The bard wanders into the entertainment circle

Chapter 436 Action Director, Director Chen!
After breakfast, Chen Rui and Shu Chang went to school, while Chen Shuo, Liu Yifei, and Liu Xiaoli went to the crew hotel.

Lin Chaoying, played by Liu Xiaoli, also needs to have a fight scene with Wang Chongyang, so she also needs to train a little bit.

After arriving at the place, those who stayed on the crew will train in the hotel, and Zhao Jian will arrange the direction of everyone's training.

Chen Shuo, Liu Yifei, and Meng Guangmei are the ones who fight the most in the play, and they also need the most training.

Of course, almost everyone in the whole drama has fight scenes, but because of the small number of roles, it seems that there are not many fight scenes.

"Papapa~" Seeing that everyone was here, Zhao Jian clapped his hands and said, "Okay, those who have started training yesterday, continue training according to yesterday's plan, and the rest will wait where they are."

Zhu Yawen and others said hello to Chen Shuo and went to train. They had nothing to do yesterday, so they came directly to train.

Whether it's Wu Xiaowu or Cheng Ying, they all need to play.

On the contrary, it was Liu Yang, who played Gongsun Lue who didn't have much drama and was seriously reading the script.

"Chen Shuo, come." Zhao Jian waved to Chen Shuo.

"Director Zhao."

"We all know your skills well, those who can do more work, you can design your own movements.

Then point out the movements of Yifei, Li Mochou, Cheng Ying, Lu Wushuang, Guo Fu, Yeluqi, Yeluyan, and Wanyanping. "

Chen Shuo couldn't help being stunned when he heard it, and said, "Director Zhao, you are the action director of this movie? Why did you leave this matter to me?"

"It's more work for those who are able. The movements of them are basically related to you. Isn't it comfortable to fight if you designed it yourself?"

Zhao Jian patted his arm and said, "Besides, I didn't ask you to do this work alone, I found a helper for you."

With a move behind him, he shouted: "Pingchuan, Tianle, come!"

"Here we come." Shen Pingchuan and Yang Tianle came to Chen Shuo, bowed and said, "Director Chen, from now on, we brothers will do whatever Director Chen says."

Chen Shuo said dumbfoundedly: "Brother Shen, Brother Yang, when did I become Director Chen again?"

These two people are very talented, and Chen Shuo created "Lingbo Weibu" at the beginning, they are the two who practiced well.

It was originally intended to be Lin Zhiying's stand-in, but later Chen Shuo played Duan Yu, and the two of them had no room to play.

However, with their natural abilities and the "Lingbo Weibu" that they practiced with Chen Shuo for a period of time during the filming, they are outstanding in designing bodywork and footwork.

Now he is Zhao Jian's right-hand man.

Zhao Jian said: "Don't be overwhelmed, there are a lot of fighting scenes in this movie, if you don't train well during the training camp, you will be tortured to death when you are filming.

Just add a name to your action director later.

Not only the two of them, the martial arts under their command are under your command, you design the movements and let them teach them. "

"I remember that our company also sent people here? Are you still short of manpower?"

Zhou Yi also invested in this drama. After all, it is a guaranteed profit, and all its own shareholders have starred in it. Why not invest?

It's just that Zhang Jizhong had a strong desire to control, and Jiang Xuerou focused his energy on "Jingwei Filling the Sea" and "Li Wei's Resignation", so he didn't get involved.

However, Zhou Yi is not only strong in screenwriting now, with Li Dachao, Yang Junyi, and Zhang Jin, Zhou Yi's action design is also very prominent, and he has a professional martial arts team.

After the training of many works such as "No. [-] in the World", "Legend of the White Snake", "Little Fish and Flowers", and "Xia Ying Xian Zong".

The strength of Zhou Yi's martial arts team has greatly increased. Not only has it recruited various talents, but its overall level is also not weak.

Although it can't be like Cheng Jiaban and Yuan Jiaban, but compared with Zhao Jian, a famous action director who works alone, he is not bad.

In order to make this movie well, Zhou Yi also sent many people.

"We have sent people, but they are not the only ones who need to be trained." Zhao Jian explained: "You also know that the people I assign to you are all characters who are close to Yang Guo.

Others, aren't there many characters in Xiangyang and Mongolia?

Okay, that's it, I'll add your name later. "

After Zhao Jian said that, he turned and left to arrange training for others.

In fact, he also has his own selfishness in doing so.

The people sent by Zhouyi already had their own characteristics, and he put them under his command because he wanted his own people to learn from their strengths.

Sending Shen Pingchuan and Yang Tianle under Chen Shuo and making him a martial arts instructor and action assistant director also wanted them to learn more from Chen Shuo.

In his opinion, Chen Shuo has a good foundation, great ability and flexible mind despite his young age.

