Voyage of the Stars.

Chapter 1486 Resonance of the Five Aggregates
Time does not exist.

It is the movement of matter that allows humans to perceive time, the growth of all things that allows humans to perceive time, and the four seasons of spring, summer, autumn, and winter that allow humans to perceive time. It is a physical quantity that humans use to describe the movement of all things.

Humans say that time has passed since an electron transitioned from one state to another, that time has passed since a planet orbited a star at two different positions, and that time has passed since the state of the Big Bang to the present state.

In the starry sky, the waxing and waning of the sun and moon have long lost their reference value; human time can only be defined by the completion of our own tasks.

The void is vast and desolate, and all around is silence.

There should be no concept of time, but in order to better describe the changes in all things, humans still use their senses to incorporate the physical quantity of time into various scientific systems to describe the universe.

Without time, there is no such thing as time going backwards.

However, humans still say that the time dimension permeates the macroscopic space dimension, and that time is transmitted in different ways and states in different microscopic dimensions. For example, when studying the microscopic five, six, seven, and eight-dimensional spacetime, the time state description that humans need is tubular time, nine-dimensional spacetime is membrane time, ten-dimensional spacetime is three-dimensional time, and when it comes to the four macroscopic spacetime dimensions, time is linear time.

The reason for different time descriptions is that only by using different time descriptions can we explain the changes in things across various dimensions.

For example, if humans use linear time thinking to explain the changes in a microscopic six-dimensional Calabichus manifold, the answer they get will be wrong.

In the process of unfolding and retracting the Lyra, the physical quantity of change that humans use is time. However, the time used to describe the changes differs depending on the microscopic dimension being unfolded. Only in this way can the Lyra be unfolded and retracted correctly.

The same applies to the manufacture of string-based computers.

It is also based on the microscopic six-dimensional Calabiki manifold, and the so-called microscopic six dimensions are actually the five, six, seven, eight, nine, and ten microscopic spatial dimensions.

String-based computers use open and closed strings as the most basic unit of computation and the highest microscopic level as the root directory. This requires humans to use a three-dimensional time perspective when building its core components.

Time describes the changes in things, and so too does the way strings vibrate in the lowest-level CPU operation of a string-based computer. They do not follow the linear cause-and-effect relationship of time, but rather a synchronous and parallel process.

According to theories of human civilization, the "CPU" of a string-based computer operates in a resonant manner, where the input computational parameters and the output computational results resonate in the microscopic ten dimensions. This resonance manifests in the macroscopic dimension as operating without linear time; for a civilization living in the macroscopic realm, this is equivalent to operating without a process.

Of course, this appearance without a process is only a manifestation of macroscopic time. In reality, its changes in the microscopic ten dimensions also go through ten-dimensional time. This is not contradictory, because the manifestation of time is different.

So what kind of resonance is this?

A brilliant scientist in string computing told everyone that it was a "five aggregates resonance" method.

What is "resonance of the five aggregates"?
Human scientists have given these five aggregates beautiful and ancient names: Gong, Shang, Jiao, Zhi, and Yu.

Of course, these five names are simply because scientists think that this string-based computer of human civilization is like playing a musical instrument, hence the name. In reality, the core of this computer is not actually playing a musical instrument, and the so-called resonance is not resonance of the entire range, but rather the five-string resonance in new string theory. Scientifically, these are five types of superstrings existing in the microscopic ten dimensions: Type I, Type IIA, Type IIB, Hybrid O, and Hybrid E. They naturally resonate in the ten dimensions. The scientists of human civilization who discovered this phenomenon call this resonance the five-string resonance, and the mode of resonance is called the five aggregates resonance.

This is the origin of the resonance of the five aggregates.

There's no way around it; modern human civilization is descended from that ancient nation, and they always like to incorporate ancient elements into their naming conventions.

If this naming convention and research paper were thrown into Earth's time, some people might mistake it for ancient civilization technology, since this thing is called the Five Aggregates Resonance, provided they can understand it.

Of course, the scientists' choice of these names is not only a cultural issue, but also involves the five superstring resonance modes. These modes do indeed resonate in ten-dimensional time to produce various interwoven string signals, and the five superstrings also miraculously satisfy each other's conjugate relationship.

For the sake of vivid analogy, some scientists have even compared the relationship between them to the five elements of mutual generation and restraint.

This is the lowest level code of a string-based computer. When the computer is running, humans input the information they need to calculate, and then five different types of strings resonate and produce different results. These results are the computer's underlying code.

So how do they get back to the macroscopic world?

Information must be transmitted back to humans living in the macroscopic world. After all, although humans can "see" the changes in string vibration at the microscopic level using a third-person observation mode, it is impossible to have people constantly watching the ever-changing computing core.

Moreover, the information that needs to be calculated also comes from human observations on a macroscopic level.

So how is information transmitted between macro and micro levels?

That brings us to the progressive dimensional layout of string-based computers. After the computer core completes its calculations, the string signals are transmitted to the microscopic nine dimensions through string duality. There, four physical quantities transform the information from the tenth dimension: superluminal positive and negative magnetic monopoles, X and Y bosons, and gravitons.

When the information of string vibration reaches the nine-dimensional microscopic world, it is transformed into information of four physical quantities under the membrane-like time perspective. But that's not the end, because all kinds of instruments and equipment in human civilization exist in the macroscopic four-dimensional spacetime.

Therefore, information will continue to be transmitted progressively. With the participation of the physical quantity of tubular time, it will be transmitted from the microscopic nine dimensions to the microscopic eight dimensions. At this time, the string vibration signal will manifest as top quarks and gluons, which are also faster than the speed of light.

In the curled-up seven-dimensional spacetime, the five core superstring vibrations manifest as superluminal bottom quarks and tau particles under a tubular time perspective. Further progressing, these become superluminal charm quarks and muons under a tubular time perspective in the curled-up six-dimensional spacetime, and in the curled-up five-dimensional spacetime, they manifest as superluminal strange quarks and ultra-high-energy electrons.

As you can see, "electrons" appear here.

The advent of electrons means that they can interface with various instruments and equipment. Instruments and equipment placed in the macroscopic dimension can read the information in them through force fields, and then, just like conventional computers, feed it back to various displays and output terminals.

The signal output is like this; the signal input is simply the reverse.

(End of this chapter)