Tripod wedding
Chapter 143 Female History Proverbs (3)
Chapter 143 Female History Proverbs ([-])
Xu Qingru was stunned, and just about to say "it's just a feeling", but Fu Tianze on the side grabbed her hand and said first:
"Qingru believes that judging from the silk, it is not certain that this painting is authentic."
As soon as he spoke, Xu Qingru trembled, looked at him, and kept silent after seeing the meaning of "believe me" flowing from his eyes.
"Oh? How do you say it?" Gu Lao continued to ask.
Fu Tianze smiled: "The rawness and thickness of silk are indeed helpful in judging the age of silk paintings, but they cannot be used as absolute evidence. Zhan Ziqian's "You Chun Tu" in the Sui Dynasty used fine silk instead of thick silk. It can only be said that now Some of the silk paintings that have been handed down may happen to be coarse silk."
Gu Yuming's eyes lit up, and he looked at Xu Qingru: "What do you think? What do you think of this painting?"
Xu Qingru paused in her heart, and glanced at Fu Tianze speechlessly, the meaning was very clear, Fu Tianze, are you here to trick me?
In the end, Fu Tianze took her hand and said to Gu Kaiming solemnly:
"Qingru is timid and lacks expressive ability. Grandpa Gu, I can roughly summarize it for her. Gu Kaizhi mentioned in "On Painting" that all the paintings I made are two feet wide and three times wide. Evil ones can’t use it. That is to say, the plain silk he uses for his paintings is two feet wide, and he doesn’t use plain silk with slanted silk, because it will damage the appearance of the painting after a long time.”
"He also said that when copying a painting, there will be deviations in the copied painting due to the separation of a piece of paper. In order to reduce this error, the handwriting of the original painting can be covered with new handwriting."
"Look at this painting. Although the color of the silk is very dark and it looks old, some of the silk is slightly inclined. Looking at the lines again, there is no trace of adjustment deviation. Sometimes, it is done too perfectly, but There will be flaws."
After Fu Tianze finished speaking, he looked at Xu Qingru: "Qingru, am I right?"
Xu Qingru listened to what he said, calm and calm, and was already surprised. She had never seen Fu Tianze appraise ancient relics with her own eyes, and she did not expect that his ability was so strong, even higher than Xu Ruofan.
She smiled: "Well, thank you."
Gu Yuming also showed a slight surprise on his face, but soon, his expression became lonely, and he sighed and said:
"It would be great if this painting is really the authentic painting of "The Admonitions of the Female History"!" His eyes became deep and vicissitudes, and he said leisurely: "Even the copy has been taken away, and it is placed on the table. In other people's museums, the original...how could it still be there..."
At the end, Gu Yuming looked at Xu Qingru suspiciously: "Qingru, since you have already seen that it is not authentic, why didn't you say it just now?"
Xu Qingru didn't speak, and waited for Fu Tianze to explain, but after waiting for a while, that person didn't intend to speak at all, and Mr. Gu was still waiting for her to explain!
She gritted her teeth and made it up: "Grandpa Gu, I guessed on my own initiative, you invited all the seniors to appraise paintings today to officially introduce my sister Xu Ruofan, how can I make trouble?"
This is a tactful word, but the meaning has been expressed clearly. Today's play is to "build momentum" for Xu Ruofan. She came out in public to say that the painting is fake. Isn't she clearly against the Gu family?
Gu Kaiming nodded: "You child, sometimes you are really sweet. Your sister has always been too good, and you have been hidden too well by everyone. Now it seems that Fu Jinsong That old thing is really a treasure.”
(End of this chapter)
Xu Qingru was stunned, and just about to say "it's just a feeling", but Fu Tianze on the side grabbed her hand and said first:
"Qingru believes that judging from the silk, it is not certain that this painting is authentic."
As soon as he spoke, Xu Qingru trembled, looked at him, and kept silent after seeing the meaning of "believe me" flowing from his eyes.
"Oh? How do you say it?" Gu Lao continued to ask.
Fu Tianze smiled: "The rawness and thickness of silk are indeed helpful in judging the age of silk paintings, but they cannot be used as absolute evidence. Zhan Ziqian's "You Chun Tu" in the Sui Dynasty used fine silk instead of thick silk. It can only be said that now Some of the silk paintings that have been handed down may happen to be coarse silk."
Gu Yuming's eyes lit up, and he looked at Xu Qingru: "What do you think? What do you think of this painting?"
Xu Qingru paused in her heart, and glanced at Fu Tianze speechlessly, the meaning was very clear, Fu Tianze, are you here to trick me?
In the end, Fu Tianze took her hand and said to Gu Kaiming solemnly:
"Qingru is timid and lacks expressive ability. Grandpa Gu, I can roughly summarize it for her. Gu Kaizhi mentioned in "On Painting" that all the paintings I made are two feet wide and three times wide. Evil ones can’t use it. That is to say, the plain silk he uses for his paintings is two feet wide, and he doesn’t use plain silk with slanted silk, because it will damage the appearance of the painting after a long time.”
"He also said that when copying a painting, there will be deviations in the copied painting due to the separation of a piece of paper. In order to reduce this error, the handwriting of the original painting can be covered with new handwriting."
"Look at this painting. Although the color of the silk is very dark and it looks old, some of the silk is slightly inclined. Looking at the lines again, there is no trace of adjustment deviation. Sometimes, it is done too perfectly, but There will be flaws."
After Fu Tianze finished speaking, he looked at Xu Qingru: "Qingru, am I right?"
Xu Qingru listened to what he said, calm and calm, and was already surprised. She had never seen Fu Tianze appraise ancient relics with her own eyes, and she did not expect that his ability was so strong, even higher than Xu Ruofan.
She smiled: "Well, thank you."
Gu Yuming also showed a slight surprise on his face, but soon, his expression became lonely, and he sighed and said:
"It would be great if this painting is really the authentic painting of "The Admonitions of the Female History"!" His eyes became deep and vicissitudes, and he said leisurely: "Even the copy has been taken away, and it is placed on the table. In other people's museums, the original...how could it still be there..."
At the end, Gu Yuming looked at Xu Qingru suspiciously: "Qingru, since you have already seen that it is not authentic, why didn't you say it just now?"
Xu Qingru didn't speak, and waited for Fu Tianze to explain, but after waiting for a while, that person didn't intend to speak at all, and Mr. Gu was still waiting for her to explain!
She gritted her teeth and made it up: "Grandpa Gu, I guessed on my own initiative, you invited all the seniors to appraise paintings today to officially introduce my sister Xu Ruofan, how can I make trouble?"
This is a tactful word, but the meaning has been expressed clearly. Today's play is to "build momentum" for Xu Ruofan. She came out in public to say that the painting is fake. Isn't she clearly against the Gu family?
Gu Kaiming nodded: "You child, sometimes you are really sweet. Your sister has always been too good, and you have been hidden too well by everyone. Now it seems that Fu Jinsong That old thing is really a treasure.”
(End of this chapter)
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