Who knows if he can create other good moves like "Lingbo Weibu"? When Shen Pingchuan and the two learn it, won't it be his?

Another one, both of them are also very talented people. If they learn more and think more about Chen Shuo, they will be more capable in the future, and his Zhao family class can go further, right?
He thinks it's worth it to exchange so many benefits for a name.

If it weren't for Chen Shuo's different status now, he would have thought of abducting him here and becoming the deputy head of Zhao's class.

Seeing this, Chen Shuo didn't refuse any more. He said that since the beginning of the year, he has been determined to participate in some behind-the-scenes work.

When filming "Fairy Sword", he often designed actions with Li Dachao, Yang Junyi, Zhang Jin and others.

When it came time to film "A World Without Thieves" and "Initial D", he followed Jiang Daohai, Zhou Ting and others to learn acrobatics and drag racing.

Now that he can experience the work of an action director while filming "The Condor", he is naturally willing to do so.

Chen Shuo turned his head to Shen Pingchuan and said: "Brother Shen and Brother Yang, I have to ask you two to worry about it."

The two said with joy on their faces: "Director Chen will tell you later."

Now that the work is handed over to the two, it proves that the two can learn more.

Although Chen Shuo was young, the two of them knew him well and knew his abilities, so they didn't feel ashamed at all.

Chen Shuo nodded in agreement. Since he decided to be the action director, he would also accept Director Chen.

It is also a good qualification for him to be named the action director of "Sculpture of God".

"Brother Shen, Brother Yang, please demonstrate the movements you designed for everyone first, let's see if there is anything that needs to be changed."

Shen Pingchuan said: "Looking at these characters, I believe Director Chen should also know that their movements are all agile.

Li Mochou was born in the Ancient Tomb School, and even the Five Poison God Palms were made gentle and delicate by her, which shows that her kung fu must be beautiful.

Not only her, but you, Ms. Liu and Lu Wushuang are also from the Ancient Tomb Sect, so they came out in the same way.

Cheng Ying was born on Peach Blossom Island, and she practiced Yuxiao Swordsmanship, Luoying Excalibur Palm, Lanhua Fuxue Shou, etc. Guo Fu was similar.

Yeluqi and Yeluyan all learned Quanzhen Kungfu, they still learned it from Zhou Botong, and their methods followed the method of Kongmingquan.

In the end, although Wanyan Ping didn't say that she learned any kung fu, but girls, it's not wrong to move towards lightness and elegance.

In general, the actions we designed in this part are all designed to look good. "

"Then is there a set of movements now?" Chen Shuo asked.

"No, I just have an idea." Yang Tianle said: "Our idea is to refer to Lingbo Weibu in terms of bodywork and footwork, and refer to Baguazhang and Taijiquan in terms of boxing techniques, palm techniques, and weapons.

Needless to say, Lingbo Weibu is created by you. It is smart and elegant, and it looks good when you walk.

The body of the Eight Diagrams Palm is like a swimming dragon, and it is famous for its palm technique. It is very good when it is used as the Five Poisons God Palm, Luoying God Sword Palm, Three No Three No Hands, and Heaven and Earth Net.

The ethereal changes of Taijiquan are the best basis for deducing Quanzhen Kung Fu and Kongmingquan.

There is also a Taiyi Whisk Kung Fu in Taijiquan, which is most suitable for designing Li Mochou's Whisk Kung Fu. "

Chen Shuo nodded, feeling that it was indeed as he said, if following this line of thinking, the designed movements would definitely fit the character and be beautiful.

only……

"No, isn't kung fu like the Luoying Excalibur Palm designed before? Can't you just apply the original one?"

Shen Pingchuan said: "It's natural to apply the original version directly, but wouldn't it be better if we can innovate from the original version?"

Explaining in his mouth, he secretly said in his heart: "If we really want to use the original one, what else can we learn? Naturally, we have to re-deduce it, as much as we can learn."

"That's fine, then let's start with Peach Blossom Island's kung fu." Although Chen Shuo could understand what Zhao Jian and others were planning, he also wanted to learn from their experience in motion design.

After all, Zhao Jian has been an action director since the 90s and has won many awards.

Although not as famous as Yuan Baye and others, his experience and ability are naturally worthwhile.

"Swordsman", "The Legend of the Condor Heroes", "Dragon and Babu", "Lotus Lantern" and many other works, the movements look very beautiful and artistic.

Liu Yifei and Liu Xiaoli went to follow the martial arts to practice basic skills and move their bodies, while Chen Shuo, Shen Pingchuan and Yang Tianle performed the movements together.

He also wanted to take this opportunity to embody some of the dance steps in the masterpieces handed down from generation to generation.

