China Entertainment's My Artistic Career

Chapter 22 New Book
After finishing "Strange Hero Yizhimei" in late November, He Hua stopped writing.

On the one hand, he is really tired. Since he got the player in July, he has been busy:

Watching TV series and writing novels at home;
After school started in September, I was even more busy, taking classes, writing novels, discussing publishing, and looking for serialization;
Later, I worked with Gao Jian on illustrations, illustrations for two novels;

Afterwards, there was a signing event, which never stopped.

On the other hand, I don't know what to write:

Continue to write youth literature?Well, very profitable.

Write martial arts?It's not bad, the topic is high, the audience is wide, and there are only a bunch of martial arts fans under the two blogs, which is not bad.

But He Hua just didn't want to write.

The more important thing is that he was fascinated by the two dramas, and he has been chasing the dramas since the end of the signing session.

He Hua: Novel has nothing to do with me. I want to watch dramas, so don't bother me!
The first one was a drama he found by accident. This broken player didn’t even have a leaderboard or anything. When he found this drama, He Hua was stunned when he saw his rating:
9.8, close to a perfect score, what kind of drama is this, so awesome!
Look at the screenwriter: Liu Heping.

Well, He Hua is relieved: "Yongzheng Dynasty" and "Li Wei as an Official" are all He Hua's favorites, and there is also "A Hundred Years of the Sea", although He Hua doesn't like it very much, but it is still a classic.

Is it inappropriate to pair it with Zhang Li, the director of "Towards the Republic".

So He Hua quickly clicked on it, closed the barrage, and calmed down to appreciate it.

After reading it on the sixth day, He Hua not only sighed:
"Teacher Liu Heping is really awesome."

He also knows the history of Jiajing, don't forget, the historical background of "Strange Hero Yizhimei" is the Jiajing Dynasty.

But the more you know about history, the more you are amazed at Mr. Liu Heping's script writing skills.

It is extremely difficult for a normal screenwriter to put the character's story in the history and make it fit the history. Teacher Liu Heping directly made up a piece of history that makes people feel that this may be the real history.

Yes, the 'changing rice to mulberry' in TV dramas does not exist in history.

But under Mr. Liu Heping's writing, and under the excellent performance of the actors, the audience believed that this scene might really exist in history, but there are very few records. We didn't see it, but the screenwriter did.

There are also many good actors in the play. When I heard Zhao Zhenji played by Xu Min say: "1 people died is a number, and 10 people died is also a number. Neither you nor I can stop it."

He Hua was really shocked.

This drama really made He Hua feel small again.

With a player and still very young, He Hua felt that as long as he didn't make a big mistake, he was destined to make a big career.

And it can be seen from the attitudes of his classmates in the past two months that he is on the right path, and the balance of his bank card has made him more confident.

But that's it, he can't guarantee whether he can create such a play in the future.

He Hua truly understood what the teacher often said:

You have to be in awe of this line of work, and only with awe can you achieve success.

This play is "Da Ming Dynasty 1566".

He Hua watched this drama once and then stopped watching it, and did not go to the barrage.

After watching some dramas, you have to settle down. If you show it after a while, you will definitely have a different feeling.

He Hua felt that he could put this drama in his collection and read it once a year.

Now this collection already has many works:
"Towards a Republic", "Bright Sword",

"Wulin Biography", "Soldier Assault",

"Yongzheng Dynasty", "Hanwu Emperor",

"Kangxi Dynasty", "The Family of Gold Powder",

"Dragon Babu", "Legend of Sword and Fairy" and so on.

After watching "Da Ming Dynasty 1566", He Hua took a break for two days. It was really hard to watch these few days. He stayed up late and was habitually distracted while watching the player during the day. His classmates became suspicious.

First, Lao Guo wanted to introduce him to a girlfriend, but he refused.

Finally, Liu Zhonglun wanted to take him out to meet the world, but he didn't understand.

In the end, Gao Jian found a time to be alone, and vaguely reminded him that the mast and scull were wiped out.

At this moment, He Hua understood the meaning of "community death" in the barrage, and blushed and told them loudly that he didn't have one, but he couldn't explain it. He could only say that he was concerned about sales recently and had some insomnia.

Everyone half-believed and let him go.

When He Hua watched the player again, he kept reminding himself to be temperate.

As a result, within two days, he found another work that fascinated him - "Latent".

Of course, "Latent" is definitely not as good as "Da Ming Dynasty 1566", but it still has a high score of 9.4.

And He Hua loves it even more than "Da Ming Dynasty 1566", because it allows He Hua to see the possibility of creating classics.

The screenwriter of this show, Mr. Jiang Wei, is also very good, but he may be writing modern stories, and He Hua has watched a lot of spy war dramas before, so in He Hua's opinion, he can control this drama.

The subtlety of the script lies in the control of rhythm, suspense, and the growth arc of the characters.

He Hua watched this drama and originally wanted to write the script himself, but saw the barrage saying: The original novel will be published next year.

Then wait a little longer, and when the novel is published, I will take the right to adapt it and make it into a TV series.

It was his first shot to step into the film and television industry, raising his own banner.

He Hua thought happily.

These two dramas were watched by He Hua after the signing event and before watching the movie.

Then there is the reason why He Hua wants to write again:
Although the score of this drama is not as good as the above two, only 8.1, but He Hua likes its concept setting very much:

The real world and the comic world are interconnected, and reality and fantasy are intertwined.

The appearance of genius, killer, and vicious characters that do not conform to reality in comics is obviously more acceptable.

And He Hua is thinking: Is this comic world an independent and real world, or is it controlled by the male protagonist's thoughts?
And this book has a very interesting point, just like the former Soviet literary master Kon Paustovsky mentioned in his article "The Betrayal of Characters":

As soon as the characters in the beginning work acted according to the will of the author, they immediately began to resist and fight against the author, and the work began to develop according to its own internal logic.

Tolstoy also said:
"I don't know what the characters are going to say 5 minutes later, and I follow them in amazement."

This play fits perfectly with the creative experience of the two literary masters, that is, the story has vitality only when the characters in the author's works "live".

There is also the sense of fate in the hero and his determination to break the cage, which makes He Hua like this character very much.

This TV series is "W Two Worlds".

He Hua started writing novels again, this time directly using a computer instead of writing by hand.

He first listed all the characters on the document and marked their respective personality characteristics.

Then start to sort out the clues, which is slower.

He Hua is not in a hurry, take your time.

My parents will go back the day after tomorrow, and I will have a good day with them tomorrow.

During this period of time, he didn't spend much time with his parents. The main reason was that He's father and mother didn't want to delay He Hua's studies. His child must have studied hard if he was so promising.

(End of this chapter)