon, but because he does not want to hand over the dominance.

The rules of neon copyright are like this. The comics you draw do not mean that the copyright of the peripheral derivatives is yours. If you cooperate with the publishing house to serialize, you must hand over the "right of representation".

Once this right is handed over, the authorization of peripheral derivatives will be handed over to the publishing house. Not only will all peripheral copyrights not belong to the original author, but even the publishing house will take the majority of the benefits generated.

The author of the original work not only has no right to speak in the production of derivative products, but the distribution of benefits does not exceed [-]%.

The follow-up will be about the development of Pokémon, which is one of the main story lines of this book. Please be patient.

In the current timeline, the technical conditions for developing Pokémon have not yet appeared.

The reason why the protagonist chooses Shogakukan as the publishing house is also a foreshadowing of Pokémon.

I dare to write, I must have checked a lot of information, and there will be no naive idea that everyone said that one person can make an IP popular.

The success of Pokémon is of course being promoted by forces led by Nintendo, and it is certain that it is good enough.

As for waiving the copyright, it is very difficult to develop similar domestic possibilities in Neon.

Even if big companies want to follow suit, it is not so easy.

Otherwise, you can see that there are so many follow-up works after Pokémon became popular, including the familiar "Digimon".

(End of this chapter)