1993 My China Entertainment Age

Chapter 255 Safety First, Take Care of Xiaoli!
May 9st, morning.

Century Records.

Zhou Jielun began to record his third solo album - "Octave Space".

Like the previous album "Fantasy", this album is still composed and produced by Zhou Jielun, Fang Wenshan, Xu Shichang, Liu Genghong, Zhou Jielun and others wrote the lyrics.

Century Records has an all-round creative genius like Zhou Jielun, and Jiang Xiaofeng saves a lot of trouble. Not only does he not have to worry about anything, he doesn't need to write songs for him, he can also write songs for other singers in the company.

For example, Zhou Jielun and Fang Wenshan collaborated to create a new song for Tan Jing - "Tropical Rainforest".

For example, Zhou Jielun and Xu Shichang collaborated to create the song "Knight Spirit" for Xu Huaiyu.

……

The inspiration for Zhou Jielun's "Octa-Dimensional Space" album comes from some movies and music videos he usually watches.

Therefore, the songs on the album are like movies, each with a different plot.

The reason why this album is named "Octave Space" is because Zhou Jielun wants to create his own music in the space of the western octave, and show the eighth art in the field of music.

The style of the album is also very routine, mainly R&B songs, similar to the previous album "Fantasy" in the arrangement of the album's tracks, a few R&B mainstream love songs, plus a few strange Zhou Jielun-style narratives work.

When Jiang Xiaofeng arrived at the recording studio, Zhou Jielun was recording the third song of the new album - "Dragon Fist".

Zhou Juli and Fang Wenshan collaborated to create the song "Dragon Fist" in order to continue the feeling of Huaguo Kungfu, hoping that people from other countries would know that it is Huaguo music when they hear this music.

"Northeast East with Dunhuang as the center

The nation's coastline is like a bow
The Great Wall is like a dream waiting to be shot for 5000 years
I lift the weight of the whole land with my arms

......"

After listening to Zhou Jielun sing "Dragon Fist", Jiang Xiaofeng also felt very motivated, so he called Zhou Jielun out of the recording studio and expressed his affirmation of his creation.

Being praised by his boss and idol like this, Zhou Jielun was also a little bit elated, and he was embarrassed to show it.
Because Zhou Jielun has always felt that Jiang Xiaofeng is an insurmountable peak in his creative career. The songs he can compose, Jiang Xiaofeng can basically compose.

For example, "Dragon Fist" and other Huaguo style songs, Jiang Xiaofeng had already composed several years ago, and even composed several songs.

Therefore, during the creative process, Zhou Jielun always felt that he was living under the shadow of Jiang Xiaofeng.

Of course, this is not a bad thing, and because of Jiang Xiaofeng's existence, Zhou Jielun has become more strict and responsible for his creation.

Jiang Xiaofeng said earnestly: "Jie Lun, the song "Dragon Fist" has a very good idea. When you sing, try to sing clearly so that everyone can hear what you are singing clearly."

Zhou Jielun nodded: "Understood Brother Xiaofeng, I will pay more attention next time."

Jiang Xiaofeng was also very relieved to see that Zhou Juan was so persuasive, and said with a smile, "Go in quickly."

"Okay Brother Xiaofeng, then I'll go in..."

"Go in and sing well!"

In the end, what made Jiang Xiaofeng dumbfounded was that Zhou Jielun hadn't changed at all. After returning to the recording studio, how he sang and how he sang, compared with the last time, there was almost no change.

Jiang Xiaofeng didn't bother to care about him anymore. Anyway, Zhou Jielun has this style, as long as he can continue to be popular and be accepted by his fans.

Immediately afterwards, Jiang Xiaofeng went to another recording studio to watch the recording of Tan Jing's new album.

When Jiang Xiaofeng went, Tan Jing was recording a new song - "Honey, That's Not Love".

It is worth mentioning that the song "Honey, That's Not Love" was tailor-made by Jiang Xiaofeng for Tan Jing.

Originally, Jiang Xiaofeng wanted to sell the song "Honey, That's Not Love" to Zhang Chaoyang from Sohu, but later he felt that it was unnecessary, and he didn't bother to be a singer, so he gave the song to Tan Jing.

"You said holding hands is a promise

But baby that's not love
like a shooting star too late to make a wish
No matter how beautiful it is, it can only be the past

Too beautiful promise, because too young

......"

Although the song "Honey, That's Not Love" has a very low bass, high treble, and a particularly large range span, it is difficult to sing. This is also the first time that Tan Jing has sung the Adagio R&B style and mid-low range vocals in the song.

But the powerful Tan Jing still did not disappoint Jiang Xiaofeng, nor did she live up to Jiang Xiaofeng's trust. She interpreted this song extremely well, and her clear high notes showed her good singing skills.

After listening to the song "Honey, That's Not Love" sung by Tan Jing, Jiang Xiaofeng not only took the lead in applauding her, but also exaggerated that her singing was getting better and better.

Tan Jing was flattered by Jiang Xiaofeng's praise, she smiled gratefully and said, "Thank you Master, it's not because I sing well, but because you write well."

Although Xu Huaiyu's development momentum in the past two years has stagnated a little and is in danger of being surpassed by Tan Jing, Jiang Xiaofeng did not completely ignore Xu Huaiyu just because he valued Tan Jing.

In addition, Xu Huaiyu has not been idle during this period of time. He is holding a concert tour in Asia, with a total of 35 performances, and now it is the 25th.

As for the company's other contracted singers, Jiang Xiaofeng didn't pay too much attention, because his energy and time were indeed very limited. Ke Zhaolei and Zhang Yadong were basically responsible for other people's albums and songs.

Although Zhou Jielun also writes songs for other singers in the company, but after all, he also has to record a new album, so naturally he doesn't have so much time.

night.

Yujing Garden.

After eating and drinking enough, Jiang Xiaofeng, Liu Xiaoli, mother and daughter Liu Qianqian drank tea and chatted in the living room, and watched TV by the way.

Because of Liu Qianqian's existence, basically what was shown on TV was what she liked to watch.

Seeing Liu Xiaoli becoming more and more charming and her belly getting bigger and bigger, Jiang Xiaofeng was also filled with emotion.

As an elderly pregnant woman, Liu Xiaoli worked very hard and paid more attention to safety, so she didn't dare to let Jiang Xiaofeng go overboard.

Jiang Xiaofeng didn't dare, after all, what she was carrying in her stomach was his Jiang Xiaofeng's flesh and blood.

Jiang Xiaofeng held Liu Xiaoli's hand and said with concern: "Xiaoli, thank you for your hard work. Not only do you have to take care of Qianqian, but also the baby in your stomach."

Hearing Jiang Xiaofeng's words, Liu Qianqian was a little dissatisfied, curled her lips, and said, "Uncle, I didn't let my mother take care of me. Now I often help my mother with work."

Liu Xiaoli also echoed with a smile: "Sissy is right, when you are not at home, thanks to Sissy, Sissy helped me a lot,"

Jiang Xiaofeng was a little surprised, but still smiled and replied: "Really? Qianqian, it seems that you girl has grown up and knows to take care of mother."

(End of this chapter)