Respawn Entertainment: Days of Glory

Chapter 415 Ideal Thirty Years
By this time, Bian Lang already knew about being targeted online, but he didn't care much about it.

After all, the public opinion company now has a dedicated person in charge. If it is just such a rhythmic little troll, he really knows that one of them will be the end of the matter.

Unless a big V is involved, he will need to pay attention. Now he has to focus on the concert.

After a series of performances by several rock bands, the Rolling Stones folk scene began to come online.

However, the first person to appear was not Dong Youbian or Chen Xuan, but Liu Huzhou.

He already has a music fan base, so there was a lot of cheers at the scene.

As for online, his fans and followers are divided into two groups.

One group of people believes that his opportunities and development will be better after joining the Rolling Stones. If there are two songs composed by Bian Lang, Liu Huzhou will be closer to the first echelon of folk songs.

The other group thinks that this is unreliable. As long as Dong Youbian is around and Bian Lang's folk songs are written, Dong Youbian can only be chosen first. Liu Huzhou can only take his turn to pick the rest. Not to mention the quality of the songs, which fan wants to see his favorite idol being ignored.

Neither of the two groups could convince the other, so they agreed to watch the concert. If the quality of Bianlang's new song for Liu Huzhou is acceptable, then everyone will continue to support it, but if the quality is not good, they will unite to denounce the Rolling Stones.

The key is that this is exactly the same as Liu Huzhou's previous style!
Zhao Xiaolong lit up a cigarette, took a deep puff, and typed quickly: "Clear logic, piled up rhetoric, and forced words!"

He followed the order on the Internet and switched all the way. Of course he saw the rhythmic comments on the Xiaopo website. At that time, he was thinking that it would be enough to give Liu Huzhou a song with unclear logic, loaded with rhetoric, and mechanically copied songs.

Just when he was feeling emotional, Liu Huzhou's subwoofer directly blasted out the most mellow song tonight: "After the rain, a car came, driving through the pale dusk... The old iron sheet drove south, the lover is no longer there..."

But when Liu Huzhou, wearing a white cotton and linen shirt, appeared on the scene as the first folk singer of Rolling Stones holding an acoustic guitar, Zhao Xiaolong felt that Rolling Stone treated Liu Huzhou well, at least not behind Dong Youbian, and not at the end. A difficult opening...

Zhao Xiaolong was not optimistic about that one, because he had taken a photo with Bian Lang and Dong Youbian at the Rolling Stone Music Festival. Looking at the state of the two of them, he felt that Liu Huzhou would probably be cannon fodder.

The most important thing is that Liu Huzhou is on the big stage in the middle.

This opening is not crisp, nor will it make you kneel down, but it is like a jar of old wine. The smell makes you feel like you are getting drunk.

However, Liu Huzhou did not start singing directly after he came on stage. He was the first artist independently signed by Rolling Stone to come on stage, so he always had something to say.

Since the opening of the Rolling Stones' concert, he is the second singer to appear on this stage. The first one was the New Pants Band.

"Before I entered the industry, I thought I could make money first and then talk about my ideals. But when it comes to music, that's just nonsense, so I stick to my ideals while working to make money... Now I'm somewhat famous, but gradually Yes, I feel like I can’t find the direction of my creation at first…”

He paused before continuing: "Fortunately, I met Teacher Bian Lang at this time. One of his songs helped me regain my original intention of creating... Now I will sing this song for everyone. , I hope you can, like me, find your own shadow in this song, and then be moved and encouraged... "Ideal Thirty" is given to everyone!"

Continue to listen: "Listen to the poetry radio under the thick smoke... The emotionless cough, at least it seems, the way home is still cute, the strings have lost their posture... I will never see the child listening to the song that night... Time A hurried monologue has been ground into a cassette, and the tired feelings have been crushed into years..."

When he heard this word now, he only had two words in his mind, and that was: "Stable!"

However, they also have their own independent ideology, an ideal and positive generation!

In his concept, thirty years refers to the age of thirty. As a post-90s generation, in the past few years, he could hide behind the barriers of the post-80s generation and secretly enjoy watching the old-timers criticizing the post-80s generation. But as those born in the 80s gradually became the backbone of society, the name "Beat Generation" was inherited by those born in the 90s.

Hearing this, Zhao Xiaolong was immediately speechless. He thought how much money those who attacked Bian Lang on the Internet were paid, so that they could shamelessly use such parallelism as "illogical logic, piling up rhetoric, and copying..." Black edge waves. In his opinion, Bian Lang is a poet!
If this was said to Bian Lang in front of him, Bian Lang would definitely give him a thumbs up and say, "You have a good sense!"

