Respawn Entertainment: Days of Glory

Chapter 348 Fear and fearlessness! (Please subscribe, please vote)

After a pause for breathing, the four soy sauce harmonies finally started to move, and the rhythm of high-fives followed by two empty beats, and Bian Lang's voice began to sing together:

"You once asked, and then fell silent... Gradually you got used to lies, and were proud of them... Because there was no grassland, you forgot that you were a horse... Your humble life, a boring life where you never made a mistake..."

The four harmonies plus the edge waves cover almost all vocal ranges from high to low except the opera range.

If Liu Ziyang were present, the evaluation of this section would probably be Bian Lang's way of arranging the human voice as an instrument. In this kind of song that weakens the melody and emphasizes the rhythm, it is like a stroke of genius.

As for the unique timbres of these people, although they are mixed together and appear in the form of pad sounds, you can still feel the differences if you listen carefully to the subtle changes.

When senior Lan Tian saw her natal goddess, she finally opened her voice and pricked her ears in confusion, trying to distinguish Guo Sichu's voice. When she saw Guo Sichu standing in the harmony position before, as a die-hard fan, she was still a little hesitant.

Putting aside factors that have nothing to do with music such as celebrity status and appearance, she felt that in terms of singing skills, Guo Sichu should sing a duet with Bian Lang.

But after listening to the first verse of the song, she no longer had such thoughts. Guo Sichu was really not suitable to play the leading role in this song.

For no other reason than her, a singer who has had a smooth debut and has had no major obstacles along the way. Her performance of this song is absolutely all about technique and no emotion. As long as they know that she is singing, it will be difficult for the audience to believe it, and then it will be difficult for the audience to believe it. Be brought into the emotion.

Just like TF Wang Yuan of the original earth covers Lao Cui's "A Piece of Red Cloth", old rock fans will praise it for being brave!

But that’s all! After all, this kind of song, which is a bit taboo and cannot be played even if it is written, can be covered by a top class like TF in a formal occasion. Bian Lang feels that the word "brave" is a bit understated. But what is the effect? ​​It is to make his own fans crazy, but when the old rockers hear it, they will say: "What the hell are you singing about?"

It’s not that the technique isn’t good enough or the timbre isn’t good, it’s that it really makes people’s ears feel no empathy except for being amazed.

To give another inappropriate example, just like Uncle Teng singing "Invisible Wings", can you not sing well? No!

But can you get the inspirational emotion from Angela Chang's version? Obviously not. Apart from the contrasting magic and comedy created by bel canto skills, truth and inspiration have nothing to do with each other.

However, Senior Lan Tian couldn't think of any other rock band's lead singer besides Bian Lang receiving this kind of treatment from Queen Harmony.

As for the lyrics, the sentence "A boring life that never makes mistakes..." hit her hard again.

Before becoming a travel blogger, she followed the life path planned for her by her parents.

From a key middle school to 985, then take the public examination, enter the system, find a match with a well-matched match, if nothing unexpected happens, get married and have children, marry a husband and raise children, and then live your life carelessly.

It's a pity that she didn't like him when she met the right one. Instead, she was fascinated by the right scumbag buddy.

She was also glad that she met this scumbag, who gave her an unforgettable love in her originally boring life. After I woke up, I quit my job and traveled around to heal my emotional wounds, and eventually became a travel blogger.

If it hadn't been for that mistake in her parents' eyes, how could she have had a wonderful life in the past two years that was envied by 99% of the people on the Internet!

It’s impossible to sit in an ant’s nest and empathize with this song live!

While her thoughts were flying everywhere, the singing on the stage continued:

"Can you let go of your hand completely... Do you dare to fall like this without hesitation... Falling into the darkness, into the soil, the vast sea and sky... Just let me take away the pain that penetrates my heart once, and let me go again Both hands are empty, and only after dying can the real me be born..."

At this point in the harmony, the three people except Liu Dawei had already stopped singing, and they were just moving their feet and waists left and right according to the rhythm.

Only Liu Dawei used his deep and magnetic voice to play a long note, which served as a foreshadowing for the song behind Bian Lang that sounded like self-complaint and venting: "That's me... that's me... that shines... that It can fly..."

Dong Youbian, who was swaying to the rhythm, heard the two lyrics at the end, and the related scenes were immediately brought to his mind!

At the Rolling Stones Music Festival, she sang "Fireworks" in "Fire Trees and Silver Flowers" with the sparkling side waves, and as she watched through the video, at the mask's farewell performance, she jumped high at the end and was called " "Flying" Bianlang!

Then, Bian Lang raised his head, turned around, glanced at everyone on the stage behind him, and shouted excitedly: "Yo buddy!"

Then his whole body bent slightly, and he roared against his vocal cords with the breath from his chest and abdomen: "The one who stands upright is me... When I smile, all the suffering will disappear..."

When the chief director heard these last three sentences, he stared blankly at Bian Lang on the stage. There was only one voice in his heart shouting: "I'll go, this is the true God!"

