Liang Jian: I have a canteen

Xu San defines the current relationship between Huan Ji and Himiko as a lingering connection.

According to typical fantasy or supernatural settings, Himiko is currently a homeless being.

Xu San didn't believe in trickery, so he defined Himiko as something or a special energy entity.

In short, Himiko is definitely not human.

Xu San judged that Himiko, being an energy being that was not human, could not have been exposed to the air for an extended period of time.

As for the reason, it's probably because it's afraid of oxidation.

This is the same principle as the Terracotta Army.

The Terracotta Army is a clay artifact dating back more than two thousand years. When it was unearthed, it was already painted.

The surface of the terracotta figurines is coated with a layer of raw lacquer as a base layer. This layer of raw lacquer allows the subsequent mineral pigments to adhere more firmly and the colors to be brighter.

Various mineral pigments are applied while the lacquer layer is still wet.

The Terracotta Army is buried deep underground in a stable environment with constant temperature, humidity, and low oxygen. This environment has a protective effect on the painted surfaces.

Once unearthed, they are immediately exposed to oxygen, which oxidizes the pigments and paint layers, causing the pigment molecules to decompose and fade.

Changes in temperature and humidity can also cause the paint layer and ceramic body to crack and peel due to uneven thermal expansion and contraction.

Such a change in environment, from stable to drastic, is devastating to fragile painted decorations.

The problem lies in this layer of raw lacquer.

Oh no!
It should be snakeskin, the snakeskin that Xu San cut off.

Its function is the same as the lacquer on the terracotta warriors: to protect the inner contents.

But now that the snakeskin has been cut off by Xu San, Himiko has lost her protection and is now a homeless spirit.

Therefore, she desperately needed protection since she was unprotected.

In other words, she needs a physical body.

And Huanji seems to be the perfect embodiment of this ideal.

As for the reason, perhaps it's because they're close by, and proximity gives one an advantage.

However, Xu San immediately overturned his idea.

It doesn't seem like it.

It seems that Himiko started trying to communicate with Eboshi as soon as he got the box.

Or, to put it another way, frequency modulation.

Xu San felt that the reason he was able to contact Huan Ji was because of frequency tuning.

All you need to do is align your thought process with that of the Phantom Princess.

Another point is that the two women may actually be related by blood.

Just as Ah Xu San was lost in thought, Huan Ji slowly spoke up, "You just said that Her Majesty the Queen really did get a lot of good things in China. What were you referring to? Were you referring to those bronze mirrors? When you mentioned the bronze mirrors, her emotions fluctuated a lot."

Huan Ji's voice was soft and low, as she was afraid that a loud voice would disturb Xu San's thinking.

But now she desperately wanted to know the truth about the Queen.

"Hmm," Xu San continued to let his thoughts wander, this time leaning towards female-oriented content.

After all, even the Queen has come out, so it must be related to the Queen in some way, right?

What can a female-oriented online novel have?
Isn't it just about men and women?
If the woman is pregnant, then who is the man?
Could it be Ti Jun?

It is very possible!

Thinking of this, Xu San suddenly frowned, then stared at Huan Ji, "My Queen, could Ti Jun be alive now as well?"

After this question, Huanji's eyes instantly lost focus.

It took about three seconds for the clarity to return.

Xu San looked at her and immediately gripped the hilt of his sword. "Your Majesty, welcome back!" (End of Chapter)