"Just grow old, don't wake up when you are lonely... The departure you long for is just nowhere to stop... Just sing, narrow your eyes, and the burst of hot tears is just an existence that has not arrived..."

Therefore, in the early debate, he was also the one who caused the most fun. Not only did he post photos, but he also categorically confirmed that Bian Lang would favor one over the other!

When he heard the title of the song "Ideal Thirty", Zhao Xiaolong, who was already on his third trip, felt as if something hit his heart.

Zhao Xiaolong immediately typed a line on the barrage of the live broadcast: "Rolling Stone is not bad, it can be treated like Liu Huzhou." His statement immediately received the approval of a large number of people.

Zhao Xiaolong's heart was pricked by the last four sentences again. He used his limited writing skills to quickly outline a paragraph of text in his mind: "As time goes by, all the setbacks become the song of our life, and the disappearing Dreams, once ideals, have been trampled by time.”

Because the lyricist of this song, Tang Yingfeng, is a poet through and through. In his previous life, Bian Lang met him because of Yang Meng. One time when they were drinking together, they talked about the lyrics of "Ideal Thirty". Tang Yingfeng said directly in front of Chen Hongyu: "I was just following the instructions to write the lyrics, and I spent half of it." I wrote it when I was young, and most of the inspiration came from my experiences as a child!”

Bian Lang remembered that Tang Yingfeng was less than 30 years old at that time...

At that time, he lamented: "Talent is really not linked to age and experience!"

As Liu Huzhou added a touch of charm to the interlude with his "woo woo..." vocals on the stage, the fans in the live broadcast room began to shout:
"It's locked, the compatibility between Liu Huzhou and the Rolling Stones is 200%!"

"Bian Lang really knows how to customize the voice! If this song was given to Dong Youbian, he would never be able to sing it with this kind of artistic conception!"

"Yes, this kind of song requires Liu Huzhou's subwoofer to make us have reverie while listening to the singer."

"This is the best outdoor performance I have ever heard of Liu Huzhou. If it weren't for the live broadcast of Rolling Stone, I would definitely say it was lip-syncing!" "Sure enough, as soon as the Rolling Stone team took action, the effect was immediately different. Think about Rolling Stone The versions he produced at the music festival were completely out of tune!"

Liu Huzhou's fans are absolutely right about this. For Liu Huzhou's scene, the arrangement was directly given by Bian Lang, and the Aoyang Group tuned it for him. He originally wanted to add a tambourine, but the Big Three rejected it.

Bian Lang had listened to this song too much in his previous life. He knew that this song required an acoustic guitar and an old voice. Other than that, the formula was all rubbish!

The Aoyang group considered it from the perspective of the scene. Both of them felt that Liu Huzhou's voice was his best instrument, and an acoustic guitar was enough for the rest. Any more would be a burden!
The interlude ended, and Liu Huzhou himself sang along with the clean sound of the piano: "

"Youth is drunk again, in the arms of the unknown, wasted by laughter, generous in gathering and dispersing... I can't get to the right platform, if wandering is a road sign that must be passed when growing up... You wake up in the years. , that barren future, like the unfruitful love in the season of regret... stains every page of poetry, kissing the most painful confession, and when the wind blows here, there is no need to let go..."

Different from the lively atmosphere when the band sang before, except for Liu Huzhou's voice, the current infield was eerily quiet.

She held back all she wanted to cry, but she was afraid that her slight sob would cause flaws in the scene.

People in the circle are all sighing: "This song matches Liu Huzhou so perfectly! Bian Lang's listening skills are really unbeatable!"

Chen Shuting began to think about how to get Bian Lang to write the album "Poetry Radio Under the Smoke". In her opinion, Liu Huzhou's performance today should be able to meet Bian Lang's standards.

Of course Bian Lang thought so too. Liu Huzhou's album even exceeded his expectations, so he could feel free to release an album. The key point is that now Liu Ziyang and Olaf are in place, and they can just wait for the recording studio to be completed before they can get started.

"Just grow old, don't wake up when you are lonely, your desire to leave is just nowhere to stop... just sing, your eyes are narrowed, and the burst of hot tears is just the existence that has not reached... ugh..."

The chants and interludes appear again with a touch of regret, seeming to remind you: "Think about it, what other things in your past life have not yet arrived!"

