Under the tutelage of Orochimaru, Naruto's evil scientist

Kenichi Amamiya sighed. He realized that while his cheat ability was incredibly powerful and impressive, it also had limitations. These limitations manifested in these strange and unusual aspects, leaving him with mixed feelings. He still hadn't figured out how to handle these matters; after all, these things seemed rather troublesome to him. A thoughtful look appeared in his eyes. There were indeed some things in this world, but they were quite complicated. Thinking about this, some ideas emerged, but he hadn't yet figured out how to implement them. As for whether the future world could achieve common ground, even he didn't know. In any case, these things were still troublesome matters, and... These things are quite chilling in themselves. Thinking about this, Amamiya Kenichi's eyes showed some contemplation. He wasn't particularly concerned about the current state of the world, but these things still needed to be dealt with. However, under Amamiya Kenichi's own power and bloodshed, the ninja world could probably maintain a period of normalcy for a short time. Thinking about this, some ideas emerged in Amamiya Kenichi's eyes. He looked at what was before him and narrowed his eyes. Regarding the specific development of this world, Amamiya Kenichi didn't have many thoughts at the moment. After all, although the world's development had already made significant progress with Amamiya Kenichi's help, it was clearly still a troublesome matter before the entire process was completely completed. Thinking about this, Amamiya Kenichi's eyes showed more contemplation. Amamiya Kenichi decided to resolve the matter of the Otsutsuki clan first.

At this moment, Koyuki Kazahana found Kenichi Amamiya. Kenichi was somewhat surprised to see her, as she hadn't spoken to him in a long time, and she seemed to have her own things to do. Given Kenichi's position, it was unlikely that most people would encounter him. While Koyuki was qualified, whether Kenichi wanted to see her was another matter. This situation altered Kenichi's understanding of these matters. Thinking about this, a thoughtful expression appeared in his eyes. He curiously looked at Koyuki and asked why she had come to see him. Koyuki, somewhat embarrassed, told him that she had come mainly to ask him for a script for a new film, to prepare for future productions. Upon hearing this, Kenichi became much more relaxed. If it was just a script, it wouldn't be a problem for him. Thinking this through, Kenichi... He started thinking about how to get a script for Kazuha Koyuki. Kazuha Koyuki's script was easy to handle, but there were only so many horror films to make, so the selection wasn't very large. Thinking about this, Amamiya Kenichi had some new ideas. Looking at the materials before him, he came up with a new script that might be suitable for Kazuha Koyuki: a Thai horror film. Thailand has a lot of horror films, and most of them emphasize cause and effect, karma, and retribution—a rather unique aspect. However, not all Thai films are like that; sometimes there are unusual film genres. The film Amamiya Kenichi was going to make was one such example. The film was a Thai horror film called "The Ghost That Scares You to Death." The title itself suggests the genre. Although the film didn't actually involve any real ghostly scare, it would definitely be suitable for Kazuha Koyuki.

Looking at the history of world cinema, we find that films from different regions have very different styles. For example, horror films from Europe and America often feature psychopathic killers. Although some changes have been made, gore is still indispensable, and they enjoy physical stimulation, making the films feel unique to the audience. In Southeast Asia, however, psychological horror focuses on gods and ghosts, emphasizing the powerlessness of humans in the face of evil spirits. So, some people might ask, why must humans be unable to fight back against evil spirits? Don't they like to see horror films about resistance and fighting ghosts? Some brothers and sisters, like early zombie movies, classic films such as One-Eyebrow Taoist Priest, are actually this type of movie. However, the problem is that it doesn't quite fit into horror movies. Horror movies are all about the feeling of fear that you can't fight back against. For example, when playing a horror game, the characters in the escape room can't fight back, which intensifies the fear. But if you replace this reporter with Li Sanguang, the entire hospital would probably be ripped out. If you also bring those special weapons, a rocket launcher would probably solve most of the problems. So the essence of horror is asymmetry. If the force is equal, then it's not a horror movie. In such cases, only asymmetrical horror can make people feel scared. Therefore, movies that feature very powerful exorcists are often action movies, not true horror movies. The most important element of a horror film is horror. If it's not scary enough, it easily loses its appeal. That's why Kenichi Amamiya decided to provide Koyuki Fuuka with a film like "The Scary Ghost" so she could film the exciting parts. Koyuki was pleasantly surprised after seeing the script; she thought it was quite good. Kenichi Amamiya smiled. He knew about Koyuki's situation, but he wasn't particularly concerned about it. "The Scary Ghost" was a film he had seen before and found generally quite good, which is why he thought of using it for Koyuki. The script was actually quite simple. Since it was an older film, there weren't many things to worry about, and while there were some flaws, they didn't detract from the film's overall excellence. Kenichi Amamiya liked it very much.

