1993 My China Entertainment Age

Chapter 231 From Aunt Liu's concern!
What made Jiang Xiaofeng feel gratified is that the TV series "Oolong Breaks Through Love" produced by Century Film and Television Company, starring Sun Yaowei, Cao Ying, Zuo Xiaoqing, etc., was broadcast on more than 20 TV stations in the Mainland, Taibei, and Xiangjiang. They all achieved good ratings.

The hit broadcast of "Oolong Breaks Through Love" also made Century Film and Television a fortune. After deducting the cost, there is still nearly 500 million in revenue.

Although 500 million is really a matter of two or three concerts for Jiang Xiaofeng today, the success of multiple projects such as "Oolong Breaks Through Love" has also formed a virtuous circle for Century Film and Television Company.

In fact, in the past two years, including "Hero" written and directed by Qian Yanqiu, "Journey to the West" produced by Century Film and Television Company, "Youth Bao Qingtian" and other popular dramas have made a lot of money. The play is losing money.

This is also due to the fact that there are fewer film and television companies now, and there are not many film and television dramas produced, and there is no competition. However, the quality, content, and lineup of several films produced and produced by Century Film and Television Company can be regarded as excellent. The pours are full.

In comparison, domestic films basically lose money. Except for a very few, films directed by directors such as Feng Xiaogang and Zhang Yimou have the ability to attract audiences to spend money into movie theaters. Most directors do not have this ability. Most of them can't even sell copies, and can't get into movie theaters.

This is also the fundamental reason why Jiang Xiaofeng's Century Film and Television Company currently only produces and produces TV series and has not yet entered the film industry. To sum it up, it is very simple, it is not yet time.

But Jiang Xiaofeng also secretly planned that in the next two years, it is almost time to start investing in the production of movies.

March 1, 11 p.m.

Just after Jiang Xiaofeng came back from Taiwan Province, he went to Yujing Garden to visit Liu Xiaoli and Liu Qianqian, mother and daughter.

After arriving at Liu Xiaoli's house, Jiang Xiaofeng found out that Liu Qianqian was already asleep.

Seeing her lover come back, Liu Xiaoli's face was filled with tenderness and joy.

However, what made Jiang Xiaofeng and Liu Xiaoli depressed was that they had been preparing for pregnancy for a while, but Liu Xiaoli's stomach hadn't seen any movement for a long time.

Jiang Xiaofeng began to wonder if there was something wrong with him. Even though he had worked so hard a while ago, why didn't Liu Xiaoli and Taohong's stomachs move at all.

Liu Xiaoli didn't doubt Jiang Xiaofeng, but felt that it was because of her age, so she consciously told Jiang Xiaofeng, "I'll go to the hospital for a checkup some other day."

Jiang Xiaofeng reassured: "No, what to check, there must be no problem, Qianqian is so old, what problem can you have?"

Liu Xiaoli replied with a smile: "That's not what I said. When I was pregnant with Qianqian, I was not yet 30 years old, but now I am..."

Seeing that Liu Xiaoli hesitated to speak, Jiang Xiaofeng went on to say: "Don't think so much, just let nature take its course. Maybe it's because it was a safe period last time, so I didn't react much."

Liu Xiaoli also felt that it was reasonable, so she said: "Okay, then I don't want to, go to sleep, you should be exhausted after running around for so long."

Jiang Xiaofeng was really sleepy, because with the continuous growth of Century Film and Television Company and Century Record Company, he had to deal with many matters, big and small.

And Jiang Xiaofeng himself, also filming, writing songs, holding concerts, etc., is really a bit weak.

However, even so, seeing Liu Xiaoli snuggled up in his arms like a little daughter-in-law, Jiang Xiaofeng still felt very angry, and he tossed and froze until 3 o'clock in the morning before he died down.

The next day, in the morning.

Jiang Xiaofeng woke up naturally after falling asleep. When he woke up, it was already 9 o'clock.

After a simple breakfast, a few cups of tea with Liu Xiaoli, and a few chats, Jiang Xiaofeng was ready to go back to Century Records.

And because of Jiang Xiaofeng's arrangement, Liu Xiaoli hadn't gone to work at Century Records for almost two months.