Bian Lang played the word "annihilation" with a non-technical semi-long note, and then started looking for the scene while strumming the electric guitar, and a camera immediately followed!

Every time Bian Lang walked past a guest musician, he would call out that person's name. Every time someone's name is called out, the audience bursts into applause or shouts.

Except for Liang Zi, they were all amateurs. Naturally, it was impossible for them to perform a solo after being called out. They just nodded slightly to the camera and did not dare to disrupt the rhythm of the instruments in their hands.

Of course, there are also accidents...that is "drummer" Liu Xiaokui!

I don’t know whether it was because of excitement or nervousness, but after his name was called by Bian Lang, he shivered and beat the bass drum. Just when he was thinking about how to adjust, Bian Lang shouted: "YO!" It just covered up the two missing drumbeats at the back of the beat he had dragged!

Liu Xiaokui, who had practiced for so many days, was not stupid. He took advantage of the cover Bian Lang gave him and immediately followed him. Then he let out a breath and dared to look up at Bian Lang.

Then he noticed that the smiling Bian Lang raised his chin and gave him an encouraging look.

"I'll go, this is really a smile, all the suffering will disappear..." After the thought passed by, he didn't dare to think about anything anymore, there were only drumbeats and rhythms in his mind.

When Bianlang finally named Lao Luo, this long interlude was coming to an end.

With much anticipation, Bian Lang's singing voice came out again: "Yo buddy!"

"Can you let go of your hand completely? Do you dare to fall like this without hesitation? Fall into the darkness, into the soil, into the vast sea and sky..."

As soon as this line was sung, everyone could hear that the chorus was a little different from the previous one. They felt that it was out of tune, but was it possible that Bian Lang was singing out of tune?

As for those who have some business literacy among them, they all know that Bian Lang has consciously changed his tune. Based on the original chorus, the first two sentences were lowered by half a key, and the last three sentences were raised by a key, which widened the range of this chorus by another dimension.

And in the last three sentences, while Bian Lang's chest resonance was fully open, he also suppressed his breath at the bottom of his vocal cords. The final sound quality was like a sandstorm, with graininess and explosiveness pushed to extremes!

Coupled with the seamless connection of the four harmonies, you sing and I come on stage, the lead singer Bian Lang's voice is pushed and accentuated to the edge of explosion.

Comparing it to the previous chorus, this one may sound a bit out of tune to ordinary people, but the sense of power and belief contained in the sound is unmatched by the previous, more pleasant chorus.

This kind of singing live is a bit taxing on the voice. The first time Bian Lang played guitar and sang, he only sang a rough outline. He didn't have such full enthusiasm during previous rehearsals.

So even these people within the program team heard this version for the first time.

Everyone watching respected Bian Lang as a heavenly being! When they listened to the rehearsal before, combined with the lyrics, they felt that this song was almost at its peak during the rehearsal.

But now it seems that where is that? After actually taking the stage, Bian Lang, the whole state and the way he sang made them truly understand the meaning of the band live to rock people!

To put it more elegantly, it’s: “You can’t live without being crazy!” Translated in Qiu Luo’s words, it’s: “Either be bored! Or die!”

As for the people being invited to invest at the scene, some have never heard of a rock scene at all. In their concept, a singer singing live should be called a scene.

But after seeing this today, they finally understood what a rock scene is!

It doesn’t matter whether you can understand the lyrics or not, it all depends on the rhythm of the live instruments, the vibration of the speakers, and the state of the lead singer, which can make your body respond almost instinctively to follow the rhythm.

Because at this moment, in the auditorium, there are almost no spectators who can still sit and watch. Those who have not followed the twists and turns are probably the leaders who are afraid of being recognized and exposed.

"Just take away the pain that penetrates my heart... and let me be empty-handed again... Only when I am dying can the real me be born..."

In this section, Bianlang, with the powerful assistance of the four harmonious kings, dropped the first two sentences by one tone. When the last three sentences went back up, the explosion after the bottom and the peak were once again stretched to another level. steps.

In fact, in Pu Shu's studio version, the key changes of these two choruses are not that big. It can be said that you can't hear it at all if you don't listen carefully.

This more explosive version was created inadvertently by Pu Shu at the Da Shi Sheng Sheng Sheng studio because he had not fully recovered from a cold and had some problems with his voice.

But this is the most exciting version Bian Lang has ever heard. It is more flavorful than Pu Shu’s concert and more in line with the temperament of this song.

The time when Master Park is feeling unwell should be the time when he is most afraid. Only when Master Park is in fear, can he sing a song that makes people identify and sympathize.

After all, he said it himself at the concert: "How can I have no fear? I really live in fear every day!"

Therefore, for this song, Master Park sang his true feelings about fear, while Bian Lang, who died once, sang that he was fearless:

“Just let time go on

Your kneeling now stands

With no fear in my heart

God comes into my mind…”

(End of this chapter)