The plot of "The Ghost That Scared Me to Death" revolves around a girl named Mei, an aspiring actress whose acting is overly exaggerated and questionable. She's spotted by a policeman and recruited to film a local cult film where she plays a victim. After each scene, Mei burns incense for the deceased, but each time a ghost is present, though Mei herself cannot see it. Mei's performance is outstanding, leading to a huge role as a deceased Thai woman. Because of the high profile, success would bring her immense fame. Then, Mei begins to encounter... A series of supernatural events occur. For example, she doesn't know how to dance traditional Thai dances, but under the guidance of the female ghost, she starts dancing and dances very well. The female ghost also tells Mei that the real culprit isn't her husband. Mei begins to investigate the clues and discovers that the real culprit is actually the female ghost's best friend, a makeup artist. This friend also loves the female ghost but can't have her, so she kills the Thai beauty and frames her husband. At this time, Mei also finds the makeup artist, who intends to kill Mei. However, a policeman breaks in, shoots and kills the makeup artist, and Mei is rescued. But when she looks up... It looked like a demon, and then they yelled "Cut!" It turned out this was just a movie set, not a real ghost. However, the film crew was actually haunted, and it was connected to Mei, though Mei herself was unaware. Afterwards, a series of murders occurred on set, with the female producer, director, and prop master all dying tragically. Mei gradually approached the truth, experiencing a dream within a dream within a dream, finally discovering that it wasn't the ghost of Miss Thailand. Although the movie was based on a true story, the ghost haunting Mei was actually a fanatical female fan who wanted to become Mei and underwent plastic surgery. The surgery failed, and she died after undergoing illegal plastic surgery. Instead of seeking revenge on the shady doctor, she haunted Mei, a woman she had no connection to. Mei was eventually possessed by the vengeful ghost of a female fan and became a substitute. This is quite different from earlier Thai horror films, leading to some very unique reviews. The director's involvement, the dream, and the fact that Kenichi Amamiya was innocently dragged into the controversy also caused the film's rating to drop significantly. It's a rather tragic situation, but there's not much that can be done about it. Kenichi Amamiya thinks this is a perfect fit for a film starring Koyuki Kazahana.

Deep in the distant universe lies a planet unlike any other, terraformed by humans. This planet is devoid of life, teeming only with countless film sets and equipment—the sacred ground of the film industry—Movie Planet. Movie Planet boasts a diverse array of scenes, from ancient palaces to futuristic cities, from rural landscapes to waterside gardens, each scene vividly rendered. Here, you can witness bustling cities and ancient towns with their weathered alleyways; you can hear the chirping of birds and the rumble of wheels. The architecture on Movie Planet is equally diverse, ranging from traditional houses to skyscrapers, from ancient stone bridges and alleyways to modern shopping malls and shops. All these buildings were constructed for filming, yet they possess their own life; they are the soul of Movie Planet. The inhabitants of Movie Planet are filmmakers, busy and tireless, striving to... Born for film, they create all sorts of miracles on this planet, telling all sorts of stories through movies. In this unique universe, Movie Planet is the most special planet. It is the crystallization of human wisdom and the realization of human dreams. Here, people can see human creativity and imagination, and they can also feel the passion and pursuit of film by everyone in the ninja world. Movie Planet is the holy land of the film industry, a paradise for filmmakers and a playground for film lovers. Here, people can see the charm of film and feel its power. Movie Planet, a unique universe, a world belonging to film. Kazakura Koyuki gazed at Amamiya Kenichi's retreating figure, her eyes filled with complex emotions. She sighed softly, carefully observing every movement and expression of Amamiya Kenichi. Listening to his voice, she seemed to hear the sound of a heart breaking. She could only smile, hiding the sadness in her heart. Every time she interacted with Kenichi Amamiya, Koyuki tried her best to appear relaxed and cheerful, but the pain in her heart was like a knife stabbing at her soul. Koyuki often thought of the beautiful times she spent with Kenichi Amamiya, their happy smiles and sweet memories flashing through her mind. She tried to control her thoughts, not letting sadness and disappointment overwhelm her, but every time she thought of Kenichi Amamiya's happiness, tears would flow uncontrollably. She couldn't help but sob, but tried to suppress the sound in her throat. Koyuki often observed Kenichi Amamiya's actions and expressions, trying to understand his feelings. She would gently furrow her brow, secretly watching Kenichi Amamiya, trying to read something from his eyes. No matter how conflicted she felt inside, Koyuki would always smile when speaking to Kenichi Amamiya, trying her best to make her voice sound pleasant. The atmosphere was peaceful and harmonious. In front of Kenichi Amamiya, Koyuki Kazahana tried her best to maintain a dignified and elegant demeanor. She would sometimes take a deep breath and sometimes nod slightly to hide her inner pain. Every interaction with Kenichi Amamiya made Koyuki Kazahana's mood complicated and heavy, but she always firmly maintained a smile, not letting her emotions show. Koyuki Kazahana's heart was like being trapped in a cold cage, unable to breathe. She tried to find a sliver of comfort and warmth, but could only silently endure in loneliness. Her tears flowed silently, and her heart trembled in silent sorrow, but she chose to endure it silently and choose to protect Kenichi Amamiya. Koyuki Kazahana was like a guardian angel, silently guarding Kenichi Amamiya's side, without complaint or regret, silently praying for him and silently blessing him. Her heart's voice surged like a tide, but in the end, it could only remain in her heart and could never be spoken.

"Alright, take the script away." Kenichi Amamiya said gently. (End of Chapter)