The Lost City of Alien Beasts

Chapter 446
Inside the door is no longer a narrow utility room, but another completely unfamiliar world.

Although Gao Yang knew that all this was an illusion created by Qilin, he was still shocked by the "reality".

At this moment, the utility room door behind Gao Yang was like a "any door", with a thin door panel standing alone on the dust.

The surrounding area is a vast and barren land with no end in sight.

The sky was gray and tinged with a heavy dark blue, like the morning before dawn or the night just after sunset.

There is no obvious boundary between heaven and earth, giving people a faint sense of emptiness and desolation.

Gao Yang looked up and looked ahead, stunned.

door.

A huge gray-white door made of black gold stands in front of you like a mountain.

Gao Yang made a random visual inspection and found that the height of the door was more than 100 meters and the width should be more than 70 meters. As for the thickness, Gao Yang was facing the door and could not observe it.

The foot of the door is also dusty, and there is a faint circle of blood mist, which is surging around silently, as if it is the breath exhaled by this door.

"The Gate of the End." Suzaku raised his head and read out its name, with a hint of awe in his voice.

"Yes." Qilin leaned on crutches and walked slowly toward the door: "Let's get closer."

Gao Yang and Suzaku followed Qilin, getting closer and closer.

After walking for a while, the three of them came to the bottom of the door. Gao Yang and Suzaku could finally see the texture of the door clearly.

Gao Yang strengthened his vision and observed the Gate of Ending more carefully.

The door is covered with abstract reliefs, especially in the center, which are full of various beasts.

These beasts have different expressions and are entangled with each other, as if they are killing each other or clinging to each other, forming a circular structure.

In this circle, there are the most crazy beasts. Their appearance resembles human beings, men, women, old and young. They may laugh happily, cry sadly, be angry and ferocious, or be indifferent.

Among them, there is a trumpeter in the form of a wolf, which is raising its head and roaring. Its "horn sound" may be the cause of the joy, anger, sorrow and joy of these crazy beasts.

There are also many crazy beasts with tentacles wrapped around their necks and limbs, which are the devourers among the angry beasts that have launched attacks on them.

There are also killers in the form of lizards who also join in the carnival and fighting. They turn into sharp arms and legs and pierce into the bodies of other beasts around them, causing blood to splash everywhere.

Of course, there are also the parasites among the greedy beasts. They sit upright like frogs, raising their heads comically, opening their deformed mouths, spewing out blood like a fountain, splattering on all the beasts.

There is also the host among the greedy beasts, whose whole body is covered with smooth scales, and its fingers turn into slender bone spurs that pierce the bodies of other beasts.

There are also delusional beasts. They are on the edge of the circle, surrounding other beasts, watching the other beasts expressionlessly, and they consciously avoid any attack methods from other beasts.

Gao Yang stared at the "Hundred Beasts" displayed in these relief sculptures, as if he heard their excited, chaotic and sad screams one after another, as if they were thrown into the furnace of hell.

In fact, it is very similar.

These entangled beasts form a "big circle".

And above this circular relief, there is an independent huge relief.

The relief is of a feminine face, gentle and loving, smiling, with hair spreading like seaweed in all directions.

It opened its slender arms and tightly embraced the group of chaotic and fighting beasts beneath it, as if embracing its own transparent "round womb".

Under the "round womb", there is also a beast in human form, neither male nor female can be seen.Because it only has a pair of white bones left, it also tries its best to open its arms and try to support the "round womb" filled with delusion, anger, greed and delusion.

A noteworthy detail is that the hands of this skeletal corpse only have seven fingers in total, four on the left and three on the right.

The above is what all the reliefs on the Gate of Ending show.

These gray-white reliefs give people a chaotic, twisted, crazy but extremely solemn and sacred sense of oppression, making them think of a deep, mysterious, cold and absurd universe.

Gao Yang was immersed in this unprecedented shock.

"The woman at the top..." Suzaku's voice softened subconsciously, as if he was afraid of disturbing the relief on the door: "Is she a beast?"

"The bones at the bottom..." Gao Yang answered, with a hint of fear in his voice: "Is it a dead beast?"

"Yes." Qilin said calmly: "At least, I think so."

"President, did you name the living beast and the dead beast?" Gao Yang asked Qilin.

Qilin turned his back to Gao Yang and Suzaku, and shook his head gently: "Of course not. The phrase "greed, anger, ignorance, and life and death" has been circulated for a long time, but it was only after I saw the Gate of the End that I figured out what it meant. Six kinds of beasts.”

Gao Yang's heart sank: Baili Yi, could it be that he really spread the news?

Who is this Baili Yi? It always feels like he is the real observer or the secret promoter, controlling the course of the foggy world.

Perhaps, this Bailiyi had said this to different people at different times, in different places.

Gao Yang is just one of Baili Yi's many chess pieces. All the chess pieces are a point, eventually weaving a web of fate.

Gao Yang fell into reverie again.

"Let's go, get closer." Qilin grabbed the crutch with one hand and continued to move forward.

One minute later, the three of them were only about ten meters away from the gate.

It wasn't until he stood directly under the Gate of Ending that Gao Yang could more clearly feel its enormity and solemnity, as well as the strong sense of sacredness that could not be challenged or profaned.

Qilin stood in the center, looking up at the tightly fitted giant black gold door. Unknown to him, an extra rune circuit appeared in his hand, which was a miraculous rune.

Qilin raised his hand, and soon, the miraculous runes bloomed with a dazzling but light golden brilliance. The brilliance was like a dynamic energy.

Then, the rune circuit left Qilin's finger and slowly floated upwards, flying straight to the relief in the center of the Gate of the End, which was the "round womb" where living and dead beasts embraced each other.

In the womb, in the center of the chaotic and fighting beasts, was a trumpeter who raised his head and roared. A circular groove appeared on its throat, like the trumpeter's Adam's apple.

The miraculous rune circuits are "slowly" embedded into the grooves and fit perfectly.

"Om-"

The door seemed to shake slightly, but Gao Yang knew that this was not an illusion, but that the Gate of Ending felt the energy of the runes and produced invisible energy resonance ripples.

In an instant, all the reliefs on the door folded and disappeared, just like the wrinkles on the paper were instantly smoothed out, turning into a smooth black metal door.

Where the miraculous runes were embedded, a huge six-pointed star appeared, and a vertical, symmetrical line of light split up and down, forming the "door crack" of the door.

Then, twelve symbols appeared around the six-pointed star, and their lines shone with gold, namely: World Tree, Flag, Fangs, Fists, Shields, Flowers, Sea Urchins, Eyes, Flames, Books, and Hourglasses.

(End of this chapter)