There are not many dance steps in the masterpieces handed down from generation to generation, except for "Dancing Steps of the White Night Vine", "Twenty-Three Steps Dance", "Peacock Gala", "The Elder's Endless Waltz", "Elegant Festival Dance", " Catwalk", "Dance of Desire".

There are only two more articles, "Moonfall Porolie" and "Heavenly Flowers Blooming Pailavi".

Among them, "Twenty-three Step Dance" has been completely transformed into "Lingbo Weibu".

In other words, all the artistic conception and abilities contained in "Twenty-Three Steps of Dance" are included in "Lingbo Weibu".

Of course, it's not just dance works that can comprehend the movements, songs and even performances are also possible.

For example, "Solo of the Wilderness Spirit" and "Kun Yue Beiming", Chen Shuo, Liu Xiaoli and Wang Yabin have turned them into dance moves before.

can exert some of its effects.

The first thing the three of them reproduced was the Luoying Excalibur Palm. According to the description in the book, this set of palms was learned by Huang Laoxie from the Luoying Excalibur sword technique.

When the palm is drawn, it looks like falling flowers, with palm shadows in all directions, five falsehoods and one solidity, or eight falsehoods and one solidity, like a violent wind blowing suddenly in a peach forest and thousands of flowers falling together.

The beauty is that the posture is elegant, like dancing lightly, and the palm is as sharp as a sword.

It can also be used together with the orchid brush acupoint, the finger can be transformed into the palm, and the palm can be transformed into the finger.

These two sets of kung fu are not difficult for Chen Shuo.

After watching the old versions of Luoying Divine Sword Palm and Lanhua Fuxue Hand practiced by Shen Pingchuan and the others, they only combined the movements of Lingbo Weibu, Liumai Divine Sword and Baguazhang to create these two kung fu.

In addition, he had actually seen this set of kung fu in his dream.

When the Quanzhen Seven Sons of Yanyu Building fought against Huang Laoxie, Zhen Zhibing had personally faced these two sets of kung fu.

In less than an hour, Chen Shuo began to integrate all the materials and started practicing.

Flying flowers in the river city, rain and wind, rain beating pear blossoms, peach blossoms and flowing water, flying snow and falling plums, empty valley orchids, etc. are performed one by one.

Lanhua Fuxue Hand and Luoying Excalibur Palm combined two sets of kung fu, I can see that he moves gracefully, with a leisurely demeanor, understatement, and acts as if nothing happened.

When the palm comes, it looks like falling flowers, and when the fingers are brushed, it looks like spring orchids. It really is sharp and graceful.

Shen Pingchuan and the two who watched were amazed.

Of course, these two sets are said to be kung fu, but in fact they are just routine movements used for filming.

It cannot become an extraordinary work like Lingbo Weibu.

However, it is impossible for Chen Shuo to create so many extraordinary works for one play.

The two sets of movements look good, and it's fine if they can be used as a set of moves.

The two called two female martial artists, and the four of them followed Chen Shuo to learn together. After they learned it, they went to teach Wang Jia and Chen Zihan.

It doesn't need the two of them to really practice well, as long as they can memorize the movements, and then they can do them one by one for shooting.

With the palm technique, it will be much easier to deduce the sword technique.

There has been a saying in Chinese martial arts since ancient times that weapons are turned into fists and feet.

Putting down the weapon is the kung fu of boxing and kicking, and picking up the weapon is the art of fighting to kill the enemy.

Picking up a sword, just combining it, a set of Luoying Excalibur, and even a Yuxiao Excalibur was created.

He also taught martial arts to two women and asked them to teach Wang Jia and Chen Zihan.

For martial artists with a solid foundation, as long as they find the knack, such movements are not complicated.

After all, in order to learn from Chen Shuo, all the people Zhao Jian sent over had learned at least ten or twenty sets of martial arts routines.

For example, Shen Pingchuan and Yang Tianle not only learned a lot of routines, but also started to create routines themselves.

Next, Chen Shuo and the two of them created "Kong Ming Quan" based on Tai Chi.

Kongming Boxing is a 72-way boxing method created by the old urchin Zhou Botong from the "Tao Te Ching".

Known as the most yin and soft boxing in the world.

Naturally, it is impossible for the three of them to create all of them, and Chen Shuo had never seen the Kongming Fist in his dream.

Just use Lingbo Weibu's dodge ability to cooperate with Tai Chi push hands.

Deduce a boxing method that can catch hair.

When the enemy strikes, first use the dodge energy incorporated into the boxing technique to catch the opponent's punch in vain when the punch is coming, so that it can't fall into place.

Then use the push hands to transform the strength, leading the opponent's punch to use up the strength, and the power is completely lost, and in turn use his strength to fight back.

Seeing Chen Shuo's Kongming Fist, Shen Pingchuan couldn't help but his eyes lit up, and said, "Director Chen, according to this principle, is this set of boxing really used for fighting?"

(End of this chapter)