The Fairy: From the Traveling Merchant

Chapter 786 Xuan Nu and Su Nu

Chapter 786 Xuan Nu and Su Nu

Zhao Chen wanted to refute that although the "Dragon King's Blessing Sutra" was created by the Zheng family's ancestor after watching the evil martial arts, originally practicing this martial arts did not require outsiders to "forgive sins."

Three hundred years ago, the Zheng family lost a treasure, which resulted in the loss of the ability to "forgive sins." That's why they asked for the "Thunder Jade Pivot Forgiveness Treasure Repentance" from the Taoist Sect.

But this is a secret of the Zheng family, and many of the inside stories were also inferred by Zhao Chen and Zheng Qingyan. It is not appropriate to tell Wang Qingling, so Zhao Chen did not correct it. Instead, after thinking for a moment, he continued to ask:
"Why are the Dao Lords of the three holy places and His Majesty the Great Ancestor of Daxia so tolerant of the 'evil' techniques?"

This is completely different from their attitude towards evil spirits’ followers or believers.

Any evil spirits and their followers who dare to operate within the territory of Da Xia will be killed if possible, or at least driven away.

"I'm not really sure..." Wang Qingling frowned, as if he had never thought about this question, and could only say uncertainly, "Maybe it has something to do with the inability to completely control the spread of these skills... Or maybe it's because of the protection of the 'Zhou Tian Xing Chen Great Array', so the harm of practicing evil skills is not that great?

"Anyway, there is no technique that can lead to a superior magical power that is not dangerous. This is true even for techniques that are gained through the understanding of the mysteries of nature... After all, Xuantian's 'knowledge' itself is 'poisonous'."

There may be reasons in this regard, but it should not be the main reason... It feels more like the Daojuns of Daxia have reached some kind of tacit understanding with those evil gods outside...

Otherwise, if some monks with low cultivation entered the "Yaomu Academy", even if it was the outer courtyard, they would not be able to resist the pollution of "great evil".

Since they can still maintain their self-identity, it means that the "evil" side either has a deeper conspiracy or has exercised restraint.

If it is the former, then the students who entered the school can come back, which means that the Taoist rulers have adopted a tacit attitude.

If it is the latter, it means that the evil spirits are concerned about the strength of Da Xia and have to fulfill some kind of "contract".

No matter which one it is, it can prove that there is a tacit understanding between the Taoists and the evil gods. The only difference is which side is stronger.

He glanced at the armor thoughtfully, and then thought of his cheap "grandfather", Ming Xueling who learned the "Three Divine Powers of Education" from the "Dan Ding Xianzong", and the "Black Sun" who was said to be closely related to the "Fusang Fallen Divine Tree"...

Zhao Chen felt that his "fate" with this evil organization was not shallow, second only to "Xinguang Temple" and "Zhongxinghui", and comparable to "Four Evil Hall".

I just wonder if it was a "coincidence" that this armor with the magical power of "bluffing" was sent to me!
Since he is paying so much attention to me, could the so-called "Fallen Fusang Divine Tree" be related to the "Star God"?

Zhao Chen rubbed his forehead with his hand and decided not to delve into these more "advanced" knowledge for the time being. After all, it was meaningless at the moment. He was just thinking about these things because of his occupational disease as an "investigator".

I am a collector now! I am a collector now…

After repeating it silently in his mind several times, Zhao Chen shifted his attention away from the dark blue armor that had been bought by the "Source" by the "Big Sun Star Raft" and looked at the "Tianhe Goddess Picture" that looked like a "big snail".

It is called "Tu", but in fact "Tu" is just the door to enter the inside of the "big snail".

Although he had obtained the ownership of this treasure and the authority to manipulate it, Zhao Chen thought about it and decided to release Guan Si Niang first. After all, the method of "turning it on" was a bit "shameful" for him, so he decided to let the "real owner" do it himself.

After Guan Si Niang came out of the "collection space", as soon as she regained her senses, she saw the imperial concubine snuggling in the arms of the "prince" Zhao Chen as she did last time.

Does His Majesty the Emperor know that you two are so loving?
She wanted to complain in her heart, but soon forgot about it as her attention was drawn to the "big snail" next to her.

"Master Chen, you really brought the 'Picture of the Goddess of the Milky Way'!" Guan Si Niang looked very excited, but before getting Zhao Chen's permission, she stood there obediently, but her eyes seemed to be sucked and firmly "nailed" on the picture drawn on the surface of the "big snail" shell.

Seeing her face full of surprise, Zhao Chen smiled and said, "Why don't you take us to visit your 'home'?"

Then he stared at Guan Si Niang with burning eyes, as if he wanted to watch a good show.

As a "human puppet" produced by the "Heavenly River Goddess Picture", it is not wrong to say that this "big snail" is Guan Si Niang's home. Guan Si Niang, who has "remembered" everything, does not have Zhao Chen's "burden", and nodded happily and said: "Please wait a moment, young master..."

After saying that, she straightened her clothes, walked to the big snail, and then began to dance in a rather enchanting manner while muttering something.

The dancer's graceful posture and swaying skirt were already enchanting, but Guan Si Niang made the dance sound even more mournful and desolate, like a green lotus emerging from water, unstained by a speck of dust.

It seems to symbolize that the life of the so-called "Goddess of the Milky Way" is not good.

This is the method to open the internal space of the "Tianhe Goddess Picture". Although Zhao Chen had "learned" it the moment he got the ownership of this picture, he did not want to do this in front of Wang Qingling, as that would simply add to his "black history".

However, as the dance gradually came to an end, its mood changed unconsciously, becoming full of hatred and primitive desire for killing!

"'The Goddess of the Sky River' is actually 'The White Water Goddess', which is one of the faces of the legendary 'Nine Nether Goddess' and the prototype of the concept of 'Snail Girl'.

“It is rumored that ‘Nine Heavens Mysterious Lady’ and ‘Nine Netherworlds Pure Lady’ are two sides of the same coin. Of course, there are also claims that they are twin goddesses. But that’s not important.

"In short, since the 'Heavenly River Goddess Picture' was obtained by Ming Hongyi from the space where the 'King of Liang' was sealed, it is very likely that it came from the imposter 'Xuan Nu' who was loyal to the 'King of Liang' but was stabbed in the back by him.

"This dance should be a reflection of her life...

"Well, if I were to make a bold guess, that 'Xuan Nu' should also have two sides, so after her fall, the fragments of this blessed land are filled with 'yin energy'... This is probably a manifestation of her 'Jiuyou Su Nu' side!

"Since the 'Nine Heavens Immortal Body' of the Nine Heavens Mysterious Lady is helpful to those evil gods and is coveted, then the physique of the 'Nine Netherworlds Su Lady' is probably also quite rare... Could this be the reason why the Great Xia Emperor is obsessed with her?
"But who 'created' this dance that alludes to her life, and set it as the condition for opening the 'Heavenly River Goddess Picture'?
"The disaster that befell 'Xuan Nu' must have happened very suddenly. I'm afraid I don't have time to arrange these things myself..."

Just as Zhao Chen was running through one thought after another in his mind, Guan Si Niang's dance finally came to an end. Several rays of light suddenly shot out from the picture of the "goddess" and extended to the feet of the three people present like a staircase.

(End of this chapter)

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