Lost in love at the beginning, I backhand her best friend

In "A Hundred Years Old House", Zeng Youguang narrates his growth around this old house.

In a few strokes, he sketched out the interactions between his grandmother, mother, wife and himself. He also wrote about the changes in the family and the loneliness and helplessness of things and people changing.

It contains both strong true feelings and lamentation about the impermanence of the world, which makes people cry when reading it.

When Yang Lizi and other old men and women read this manuscript for the first time, they had this feeling and it was hard to control themselves.

The time span spanned six years, and Lao Zeng was still unwilling to finalize the draft, always saying that something was missing.

After Wang Zihao came over, he didn't say he wanted to help polish it after reading it.

Everyone thought that he really couldn't add to the already flawless lyrical prose.

Although a little disappointed, everyone also thought it was normal.

It was only seven or eight hundred words, and Lao Zeng spent six years polishing it.

After six years of hard work by an ordinary person, it is not easy for a talented scholar to take advantage of it, unless the ordinary person is illiterate.

Lao Zeng is a talented scholar, who dares to say that there is an opportunity?

Lao Guo and his gang were at a loss what to do.

When they heard that Wang Zihao wanted to revise the manuscript, everyone looked happy, especially Lao Zeng.

With the calligraphy and painting "Mica Mountain" now complete, and "Century-Old House" perfect, I will have no regrets in this life.

I just didn’t know how Sunrise East would polish his manuscript. Old Zeng said to Zeng Zhiguo: “Zhiguo, get a pen!”

Zeng Zhiguo was not interested in the old man's article. He just felt that it was exaggerated and seemed not sensationalistic, but in fact it was full of sensationalism.

If an online article were written like this, the author would have starved to death.

The smelly ditch in front of the house can be described as sad in the writings of writers.

But of course Zeng Zhiguo had to listen to what the old man said, and he quickly went to the old man's study to find a pen.

After getting the pen, the old guys surrounded Wang Zihao, all looking forward to it.

The old guys are on the inner floor, and Zeng Zhiguo and others have no place, so they can only stretch their necks outside.

It's a pity that it doesn't matter how long the neck is, because the height of the old guys is not short.

Dragons give birth to dragons and phoenixes give birth to phoenixes. They are not short in height, and naturally their ancestors are not too short either. At least their necks are not long enough to see inside.

Later, the old guys saw Wang Zihao put pen to paper at the end of "A Century-Old House".

The pen was full of flowers, and the pen fell like a storm. Twenty-one characters slowly emerged, and the eyes of the old guys were dull.

"There is a loquat tree in the courtyard. It was planted by my wife the year she died. It is now as tall as a canopy."

Just twenty-one words, but like a heavy hammer, it hit the softest place in the hearts of all the old guys.

What is meant by a glance for ten thousand years? The old guys are experiencing it.

From now on, these twenty-one words will never be forgotten.

The tall loquat trees are like a canopy, which is the still prosperous world, but it is this prosperous world that makes the old wife who has passed away look particularly lonely.

And Lao Zeng, who lost his first wife, felt even more miserable.

The more lush the loquats were, the more they reminded him of the fact that his wife had left, and others couldn't help but feel sad.

Borrowing objects to cherish people, using happiness to offset sadness. It is hard to write anything so touching.

All the old men and women knew Old Zeng's wife. She was a virtuous and virtuous old lady who was both Old Zeng's lover and a good friend.

Six years ago and six years later, the writings in different times and moods are put together, which makes people feel the cruelty of time even more.

He tells the saddest story in the plainest tone, leaving people unsuspecting and shocking.

These twenty-one words make the first seven or eight hundred words of "A Century-Old House" shine brightly.

I used to think that Lao Zeng used too little ink, but now I feel that it is just right. He used a few very short sentences to outline the three most important female images in his life: his grandmother, mother and first wife.

Unfortunately, these three women have left him one after another. The original text's seemingly careless writing and calm tone hide pain and tell the story of the cruelty of life.

This sentence added by Sunrise in the East directly sublimates the artistic conception of the whole text by several levels.

Lao Zeng used indirect descriptions when talking about his mother. After all, he was still young when his mother died, and many of his memories were even relayed by his grandmother.

Grandma often pointed to a certain place in the old house and told Lao Zeng, "This is the place where your mother once stood." "When you were crying in my arms, your mother hurried over and picked her up, and asked distressedly, "My Is the baby hungry?"...

Whenever grandma said this, Lao Zeng, who missed his mother, would be in her arms, and they would cry one after another.

He is eager to hold and coax the child, and expresses the mother's care and concern for the child in a delicate and vivid way. Not to mention that Lao Zeng wanted to cry after hearing it, even the readers wanted to cry after reading it.

