Hong Kong Entertainment: The King of Kung Fu

Yang Ye is an experienced 28-year-old virgin.

The more he thought about it, the more incredible it seemed to him. He couldn't help but ask, "You've never been in love since you were a child?"

Wang Fei was a little embarrassed and said coyly: "I...went to Hong Kong with my father when I was a teenager.

At that time, I couldn't speak Cantonese, and Hong Kong people were xenophobic and laughed at me for being a mainland girl. Who would date me? I didn't want to.

Then I met you. You didn’t discriminate against me, but recognized me and sent me to the United States to study music.

When I came back, I participated in The Voice of China, became famous, made my debut, sang, filmed, held concerts, and worked non-stop every day. How could I have time for a relationship? "

Yang Ye thought, if that's the case, then it's nothing strange.

Wang Fei explained the reason why she had been a virgin for 28 years, and suddenly changed the subject and asked, "Are you playing with me, or do you like me?"

Yang Ye was stunned. This...

They have both been in a bad mood recently and have been hanging out together all day to comfort each other.

Last night, after Yang Ye sent Wang Fei home, he did not leave. The two of them, a single man and a single woman, had sex.

Seeing Yang Ye was silent, Wang Fei said to himself, "If you're just playing around, then just pretend what happened last night never happened!"

When Yang Ye heard this, he thought, hey, she is indeed the most beautiful lady in the capital.

Dasami is a term unique to Beijing. "Da" means a man should have a dignified appearance, "Sami" means a man should have a righteous character, and "Mi" means a man should be sweet, caring and gentle.

Specifically, it refers to a woman who is beautiful, good at living and not clingy, righteous and loves poverty, does not require men to be responsible and make sacrifices, and will fall in love with a man as long as she likes him.

In the movie "Mr. Six" starring Feng Xiaogang, Xu Qing's chatterbox is a typical Beijing sweetheart.

In the movie "Old Cannon", Lao Liu, played by Feng Xiaojing, thought about it and took off Xu Qing's pants to have sex on the spot, but he failed and ended up having an erection.

Xu Qing had to save his face and make excuses for him, saying that it was his heart that was not in good condition, not Jill.

Those people in the Beijing entertainment industry particularly love this kind of women. They especially like to promote this, make it into movies, write it into songs, and hope that all women in the world are like this.

Especially Ai Dajin, he talks wherever he goes and can be called a great missionary.

After all, if all women were like this, they would be loyal and considerate to men, sleep with them for free, and pay for abortions themselves, not seeking the men's face or their money, and would throw themselves at the men's expense. Which man wouldn't like that?
Women who have made a name for themselves in Beijing's entertainment circle, such as Xu Jinglei, