Tripod wedding

Chapter 674 Northern Song Begonia Hongjun Wash ([-])

Xu Qingru frowned, that tangled look had already made the other two understand that her appraisal result was different from Gu Yunzhi's appraisal result.

"What's the matter, Qingru? If you have anything to say, just say it." Gu Yunzhi dispelled her worries.

"My identification results are somewhat different from yours. I think that some of them can be easily identified as fakes, and some are difficult to identify as genuine, but in my opinion, none of them are genuine."

Both Gu Yunzhi and Fu Tianze were slightly taken aback.

Gu Yunzhi felt a little melancholy. It seemed that his title of "Young Master Gu in the capital" might not be so loud anymore.

But he still didn't understand, or rather, he was not reconciled.

This is what everyone in the Jiangu circle should have, confidence in oneself and persistence in the truth.

So he asked: "I think that Northern Song Dynasty Begonia Hongjun washing is undoubtedly genuine. It's as clear as it is. What do you think?"

The so-called "Jun Xi" refers to the porcelain produced by Juntai Kiln.

Before Xu Qingru answered, Fu Tianze said in surprise: "Jun wash in the Northern Song Dynasty? Oh, the craftsmanship of Juntai kiln reached its peak in the Huizong period of Song Dynasty. Whether it is color or texture, the craftsmanship of Jun kiln has long been lost, and no one can do it." No one has been able to imitate the essentials of its production. I am really curious now, Qing Ru, if you think that Jun wash is not genuine, then I really admire this counterfeiter.”

What Fu Tianze said is right. As the official kiln of the Northern Song Dynasty, the Jun Kiln has the reputation of "even if you have a lot of money, it is not as good as a piece of porcelain in the Jun Kiln". It is the embodiment of the highest level of craftsmanship in the Northern Song Dynasty.

But the problem is that even though there are a lot of papers on paper towels, and there are countless archaeological kilns, none of these Jun kilns made by officials in the Northern Song Dynasty have been seen. The so-called appraisal work is probably just talking on paper.

Gu Yunzhi thinks it is genuine, it is not difficult to imagine, since Jun Kiln's craftsmanship is difficult to imitate, that is to say, as long as it is fake, it can be easily identified.Gu Yunzhi said it was genuine, that is to say, he could not see any traces of forgery.

Xu Qingru said: "I think there is something wrong with the 'earthworm mud pattern' on Junxi."

"Earthworm mud pattern" is one of the characteristics of the Jun kiln in the Northern Song Dynasty. At that time, the official kiln strived to have a uniform glaze color. However, when a few vessels were fired, they were affected by the kiln temperature, the ratio of glaze color raw materials, and the firing environment. , The change of the glaze surface in the temperature reduction is inconsistent, which forms the slime pattern.

Gu Yunzhi was puzzled: "What's the problem with the mud pattern?"

"Although mud lines are one of the characteristics of Jun kilns, it does not mean that all Jun kiln porcelains will have mud lines. The surviving Jun kiln porcelains of the Northern Song Dynasty are extremely rare. The collection of the Palace Museum is from the Jin and Yuan Dynasties. Jun kiln products. But we can also see from that batch of collections that not all Jun kiln porcelains have mud patterns."

Xu Qingru said this, paused, glanced at Gu Yunzhi, and saw that he seemed to be puzzled, so he continued to explain: "What I mean is, the so-called Begonia Hongjun washing in the Northern Song Dynasty was added because of too much pursuit of perfection. 'Earthworms walk through the mud pattern', but revealed flaws."

"Qingru, what do you mean, the craftsmanship of the Begonia Hongjun wash in the Northern Song Dynasty should not be enough to show mud lines?"

Fu Tianze was the first to understand what Xu Qingru meant.

Xu Qingru nodded: "Well, Guan Jun in the Northern Song Dynasty, from the tire quality, glaze to color, all went from imperfect to perfect."

(End of this chapter)