Chapter 63 The Beauty of the Pear Vortex
In the next few days, Li Zi, Yu Bo and Liu Lili were still filming in Xiangjiang.

Almost all of Chen Shuo's scenes in the Grand View Garden have been filmed, and the rest of the scenes are inseparable from the three of them.

If they didn't come, he couldn't shoot, so he was free for a while.

While learning calligraphy with Feng Li, he helped Yang Junyi.

Yang Junyi not only played the role of Xiaobei, but also acted as the action director of this play.

The action director needs to be in charge, not just teaching the actors how to fight, he also needs to design some stunts and guide the shooting.

On the fifth day after the filming started, Zhou Ping finally arrived with the three Liao Zi, director Sun Taiquan and a part of the crew.

The two directors are co-directing, and the four leading actors have officially gathered together, so the crew also needs to adjust the next arrangement.

In the evening, all the main creators gathered and had a meal together. First, let everyone get to know each other and get familiar with each other.

Especially for Chen Shuo and Li Zi, [-]% of their scenes were filmed with each other, if they were always acting like strangers, how could they feel it when filming?

As for Yu Bo and Liu Lili, although they didn't know each other before, they have kissed several times during the filming in Xiangjiang, and they have known each other for a long time.

The other is also to make Yang Jun and Sun Taiquan familiar.

One is the director of Bayi Factory, and the other is the director of Yangcheng TV Station. The two have never met before.

The director is the soul of a crew, and the two co-directed must discuss with each other to work out a unified style.

In this way, there will be no situation where different roles in a drama have very different styles.

Before the meal, Jiang Xuerou specifically explained that she was not allowed to drink too much today, so as not to delay tomorrow's filming.

Therefore, no one was asked to prepare white wine. The men drank beer and the women drank red wine.

Chen Shuo just toasted Zhou Ping, Yang Jun, Sun Taiquan and others with a glass of wine.

Afterwards, he sat obediently by the side and ate food. He drank only when someone was with him, and he didn't dance too much.

Sitting next to him is Li Zi, and speaking of which, he still has some special feelings for Li Zi.

I think it was because of the enthusiasm of young and Dangerous boys that he fought with people for three years when he was in junior high school.

He came and went again and again, and he also watched several movies of Young and Dangerous Boys several times.

Among them, the little stammer played by Chen Zi is extremely brilliant.

It is also because of her, and the ending of the play, that Chen Shuo doesn't have a good impression of those girls who don't love themselves and copy others.

And never let the sisters in the family participate in the fight.

But he also understood that it was just a play and had nothing to do with the actor himself.

Moreover, her experience in the play is also very warning to some hot-headed girls.

In order to understand Li Zi, he also watched some clips of "Yi Tian Tu Long Ji" during this time, and he also liked the extremely clever, tricky and eccentric Zhao Min in it.

He picked up a glass of wine, looked at Li Zi and said, "Sister Li Zi, my name is Chen Shuo, and I will play Zhu Yunwen. Please take care of me in the future."

Li Zi looked at him and smiled, revealing the two dimples on his face, at this moment, it seemed that the air had become sweet.

She picked up the wine glass and said, "It's my first time to film in mainland China, please take care of me."

Her tone of voice is very gentle, with a Hong Kong accent, but it can be understood.

Unlike when "Xiao Shishilang" was filmed, Zhu Yin's accent was so heavy that people couldn't understand what it meant.

When playing against each other, it takes a long time to guess correctly.

Hey~
The two clinked glasses with each other, Li Zi took a sip of the red wine in the glass, and Chen Shuo drank the wine in the glass, and then chatted without saying a word.

After all, the two are not familiar with each other, and the living environment is also different. There are not many topics to talk about. They just met for a meal, not familiar.

How can beer be intoxicating?
Therefore, this meal was indeed as Jiang Xuerou expected, no one was drunk.

After the seats were over, everyone went to rest early, and the two directors Yang Jun and Sun Taiquan still led their respective teams to communicate with each other to determine the shooting style.

But it has been agreed in advance that Yang Jun is the main director of this film, and everything needs to be adjusted according to his style.

On the second day, the two directors did not divide into groups, but prepared to shoot together for a day to adjust their styles.

The scenes are also simple, directly filming the interaction between Chen Shuo and Chen Zi.

After all, the two are the male and female protagonists, and the performance of the two accounts for most of the factors in the finished product of a play.

This scene was after Zhu Yuanzhang's birthday, Xiaowanzi won his joy, was named the princess of the fairy princess, and was given a palace of the princess of the fairy princess.

Then Zhu Yunwen, Xiao Wanzi, who was already named the Lord of Xianxian County, Ding Xiang, and Huang Zicheng, the prince's attendant, came to see the Palace of the Lord of Xianxian County.

Chen Shuo was wearing a light blue robe and costume, his headdress was neatly combed, and he was covered with hairpins.

Since the last interview, the costume designer Mei Guodong and the styling designer You Yizhu have mainly focused on Chen Shuo's styling and costume design.

Abandon those fancy ideas and try to follow the formal costumes of the Ming Dynasty.

When they designed it, they used Xu Zheng as a template, and they also referred to his performance style when filming "Bright Spring Pig Bajie".

After all, both are comedies, and when the same actor is acting in the same type of drama, there will not be much difference in performance style.

In order to fit Xu Zheng's performance, they added a lot of exaggerated elements to Zhu Yunwen.

However, Chen Shuo's performance style is quite different from his.

His understanding of Zhu Yunwen was that Zhu Yunwen was taught strictly by Zhu Yuanzhang and Zhu Biao since he was a child, and he was surrounded by people who followed the rules like Huang Zicheng.

He was raised as a crown prince since he was a child. He has a generous and benevolent personality, and has always paid attention to etiquette.

Especially in terms of appearance, the modern hairstyle they designed before, with a bun on the top of the head, did not match the Zhu Yunwen he wanted to show.

Even if there is a side of escape in his heart that is inspired by the little play, Zhu Yunwen is not Zhu Yuanzhang who came from poverty when he was a child. When he was born, Lao Zhu had already established himself in the world.

The habits he developed in the palace since he was a child will never let him do anything that is too out of bounds.

Except when facing Xiaowanzi.

After all, she is special in his heart.

Xiao Wanzi is different, she herself is a modern person from the 21st century, and she has been a thief since she was a child, and she has no concept of following the rules at all.

So her clothing and hair accessories are very casual, which is very consistent with Xiaowanzi's naughty personality.

Chen Zi loves to smile, or she has a natural smiling face.

When there is an expression on her face, the two dimples at the corners of her mouth are extremely conspicuous, making people feel that she is smiling.

There is a poem that says: Jun En Xu returned here to get drunk, and there was a slight eddy on the cheeks of pears.

I highly praise the sweetness and intoxication of the pear vortex beauty.

It can be said that when a beauty smiles, the world can be thrown away. With such a beautiful face, it is possible to fascinate the eldest grandson of the Emperor of Ming Dynasty.

After putting on the costume, Xiaowanzi's ghostly and eccentric nature was immediately revealed.

The movements in the performance are not exaggerated, and the eyes seem to be able to speak, and people can understand with a slight movement. She doesn't know what the hell she is thinking.

Moreover, she was born in a family of performing arts, and her grandfather, grandmother, father, aunt and others are all engaged in the performing arts industry.

I have been fascinated by my ears and eyes since I was a child, and I have an extraordinary talent for acting.

In addition, after so many years of debut, I have played all kinds of roles, and my acting skills are really honed.

(End of this chapter)

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