When my grandmother saw Lao Zeng studying hard, she was heartbroken but also extremely happy. Before she died, she eagerly expected him to get married, start a business, and become successful, but it was a pity that she could not see him.

Fa's wife has been married to Lao Zeng for more than 40 years. Her natal family has better conditions and has always looked down on Lao Zeng. However, she always defends her husband's status in front of her family and gives him support and encouragement.

In the end, even if Lao Zeng failed to live up to his wife's expectations and gave up his official career, his wife did not complain at all, stayed with her husband and raised her children, and worked hard to be a good wife and mother.

Guo Qing remained silent.

The loquat tree in the yard was planted with luxuriant branches and leaves by Lao Zeng's wife Li the year she died.

The tree has grown so big, and in the blink of an eye, Mrs. Li has been gone for so many years, but her voice, appearance, and smile are still the same as they were yesterday.

In the article, a few words describe the interest in the ordinary life of a couple.

Trivial past events depict the scene where Lao Zeng and his wife were in love with each other and talked about each other's love.

These things are very simple, very daily, very detailed, but I will never have the chance to experience this kind of life again.

There were once companions of my beloved, but now there are only loquat trees. Comparing the past and present, I feel sad and touching.

Yang Lizi and others did not dare to comment on Sunrise Dongfang’s last-hitting, at least not in front of Lao Zeng.

"Go back." Yang Lizi asked Wang Zihao to leave together.

Xiang Wendong and others also said goodbye to Lao Zeng.

Lao Zeng stood there blankly, staring at the manuscript, forgetting to see off the guests. Zeng Zhiguo and other young people were wondering why the old guys didn’t say a word when Wang Zihao finished writing.

Did you mend your lameness?

Hydrology kills people, and every day when the sun rises in the east, hydrology, especially in the later stages of "Dou Po", Zeng Zhiguo and others have stopped pursuing it long ago.

So Prince Haojiang has exhausted his talents and made things worse?

Liu Zixuan couldn't help but stepped forward and looked at the manuscript on the table.

She had never read "A Century-Old House" written by Lao Zeng, but when she saw the obviously different handwriting, she knew it was written by Wang Zihao.

"There is a loquat tree in the courtyard. My wife planted it when she died. Now it is like a canopy." Just reading this sentence, Liu Zixuan felt as if she had been struck by lightning. The impact was huge.

When she started reading from the beginning and read the entire text, she was extremely shocked.

Than "I thought we would see each other soon, so I didn't say goodbye properly that day" "The summer is not over yet, we went our separate ways" "At the class reunion, some people are prosperous, some are mediocre, and some classmates have long since died "It was even more difficult for her to let go.

Lin Lu also stepped forward to take a look.

With this look, he finally understood why the old guys walked away silently.

The words are very beautiful, but I can't comment.

At least Lao Zeng must be avoided.

After Zeng Zhiguo saw the words Wang Zihaobu, his face changed slightly and he was very worried about his grandfather.

"Zhiguo, when the loquats are mature, you come here to pick some and send them to Dongfang. This is what your grandma and I want, and they must be delivered." After speaking to his grandson, Lao Zeng went back to his room, his eyes red. .

Zeng Zhiguo promised that he was not afraid of the gangsters being bad, but he was afraid that the gangsters would be educated.

When the sun rises in the east, the water rises in the east, and the flood can wash away the Dragon King Temple.

Liu Zixuan thinks, does that guy Wang Zihao have too much water in his head, and if it doesn’t flow into the online article, the essence will not come out?

It seems that the more water, the more essence.

When I think about it, it seems quite scientific and true.

Yang Lizi's car took Wang Zihao outside Fengzhiyu, and Liu Qianqian had been waiting for a long time.

She brought books to grandma.

The hard science fiction physical book of Sunrise in the East has been published, and the publisher sent a total of fifty copies today.

It has nothing to do with self-production and sales. Fifty volumes of Liu Qianqian are still too few.

Because just for herself, if she gave it to others, it would be too much.

Fifty volumes are simply not enough.

Colleagues in the school must send them as these people come into contact with many people, such as students.

With some promotion, you may be able to sell hundreds or even thousands more copies.

"Grandma, with the hardcover version, you can also watch the next two parts in advance. The latter two parts will be released a year apart. Hungry marketing." Liu Qianqian got into the car and chatted with Yang Gigi first.

"I heard you praise me a long time ago. I should be able to read hard science fiction." Yang Lizi took the book from Liu Qianqian's hand. The font background was wood pulp color, which looked very comfortable on the eyes.

Liu Qianqian highly praised it: "Grandma, this book has a profound social consciousness and is entangled in the conflict between institutional construction and human morality. In fact, it directly puts our country's problems on the scale of the entire universe."