The scene was still quiet, but after all, someone couldn't help sobbing, including a little witch.

She couldn't hold back those few sentences just now. She felt that Bian Lang was writing folk songs because he had the ability to use words to turn his original poetic and picturesque life into a zombie-like one. I can use the most painful realization to write my inner monologue and struggle.

It's like a feeling of "the wind blows, the leaves fall, it's hard to let go...".

Different from the straightforwardness of rock and roll, Bianlang's folk lyrics are as beautiful as a poem, but they also give you a lot of room to think for yourself.

The quantifier thirty, in Liu Huzhou's low-pitched narration, brought different memories to everyone present!

At this point, the little witch felt that it was enough to just look for products produced by Bianlang in this life.

It can make you ignite, make you calm down and think, give you an opportunity to vent, and also bring you inspiration to look back...

As the humming interlude ended, the song "Ideal Thirty" finally came to the final chorus: "Just endure it sweetly, the stars moisten the window sill, the light and shadow dance like it, talk about love in sleepiness, no matter how meaningless emotion I thought I understood, but the place where the dream collapsed is now covered with moss..."

Liu Huzhou sang the word "moss" very softly, and it could be said that it was almost inaudible, but this did not prevent everyone from figuring it out on their own.

Zhao Xiaolong sniffed sharply, and after denying his real urge to cry, he sighed: "Although the ideal once collapsed and became a ruin, there is still life! This lyrics is invincible!"

At this time, after hearing this, Ma Yuan no longer wanted to worry about what Liu Huzhou was going to sing later, so he turned on his trumpet and started writing:
Some people feel that Bian Lang's lyrics are unclear in logic, loaded with rhetoric, mechanically copied, and too casual and rough; others feel that Bian Lang's lyrics are informal, smart, wild, and domineering, like a modern poem.

My personal opinion is more inclined to the latter. Rather than saying that Bianlangci is like a collage of "stacked and edited", I prefer to regard it as an abstract painting of "removing the complex and simplifying it".

If you study Bian Lang's lyrics carefully, you will find that he always loves "abbreviating sentences" and "disordering word order" when writing lyrics. Taking today's controversial song "The Train Sails to the Sky, The Dream Remains in the Sky" as an example, he wrote "long road, running on foot" as "busy and busy struggle", and "notes roaring angrily" as "notes roaring angrily" Angry Fu roars."

The core of this writing method is: first delete the various auxiliary words "de", "di" and "de" from the whole sentence that help the flow of words and sentences, retain the key words that reflect the core semantics, and then shorten and disorder them. Finally, it becomes a new sentence. Sometimes the creator will completely break the traditional grammar and directly connect the adjective to the verb, such as "dazzling flight".

In terms of creative style, this type of words mainly emphasizes "freehandism" by dispelling "logical coherence", sacrificing "concrete narrative" to replace "abstract philosophy", and focusing on "the instantaneous flow of consciousness and intuition." , giving people a feeling of "the form is dispersed but the intention is not dispersed".

Just like in the first half, "Yin Ang Fu Roar" echoes the "bad songs flowing around the Kyushu"; after the "perfect fall", it reaches the "four-dimensional universe" and starts the "dazzling travel" - the combination of different images seems chaotic, but it is It does not affect the integrity of the meaning, but at the same time gives the picture full tension.

In the second half, "long" and "short", "dark" and "bright", "lost" and "returned", "sad" and "joyful", "aging" " and "young", all the contrasts reflect the creator's dialectical thinking on the oppositional relationship between "fleeting" and "eternal", which has a certain philosophical meaning.

This kind of choice of words and sentences is sometimes carefully crafted by the creator and polished bit by bit in long-term rational thinking; sometimes it is the product of the creator's emotional catharsis in a short period of time, and is completed in one go.

The poem "The train sails towards the sky, the dream rests in the sky" is more like the latter, and it is more out-of-the-box in the selection of images. Although the words and sentences are concise, they still have a sense of roughness, and the second half is far less logical. It is stronger than the first half, as if the creative process itself is just like this lyric, a process in which "thoughts gradually move from chaos to clarity as emotions pour out."

It ends with the creator's "remnant dream" of making a fortune and laments that "one generation will eventually grow old, but the change of generations will last forever."

The same is true in "Ideal Thirty", which started with "old iron sheets" and continued with "the place where the dream collapsed is now covered with moss...".

It allows us to bring in our own stories and at the same time lead to endless imagination...

(End of this chapter)