1993 My China Entertainment Age

Chapter 295 Breaking through the self and the past, preparing for a new album!
However, Jiang Xiaofeng knew clearly in his heart that although he was full of energy, he was too busy with trivial matters to spare so much time for Zuo Xiaoqing.

Zuo Xiaoqing also gradually understood that an outstanding man like Jiang Xiaofeng did not belong to Zuo Xiaoqing alone, but to the entire forest.

Obviously, a man like Jiang Xiaofeng almost fulfills all the fantasies women have about men. He is rich, powerful, talented, and handsome. Let alone one in a million, even a million people cannot pick such a man.

Thinking about it this way, Zuo Xiaoqing felt a lot better in her heart. After all, being able to fall in love with Jiang Xiaofeng and having a beautiful relationship is itself the dream of many girls.

However, in order not to let Zuo Xiaoqing expect too much of herself, Jiang Xiaofeng never promised or asked for anything from her.

The only thing Jiang Xiaofeng can do is to make her happier when she is with Zuo Xiaoqing and forget all the unpleasantness.

The next day, the sun rose as usual.

Century Records.

Jiang Xiaofeng went to the recording studio early in the morning to visit the production of Zhou Jielun's new album.

Zhou Jielun's new album is also his fourth album, named "Ye Huimei",
"Ye Huimei" is an album named by Zhou Jielun after his mother. The album is named "Ye Huimei". In addition to thanking Zhou Jielun's mother for her nurturing grace, it can also echo with the title song "In the Name of the Father" in the album.

When Zhou Jielun created the album, he once again adopted a changeable music concept. Out of humanistic demands, he added different views and ideas into the album.

The title song "In the Name of the Father" originated from Zhou Jielun's experience with his father. Because Zhou Jielun's father, Zhou Yaozhong, is very introverted, he usually doesn't have much to talk to Zhou Jielun.

Therefore, Zhou Jielun composed the song "In the Name of the Father" for his father.

Speaking of Zhou Jielun's father, Jiang Xiaofeng had heard the song "Dad, I'm Back" by Zhou Jielun before, which was in the form of rap.Complaints of domestic violence.

Therefore, out of curiosity and concern, Jiang Xiaofeng has always wanted to know whether Zhou Jielun's father often abused his mother at home, which led to Zhou Jielun's shy and autistic personality when he first debuted.

Faced with Jiang Xiaofeng's sudden concerns and questions, Zhou Jielun looked a little embarrassed, and denied with a wry smile: "No, no, my dad never beat my mom. I made up the plot of this song."

Seeing that Jiang Xiaofeng didn't quite believe it, Zhou Jielun continued to explain: "Really, Brother Feng, I didn't lie to you. My parents' divorce doesn't have a negative impact on me. They can do what they like, and the burden becomes less stressful. Whether it's a father or a mother, they have become more free, so sometimes divorce is not necessarily a bad thing..."

However, is it true that as Zhou Jielun himself said, the divorce of his parents did not have a negative impact on him?

Jiang Xiaofeng certainly didn't believe this. Even if there was no domestic violence, the discord between his parents made this lively and mischievous little boy introverted and cowardly.

"Mom and dad don't love each other, is this the truth of life?" He wrote this sentence into the song because he couldn't understand such a profound question when he was young.

However, seeing Zhou Jielun's hard work in explaining, Jiang Xiaofeng no longer doubted, and replied with a smile: "So you made it up yourself. I thought you really experienced domestic violence since you were a child. Didn't your dad say you wrote it randomly?"

Zhou Jielun said frankly: "My dad is actually okay. He knows that I am writing for the sake of creation. The key point is that my relatives in Taiwan Province also came to ask me why I wrote it like this. Obviously my dad didn't do this, why did I write it..."

Jiang Xiaofeng smiled and reassured: "It's normal for them not to understand. It's impossible to always write about ourselves when we create this kind of thing. We alone can't write so many stories. It's normal to learn from other people's experiences."

After hearing Jiang Xiaofeng's words, Zhou Jielun believed it was true and heaved a sigh of relief.

The inspiration for the new song "Class Two, Three Years" came from Zhou Guoji's experience of playing billiards with his friend Fang Wenshan.

Different from the previous three albums, Zhou Jielun not only wrote lyrics and composed music for many songs of the album this time, but also acted as the producer and styling of the album.

This is also Jiang Xiaofeng's trust in Zhou Jielun, allowing him to have a free creative space, not to be bound by rules and regulations.

At the same time, Jiang Xiaofeng also began to write and record his new album.

Jiang Xiaofeng's 15th album is named "Confession and Farewell". This album can also be regarded as Jiang Xiaofeng's confession and farewell to pop music.

If there is no accident, this should be Jiang Xiaofeng's last popular album.

Because Jiang Xiaofeng feels that he has debuted for 10 years, and will soon debut for 11 years. He can't always sing these hot songs, and he can't always sing some love songs. He should "create" some deeper songs.

Since his debut, because of his amazing creative ability, many people in the industry and fans have compared Jiang Xiaofeng with the "Godfather of Music" Luo Dayou in Taiwan.

But Jiang Xiaofeng has always felt that his "creation", that is, his style is more diverse, more comprehensive, and more novel, but the depth of his works is far less profound than that of Luo Dayou.

In Jiang Xiaofeng's view, there are too many classic golden songs by Luo Dayou, many of which are contemporary and humanistic.

Including "Pearl of the Orient", "Tomorrow Will Be Better", "Childhood", "Story of Time", "Dream Chaser", "Love Song 1980", "Love Song 1990" and so on, Luo Dayou's classic works also made Jiang Xiaofeng feel a deep gap.

Therefore, when someone compares him with Luo Dayou, Jiang Xiaofeng will say very modestly, "Brother Dayou is my senior, and also the goal I pursue. Don't compare me with Brother Dayou, because there is still a distance between me and Brother Dayou."

Faced with Jiang Xiaofeng's respect and appreciation, Luo Dayou also said very modestly when he was interviewed by reporters a few years ago: "Xiaofeng has already surpassed me. He is an all-rounder in music. He can master any type of music, whether it is rock, rap, R&B, or blues...he is very proficient in any type of music!"

"He is also a talented creator of the new generation in the Chinese music scene. Without him, the Chinese music scene will lose a lot of color and classic works."

Obviously, Jiang Xiaofeng and Luo Dayou are heroes and cherish heroes. They are both very generous, humble and organized, and have no intention of competing with each other at all.

As for who is higher and who is lower, it is just a debate among the world, and it has no effect on Jiang Xiaofeng and Luo Dayou.

One generation after another, one generation of gods, each person, each era, has a creative idol representing the era.

If we say that in the 80s, the representative of this era was Luo Dayou,
Then, the creator representing the 90 years is Jiang Xiaofeng.

(End of this chapter)