"Oh, I like spoilers when reading this kind of book, otherwise I might not understand it, just tell me." Yang Lizi smiled.

Liu Qianqian was overjoyed. Not to mention that she liked it, as long as grandma could stand it, Lao Guo and his gang would definitely not run away.

And if Lao Guo and his gang can stand it, they will definitely play a role in publicity.

No matter how much they like the calligraphy and paintings of Sunrise in the East, it would be easier to kill them than to let them help sell books like "Zha Tian" and "Dou Po".

"Although this book covers hundreds of millions of light-years of time and space, it is actually not that far away. It conceives of a grand world based on realistic scenarios, and is clearly based on the idea that if there is an alien civilization, then there will be a common moral code in the universe. on the moral question?"

Yang Gigi nodded, science fiction is also based on reality.

Even if fantasy is based on reality, it has long been like a wild horse that is out of control.

"This world depicts two levels of morality: the zero-moral universe itself - a higher intelligence such as the 'Singer' throws two-way foil into the solar system, making the entire solar system two-dimensional and human civilization perishing; but the article focuses on It also writes about "How can a moral human civilization survive in such a universe?" These two hypothetical conditions placed in the background of the universe may seem like utopias, but they are deeply rooted in the real situation of people when they are involved in historical dilemmas. Among them." Liu Qianqian worked hard to help her boyfriend sell books.

"It's a bit profound, but I don't know if it's true." Yang Lizi said with a smile.

Liu Qianqian affirmed: "Of course, the book contains many moments of life-and-death decisions, related to the rise and fall of civilization and the survival of human nature. These moments reflect moral dilemmas that are closely related to the real history faced by both the author and readers. The plot The concept is entangled in two dimensions of morality: zero morality for survival, and morality with good and evil."

"What's the result?" Yang Lizi had the urge to open the book.

"The grand narrative, and the final plot trend, is that moral humans (or any life) cannot survive in a universe with zero morality. The ups and downs of the story in this book are the steps humans have made to preserve themselves time and again with their ideals and rationality. Work hard, and finally the 'Singer' will come, and the Dark Forest attack will come." Liu Qianqian said proudly.

The book "The Three-Body Problem" made Liu Qianqian look at her boyfriend with admiration again.

So talented!

It's like a person who has the title of mathematician and the title of national first-class actor. The two styles are so different that it's unbelievable.

"The Three-Body Problem" persistently uses rich technical details to describe a grand vision of a large scale and a wide field of vision. It prefers huge objects, complex structures, holographic levels, and long spans of time. When applied to the characters, it is based on A group of heroes appeared who sacrificed themselves to save the common people, stood up against the tyranny of fate, and finally rewrote history.

It almost "cruelly" pushes the heroes in the work to those extreme scenes, allowing them to face the ultimate dilemma of the world.

In "Three-Body 2: Dark Forest", the two axioms of "cosmic sociology" can be regarded as the cosmic version of Darwin's evolutionary theory. On a more macro scale, in its unfolding process, in terms of the scale of its elimination Far more thrilling than the Darwinian version.

When the universe slowly unfolds in front of these heroes, human beings suddenly seem so small, and their joys and sorrows are so insignificant.

The nonchalant attitude of "gods" whose civilization level is higher than human beings' "what does it have to do with destroying you" directly penetrates the narcissism based on long-term anthropocentrism, and also echoes the idea that "the heaven and the earth are unkind, and all things are not benevolent." The Eastern worldview of "Being a Stupid Dog".

"The Three-Body Problem" does not simply regard love, kindness, and responsibility as a panacea that can cure all diseases, but regards inner transcendence as a difficult and tortuous process, even full of failures.

There is also a hidden image of faith in "Three-Body 3: The Immortality of Death", which is human beings themselves, and human beings are their own saviors.

Outside the car, Wang Zihao was blowing the evening breeze and listened to his girlfriend's Amway in the car. He once again sighed in his heart that Liu is awesome. He single-handedly raised Chinese science fiction literature to a world-class level.

His "Three-Body Problem" uses a majestic story structure, magnificent and novel scientific imagination, and rich and simple humanistic reflection to create a space epic with noble connotations.

What it embodies is a high level of imagination.

The key to hard science fiction is the self-consistency of fantasy. "The Three-Body Problem" is a world that is self-consistent with scientific theories and logical deductions.

"Okay, it's time for me to go back." Yang Lizi rushed her granddaughter out of the car and said one sentence that made Liu Qianqian blush, "It's so busy tonight. Treat your boyfriend well. You don't have to get up so early to go to my place tomorrow." (End of chapter)