The Inheritance of Culture and Entertainment

Chapter 261 Research on Patterns

No wonder no one is here to see this exhibit.

Huang Yuhong and Ye Dining didn't know much about porcelain, and they didn't see much.

Similar to Zhu Jinming.

But Jingzhou and Ye Kaiji are still different.

At least judging from their experience and the number of collections they have seen, the two of them have a great advantage.

Although Jing Yi didn't understand these things, he couldn't see anything.

She has seen the fewest cultural relics and antiques among this group of people.

In addition to the textbooks and the teachers taking them to visit.

She basically hasn't seen anything else.

But she knows Jingzhou very well.

Seeing Jingzhou's smiling expression, he knew that Zhu Jinming was definitely wrong.

So she quietly waited for Jingzhou's introduction.

"Mr. Ye, what do you think of this porcelain plate?"

Although they are not people who study porcelain, they have seen a lot and are willing to learn, so they naturally know a lot.

"If I'm not mistaken, this should be a white glazed porcelain plate.

It's printed.

Although it's a little unclear when you look at it this way, you can still see the lines if you look closely. "

Ye Kaiji also likes to study the patterns on these antique cultural relics.

Although the techniques are different, the patterns and patterns are universal.

Finding inspiration from cultural relics and antiques is also something they, the inheritors of intangible cultural heritage, like to do.

"Mr. Ye has a good eye.

This should be from the Song Dynasty, a Ding kiln white glaze plate with lotus and double fish patterns.

The whole body and exterior are glazed with white glaze, the inner bottom is printed with lotus and double fish pattern, and the inner wall is printed with lotus lotus pattern.

The two layers of ornamentation are separated by a circle of Jomon.

The shape is regular, the decoration layout is rigorous, the layers are clear, and the three-dimensional effect is strong.

It can be said to be a fine print among Ding kiln white porcelain. "

Jingzhou said with emotion, it turned out that there were collections from various aristocratic families, and none of them were simple.

Even a porcelain plate is a fine product.

If it can be passed down to this day and exhibited by these aristocratic families, it will definitely not be bad.

He didn't care. When he described the basic information of the porcelain plate, others looked at him with surprise and admiration.

Ye Kaiji himself could only see that it was white porcelain with a print.

Others are not so clear.

I don't specialize in porcelain, so it is rare to be able to notice that it is printed and clearly distinguish the white glaze.

Unexpectedly, Jingzhou knew more about porcelain.

It makes perfect sense.

Regardless of whether the words are correct or not, being able to say these things has already explained the problem.

He must have more than just visited porcelain.

Zhu Jinming and Huang Yuhong were surprised, admired, and honored.

The greater Jingzhou's ability, the more proud they feel.

Jing Yi felt the same way.

This is her brother, as if nothing can trouble him!
Just when everyone was sighing in their hearts, an old man's voice came.

"My little friend, do you have research on porcelain?"

From what he heard, he looked like an elderly man, but he looked energetic and well-dressed.

Maybe he is an elder of a certain family.

It could also be someone who teaches us.

The old man was followed by some young people.

It can be seen that those young people respect the old man very much.

"Research is not a serious matter, it's just a superficial knowledge, and I show it off on a whim.

I hope the old gentleman won't take offense. "

Jingzhou smiled, lowered his eyes, and answered modestly.

Others reacted too.

It seems that the old man must know something about porcelain.

Being able to ask Jingzhou with such an attitude almost confirms what Jingzhou said before. "My little friend is too modest!

It is already rare to know the origin of this porcelain.

There are several Ding kiln white glazed porcelain plates next to it. I wonder if you are interested in taking a look at them together? "

The old man seemed to be very interested in Jingzhou, as if he had met a rare confidant, and led Jingzhou to look at several other porcelain plates.

Jingzhou is not easy to refuse.

The old man was enthusiastic, and the young people behind him were even more "eager".

So Jingzhou followed and looked at several other porcelain plates.

These are all Ding kiln white-glazed porcelain plates.

It's just that the pattern is different.

There are engraved seawater fish pattern, double phoenix printed pattern plate, and stenciled lotus pattern plate.

The old man asked Jingzhou what he thought of these porcelain plates, as if he were a teacher examining them.

Jingzhou could only tell what he saw one by one.

What he knew more about porcelain was its patterns.

The main reason is that before designing a work, I would refer to the patterns of antique cultural relics.

And if he wanted to know about this at that time, many related antiques and cultural relics would appear in a search.

He also got to learn a lot.

Now that his memory has been systematically strengthened, it is very easy to mobilize.

Things you have seen before can be recalled when you deliberately recall them.

The old man felt even more satisfied after hearing Jingzhou tell the information about the porcelains one by one.

The way those young people looked at Jingzhou also changed.

I originally thought he was a young man who happened to know a little bit about it and started showing off.

Unexpectedly, it is really a bit real.

But it's not enough to say how much I admire.

Let’s just look at the pictures. As long as you do a little research on porcelain and analyze the patterns, you can still analyze them.

Any one of them can do it.

It can even do better than Jingzhou.

Of course, they did not know that Jingzhou did not study porcelain.

"My little friend is very knowledgeable about these patterns?"

The old man also seemed to see that Jingzhou was biased.

"Because of the skills I learned, I have a certain amount of research on patterns."

Jingzhou nodded. At this point, he was no longer modest.

He had indeed studied and summarized it very carefully before.

I have read many books and browsed many cultural relics and antiques.

I have also summarized the "trends" of different periods.

Plus the knowledge gained from the system.

He was not guilty at all when he said that he had studied patterns.

The old man saw Jingzhou's confidence and was interested in taking the exam.

"Expand and talk?"

Seeing that the old man was interested, his fellow disciples and friends all looked at him with bright eyes.

Jingzhou didn't hide his secrets, and simply started from the porcelain patterns in front of him.

"Fish pattern is a common pattern in ancient ceramics, most of which are carp, often painted together with dragons and phoenixes.

The phoenix pattern should first appear on bronze vessels.

In the Erligang period, deformed bird patterns appeared.

At the same time, the dragon pattern was also one of the decorative patterns on bronzes during this period.

The rise of the lotus pattern is related to Buddhism.

As a symbol of Buddhism, the lotus has been popular since the Northern and Southern Dynasties.

There are independent patterns, and there are also four continuous patterns.

Twisted branch pattern, also known as Longevity Vine.

Because of its continuous structure, it has the meaning of 'endless life'.

It is the most common pattern on porcelain and became popular after the Yuan Dynasty.

......"

(End of this chapter)