How China Entertainment was developed

Chapter 614 The restless domestic entertainment

Chapter 614 The restless domestic entertainment

have to say.

The saying that failure is the mother of success is indeed very reasonable.

After learning from the failure of "Warring States", the results of "Police Story 2013" are much better.

First day of release.

Despite the pressure from Feng Xiaogang's new comedy "Private Order" in the second week, "Police Story 2013" scored 6845.54 million yuan at the box office.

In terms of the first-day box office alone, it was only slightly lower than the first-day box office of "Private Customization" of RMB 7149.7 million.

However, if you include the zero-hour box office the day before the premiere, it can be clearly seen that compared to the box office appeal of "Police Story 2013" and "Private Customization", it is still a lot inflated.

Because it is obvious that "Private Order" made a box office of 1002 million yuan in the zero-point screening before the premiere, while "Police Story 2013" only made 162.36 million yuan in the zero-point screening before the premiere.

The difference in audience appeal between the two is six to seven times.

I can only say that [Police Story 2013], although it bears the title of the well-known series of Brother Chenglong, and now Chenglong is also under the influence of Zhang Nan, it is more brilliant than the original time and space.

But after many years, the audience's perception of Chenglong movies is still somewhat aesthetically fatigued.

Reflected on the movie box office, that is, the subsequent box office trend of "Police Story 2013" did not replicate the stability of "Private Custom" and the sharp rise when encountering the weekend movie market, but continued to weaken.

Box office of more than 50 million yuan, box office of 30 million yuan, box office of more than 30 million yuan, box office of more than 50 million yuan, box office of more than 40 million yuan.

In the first six days, [Police Story 2013] grossed 2.8 million yuan at the box office. Compared with its production cost of million yuan, it can definitely recoup its costs and make a small profit.

But the problem is...

Can the film project of [Police Story 2013] really only have a production fee of million?

The dragon riding in the original time and space may be okay, but the dragon riding in this time and space is under the influence of Zhang Nan.

Except for a few years of low-key development after returning to Asia after those three consecutive attacks, his net worth has basically not dropped much, and his salary has remained stable at around 1500 million US dollars.

Converted into RMB, that is more than 100 million RMB.

[Police Story 2013] The salary paid to Cheng Long alone was million.

What's more, there is also the copyright of the "Police Story" series.

Of course.

The specific situation is that [Police Story 2013] divided a part of the proceeds to Chenglong, specifically how much. Although Zhang Nan was the boss of Chenglong's acting contract, he did not interfere too much.

After all, it was Zhang Nan who called Da Tiantian to find Chenglong to cooperate with, and the copyright of the "Police Story" series also belonged to Chenglong long before he signed the contract with his company.

However, Zhang Nan still took the money that should be collected, such as Chenglong's salary, but the amount was vague, and it should not be Chenglong's real income from "Police Story 2013".

But just for this vague remuneration, Zhang Nan got 40 million yuan with an 80% share of Chenglong's current five-year contract.

If we do some extrapolation, Chenglong's somewhat vague salary for being on the set of "Police Story 2013" must be million yuan.

Moreover, in the crew of [Police Story 2013], not only Chenglong is a superstar, but Hu Ge was also attracted by the rising friendship of [Warring States].

Although it was a major supporting role, Da Tiantian was too generous here, and she also directly gave out a salary of 10 million yuan, and Zhang Nan received 7 million yuan.

So the salary for the main creative team alone starts at 60 million yuan.

Although it is a gun battle movie like [Police Story 2013], there is no investment in special effects, and the scene is not big, it is just a Syrian, shabby, unfinished building style bar.

In this era of rapid real estate price increases in the mainland, a bar of this style is not as easy to find as it was during a period of major thunderstorms in later generations, but it is still hard to find and not much more expensive. But the labor costs are real.

Of course.

If he really knew how to keep accounts, he would have been able to control the cost of the remaining filming sessions of "Police Story 2013" to about million.

But the specific cost of [Police Story 2013], the power behind Da Tiantian, and whether the [Police Story 2013] project makes money have little to do with Zhang Nan.

Zhang Nan's current main focus is on taking care of Neon's little party members Akina Nakamori, Shizuka Kudo and Norika Fujiwara, as well as South Korea's Jun Ji Hyun and Kim Hee.

The main focus was on the filming of "The Wandering Earth 1".

The energy I want to focus on again is to focus on the sales of the three supporting films of [Star Wars 7] that I obtained previously in the mainland.

But the actual situation.

However, it was the care of the women that consumed the least amount of energy from Zhang Nan.

Because of the precedents of Xiao Jue and Ye Quanzhen, Li Jiaxin and Jia Jingwen, Zhang Nan has entered the palace for the third time and has rich experience.

Just say it!

Zhang Nan is basically very familiar with the obstetrics and gynecology doctors at Pengcheng First People's Hospital.

You can’t be unfamiliar with it either.

Zhang Nan went there twice a year for unloading business, and four times in two consecutive years.

In the third year, business volume increased another 250%.

Moreover, the service recipients Zhang Nan sent were all well-known female artists in the Asia-Pacific region.

Doctors in the obstetrics and gynecology department may not be star-struck, but they definitely know the female artists sent by Zhang Nan and are no strangers to Zhang Nan.

As for the filming of "The Wandering Earth 1".

Although Guo Fan is young and inexperienced, he has grown up very quickly. After all, he was born in the original space and time and opened the door to mainland science fiction films. It is really impossible without some talent.

Although Teng Huatao is not very capable, he has produced "Fortress", a masterpiece that sealed the door of mainland science fiction films.

But he has a male protagonist like Xiaoluzi and a female protagonist like Shu Dazui.

It would be terrible for anyone to make a science fiction movie.

Teng Huagui did not use "Fortress" to completely weld the door to mainland science fiction films, but opened it again with "The Wandering Earth 2". It can be said that the level of directing is quite good.

Not to mention that Michael Bay had no idea what kind of ideas he had, and he came over from the [Transformers 3] crew to help from time to time.

So Zhang Nan really didn’t put in much effort in his version of [The Wandering Earth 1].

In contrast.

Only in the contract sales business of the three supporting films of [Star Wars 7], I was a little tired from being annoyed.

Without it.

Zhang Nan only gave a little bit of information to Huaying and Modu Film Group, and within a week, the entire mainland entertainment industry was in chaos.

It can only be said that the mainland entertainment industry is also a circle, and news cannot be hidden.

Not to mention that the news Zhang Nan threw out also contained important elements such as Hollywood, [Star Wars], the world's top series... and other important elements.

(End of this chapter)

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