Teacher, I hate it

Chapter 115 Call for Papers
Aragaki did not expect that he would actually create a different version of Amaterasu by chance.

Thinking of this, Aragaki breathed out another harsh breath——

Fortunately, modern times are not ancient times, where idealistic rules dominate the world and gods can exert absolute power, but modern times where materialistic rules envelop the world, gods retreat, and the power of gods cannot be extended. Otherwise, it would probably be more difficult than selling gods to use their powers. At the moment of Amaterasu's authority, Amaterasu had already noticed it, and even a spirit came to occupy Bima's body, and then with this return, he discovered his own existence.

Although you may not necessarily lose in one encounter, it will definitely not be easy.

"But even so, Amaterasu should have noticed something abnormal..." Aragaki secretly guessed.

After all, the matter involved divine authority. Even if the world environment was unfriendly to gods, it would not prevent her from being able to sense anything.

At most, the induction is relatively vague, and there is no way to directly bring the power over to confirm the situation.

"If you think about it this way, I would also like to thank modern times for being a materialistic society?" Aragaki muttered somewhat self-deprecatingly.

Then he stopped worrying about it. After all, if Amaterasu really wanted to do something, he couldn't stop it now——

After all, it was an operation on the divine authority. With his current ability and status, there was no way he could affect the divine authority.

Who told him to bring the Ascension Platform instead of the Gods List?

So instead of worrying about random thoughts that affect your life, it is better to take one step at a time.

Anyway, given the current world environment, even if Amaterasu does come, it may not be able to do anything to him.

What's more, Bimari's body was built by him himself, and there are many Taoist things on it. If Amaterasu really acted with Bimari's body, it would still be anyone's guess who would do it.

Then he stopped thinking about it and said to the gods in front of him: "Now that the monster is solved, let's end this matter. You can continue to move freely and think about ways to kill Meiji."

"What do you mean, Master?" Zhaoxian's eyes lit up when he heard this, and he asked quickly.

"It's what you think." Aragaki smiled at Zhaoxian.

After all, although Meiji Jingu is a huge shrine that is not inferior to Ise Jingu, which is the main shrine of Shintoism, it was not established as long as Ise Jingu, less than 200 years ago, so Meiji and Shoken is a modern god, and he is also the kind of left-behind god who has never even had the chance to go to Gensokyo.

Coupled with the scale of Meiji and Shoken's worship - there is only one shrine in Tokyo, Meiji Jingu.

Even though Meiji Shrine hosts Shinto weddings and national sacrifices every year, the power of faith is exaggerated. However, the scale of the Buddhism of Bishamonten and the Hachimangu Shrine of Shinto origin is still quite different, so it is very suitable. As a breakthrough, be the first to get it in your hands.

At that time, whether it is Aragaki Ping's daily expenses or the belief replenishment of several BiMai gods, we will have a foundation, and then use this to start, gradually devour the mountains of God, Shen Gong and BiMai who have few beliefs and are gradually being forgotten. Hachimangu Shrine where he was born, and Bishamonten, who seems to have many beliefs, but due to the peaceful environment of modern society, there are not many worshippers...

These gods under Niigakihei have taken a step closer, and have even completely replaced the foundations left by the ancient gods who may have gone to Gensokyo to live in Gensokyo, and have completely become the gods of Japan's three-thirds of land.

As for the Lucky Cat?
After Bimari, Shen Gong, Shoken, Oyama Zegami and Bishamonten have all gained the foundation, is it still a big deal to help it regain the position of Lucky Cat?
"Go. Remember to inform me before taking action." Aragaki urged.

"Yes."

Then, several gods full of hope flashed and disappeared into the air.

..."Eh? What is this? Announcement?" At noon that day, on the wall used to post announcements in the corridor of the teaching building, a piece of paper full of handwriting appeared on it, attracting all the students passing by. their attention.

"In order to ensure that the power of Bishamonten can better envelope the school and prevent monsters from ghost stories and legends with malicious tendencies, such as Hanako in the toilet, from harming our teachers and students, we are now collecting promotional works from all teachers and students in the school - —There is no limit to the subject matter, whether it is a light novel, a folklore work, or a comic (tip: Bishamonten in the story must use the image on the school sculpture.), as long as it is approved, our school will do its best to help the submitted work appear in major In newspapers or corresponding magazines, it is promoted to the whole society. In addition to the investment during the operation of the school, the school will not interfere with the income obtained at that time, whether it is copyright or the subsequent rights and interests of the author. A legally recognized contract can be signed Document. Please make it known to all teachers and students." A student enthusiastically read out the text on the announcement.

"It turns out that the statue at the school gate is to suppress ghost rumors on campus." A student suddenly realized.

"Doesn't this mean that the school admitted that what happened that day was a supernatural incident? Aren't they afraid of the impact if word spread?" Another student asked immediately.

"But can a statue really suppress the occurrence of ghost stories on campus?"

"Who knows?"

"What does this have to do with this announcement?" a student asked in confusion.

"I don't know."

"Are you participating?"

"I can't write novels."

"Isn't it great to draw pictures?"

"What I draw is a sketch, and it is not the same system as comics."

"Call for papers? Do you want to write the story of Bishamonten?" Kasumigaoka Shiyu, who appeared here at some unknown time, put one hand across his chest and gently rubbed the lines of his cheeks with the fingers of the other hand, murmuring with a thoughtful look.

"But, does the school really have a way to get its works to appear in various mainstream magazines and publications?"

Although it’s not impossible, it’s just the public relations expense involved…

It is estimated that it is possible to calculate it in tens of millions.

And this is because the work is good enough and meets the publication standards of each publishing house. If it is replaced by a junk work, no matter how much money is spent, it may not be able to achieve the effect mentioned in the announcement.

After all, the publishing house also wants to lose face.

"Can comics also be used?" At the same time, the blond girl Ying Lili who appeared on the other side of the crowd also frowned.

"Although I do have the intention to draw real comics when I am confident enough, can I really do it? And will my painting style be recognized by others and use it to find my true identity? What if? If it is exposed, then society will really die..."

But Ying Lili was a little reluctant to let her give up this sponsored submission.

"Ah, it's so annoying. Why does the school do this kind of thing! Isn't it better to run it properly? It just does some crooked things." Yinglili grabbed her hair irritably, stamped her feet, and turned to face herself The class walked back.

"It turns out that the statue at the door has this function." After reading the announcement, Honoka Kosaka muttered with a look of realization.

(End of this chapter)