Tripod wedding
Chapter 141 Female History Proverbs (1)
Chapter 141 Female History Proverbs ([-])
Half an hour passed, and almost all the guests present had read the "Pictures of Admonitions of the Female History" and began to meditate, or gather together to discuss.
Mr. Gu sat quietly on one side of the teacher's chair, smiled and watched everyone's reaction without saying a word.
"Mrs. Fu, let's go, we should go and have a look." Fu Tianze took Xu Qingru's hand, walked through the crowd, and came to the "Picture of Female History Admonishment".
"Gu Kaizhi, together with Cao Buxing, Lu Tanwei, and Zhang Sengyao, are known as the Four Great Masters of the Six Dynasties, and he is also known as the 'Three Wonders'." Fu Tianze followed the ancient painting all the way down, and said softly.
Xu Qingru nodded: "Excellent in talent, outstanding in painting, and insane in infatuation. Later generations said that his paintings, 'painting figures are vivid, and clothes are like spring silkworms spinning silk'."
Fu Tianze smiled: "Well, unlike you, the people who draw are very dull."
"..." Xu Qingru was speechless, isn't this nonsense?Who is Gu Kaizhi and who is she?Can this be compared?
Xu Qingru changed the topic: "Actually, I like his other painting even more, "Luo Shen Fu Picture"."
"Heh...Xiao Ru, it's obviously because you like Cao Zhi's "Ode to the Goddess of Luo" more than Zhang Hua's "Nvshi Zhen"." Fu Tianze explained clearly.
Xu Qingru said without hiding it: "Well, I'm a romantic person."
"It's a pity that King Xiang has dreams, but Goddess has no intentions. There's nothing like us, we love each other." Fu Tianze looked at her with a smile, and she gritted her teeth: "Chairman Fu, can you take a good look at the painting?"
"Heh... I've finished watching, how about you?"
So fast?
Xu Qingru didn't bother to pay attention to him, and looked at the painting seriously.
After watching for a while, Mr. Gu's voice sounded from the other side:
"My friends, I think everyone has already seen almost everything. What's your opinion?"
Everyone left the ancient painting slightly, and gathered in the direction of Gu Kaiming.
"Old Gu, in my opinion, the appearance of Ban Jieyu and Emperor Han Cheng in this painting is depicted with the method of dyeing, embellished with thick colors, and the handwriting is careful and tight. It is indeed Gu Kaizhi's drawing." Silk, spring clouds floating in the sky' characteristics."
The first person in the crowd to speak was Jiang Yi from the Northern School.However, as soon as he finished speaking, someone let out a disdainful laugh: "Boss Jiang, it's as if you didn't say what you said. Who doesn't know Gu Kaizhi's painting style?"
The person who said this was also a member of the northern faction, Long Shiquan known as "Long Da".
Jiang Yi was refuted, and his face was slightly green, but he still held back his anger and said, "Please enlighten me, Long Da."
Long Shiquan shrugged: "I have nothing to say."
Jiang Yi was speechless now.
Long Shiquan raised his eyebrows, and continued: "There is no record about how the original "Nv Shi Zhen Tu" was lost, and who finally got it. Later generations only learned about the "Nu Shi Zhen Tu" through the Tang Dynasty copy. The style, the ghost knows if the original is still there."
Although Long Shiquan's attitude is arrogant, what he said is very reasonable. The Northern School has always relied too much on literature. Paintings without any literature records are a bit false in identification.
The crowd was silent for a moment, but soon, they began to talk to each other, discussing how to identify the origin of the painting from the aspects of seal, printing color, and inscription.
It can be said that there is no conclusion. In the end, some people even suggested that it is better to do a scientific and technical appraisal directly, and determine the age by measuring chemical elements.
Doing a technical appraisal means that they cannot verify the authenticity of the painting by themselves. No one is willing to be the first to admit such a shameful thing.
(End of this chapter)
Half an hour passed, and almost all the guests present had read the "Pictures of Admonitions of the Female History" and began to meditate, or gather together to discuss.
Mr. Gu sat quietly on one side of the teacher's chair, smiled and watched everyone's reaction without saying a word.
"Mrs. Fu, let's go, we should go and have a look." Fu Tianze took Xu Qingru's hand, walked through the crowd, and came to the "Picture of Female History Admonishment".
"Gu Kaizhi, together with Cao Buxing, Lu Tanwei, and Zhang Sengyao, are known as the Four Great Masters of the Six Dynasties, and he is also known as the 'Three Wonders'." Fu Tianze followed the ancient painting all the way down, and said softly.
Xu Qingru nodded: "Excellent in talent, outstanding in painting, and insane in infatuation. Later generations said that his paintings, 'painting figures are vivid, and clothes are like spring silkworms spinning silk'."
Fu Tianze smiled: "Well, unlike you, the people who draw are very dull."
"..." Xu Qingru was speechless, isn't this nonsense?Who is Gu Kaizhi and who is she?Can this be compared?
Xu Qingru changed the topic: "Actually, I like his other painting even more, "Luo Shen Fu Picture"."
"Heh...Xiao Ru, it's obviously because you like Cao Zhi's "Ode to the Goddess of Luo" more than Zhang Hua's "Nvshi Zhen"." Fu Tianze explained clearly.
Xu Qingru said without hiding it: "Well, I'm a romantic person."
"It's a pity that King Xiang has dreams, but Goddess has no intentions. There's nothing like us, we love each other." Fu Tianze looked at her with a smile, and she gritted her teeth: "Chairman Fu, can you take a good look at the painting?"
"Heh... I've finished watching, how about you?"
So fast?
Xu Qingru didn't bother to pay attention to him, and looked at the painting seriously.
After watching for a while, Mr. Gu's voice sounded from the other side:
"My friends, I think everyone has already seen almost everything. What's your opinion?"
Everyone left the ancient painting slightly, and gathered in the direction of Gu Kaiming.
"Old Gu, in my opinion, the appearance of Ban Jieyu and Emperor Han Cheng in this painting is depicted with the method of dyeing, embellished with thick colors, and the handwriting is careful and tight. It is indeed Gu Kaizhi's drawing." Silk, spring clouds floating in the sky' characteristics."
The first person in the crowd to speak was Jiang Yi from the Northern School.However, as soon as he finished speaking, someone let out a disdainful laugh: "Boss Jiang, it's as if you didn't say what you said. Who doesn't know Gu Kaizhi's painting style?"
The person who said this was also a member of the northern faction, Long Shiquan known as "Long Da".
Jiang Yi was refuted, and his face was slightly green, but he still held back his anger and said, "Please enlighten me, Long Da."
Long Shiquan shrugged: "I have nothing to say."
Jiang Yi was speechless now.
Long Shiquan raised his eyebrows, and continued: "There is no record about how the original "Nv Shi Zhen Tu" was lost, and who finally got it. Later generations only learned about the "Nu Shi Zhen Tu" through the Tang Dynasty copy. The style, the ghost knows if the original is still there."
Although Long Shiquan's attitude is arrogant, what he said is very reasonable. The Northern School has always relied too much on literature. Paintings without any literature records are a bit false in identification.
The crowd was silent for a moment, but soon, they began to talk to each other, discussing how to identify the origin of the painting from the aspects of seal, printing color, and inscription.
It can be said that there is no conclusion. In the end, some people even suggested that it is better to do a scientific and technical appraisal directly, and determine the age by measuring chemical elements.
Doing a technical appraisal means that they cannot verify the authenticity of the painting by themselves. No one is willing to be the first to admit such a shameful thing.
(End of this chapter)
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