Seeing Jiang Xiaofeng turn around to leave, Liu Xiaoli reluctantly said, "Be careful on the road."

Jiang Xiaofeng smiled and said: "Well, I know, you wait at home for me to come back." After speaking, he kissed her on the cheek before leaving the house.

Originally, Jiang Xiaofeng could take a rest today, but because today was Zhou Jielun's first day in the recording studio to record songs, Jiang Xiaofeng felt that he should pay attention to it.

When Jiang Xiaofeng arrived at the company's recording studio, Jay Chou was in the recording studio, recording his latest song - "Love in BC".

"The King of Babylon promulgated the Code of Hammurabi

carved in black basalt
More than 700 years ago
You stand in front of the window, staring at the words on the inscription

......"

Jiang Xiaofeng and Ke Zhaolei are now outside the recording studio, listening to the song "Love in BC" sung by Jay Chou, there is also a feeling of time and space being changed.

Because this kind of song, whether it is lyrics, music, or even singing style, has never been seen in the Chinese music scene in the past, and it really has an epoch-making feeling.

Jiang Xiaofeng's reaction was quite calm, because he had seen it in his previous life, but Ke Zhaolei thought it was amazing and unbelievable.

Ke Zhaolei couldn't help admiring: "This guy is amazing! How did he think of writing a song like this!"

However, boastful, in fact, Ke Zhaolei does not like Zhou Jielun's music, nor does he listen to his records, but simply thinks that his song style is very unique.

In fact, not only Ke Zhaolei doesn’t like to listen to Zhou Jielun’s music style, but many people in the industry and even many listeners sneer at it, especially some elderly listeners, they think Zhou Jielun’s songs are rubbish, just like chanting scriptures, they can’t be called songs at all.

After recording the song "Love in BC", Zhou Jielun came out of the recording studio, lowered his head shyly, and greeted Jiang Xiaofeng and Ke Zhaolei.

Jiang Xiaofeng called Zhou Jielun to him and said to her, "Jielun, how many songs have you written for this new album?"

Zhou Jielun said: "Report, report, report Brother Xiaofeng, I have written all 10 songs of the new album."

Jiang Xiaofeng was pleasantly surprised. He patted Zhou Jielun on the shoulder and said, "Good job! Speed ​​up!"

"Since the 10 songs have already been written, then you should record the songs well during this period of time. After recording the songs, you will have to shoot the MV or something. Some fans are busy."

Facing Jiang Xiaofeng's arrangement, Zhou Jielun didn't dare to have any opinions, and nodded shyly: "Okay Brother Xiaofeng, I understand."

However, after the success of his first album "jay", Zhou Jielun also explored a creative mode of his own amidst praise and doubts.

In Jiang Xiaofeng's view, Zhou Jielun is a smart musician. He knows what the market needs. One or two works of Hua Guofeng, two works of hip-hop, and the rest can be played casually. This has become his business rule.

Without much consideration, Zhou Jielun named his second album "Fantasy".

The title of the album "Fantasy" comes from the English pronunciation of "Fantasy", which means "fantasy".

The reason why Jielun Zhou used the album name "Fantasy" is because Jielun Zhou wants to use music to bring people whimsical imagination.

Moreover, the name "Fantasy" also reflects Zhou Jielun's consistent musical philosophy - music is fantasy, and fantasy is joy.

As for the "Fantasy" album, Jiang Xiaofeng was also very relieved of Zhou Jielun, and asked Zhou Jielun to act as the producer of the album. All 10 songs in the album were composed by Jielun.

In terms of lyrics, Zhou Jielun was responsible for two of them, and Fang Wenshan and Jiang Xiaofeng completed the rest of the lyrics.

Compared with the first album "jay", "Fantasy" not only broke through Zhou Jielun's production level, but also became more mature in creation.

Zhou Jielun has integrated his unique imagination and personal characteristics into the songs.

The album not only includes lyrical R&B songs, Zhou Jielun also expands the imagination space, integrating Hip-Hop, rock, accelerated version of Rap, and Japanese national flavor styles into the album.

Seeing that Zhou Jielun is working so hard and has reached the pinnacle of personal creation, Jiang Xiaofeng also thought about "writing" his new album right away, but after thinking about it, he decided to treat himself better and give himself a few more days off.

(End of this chapter)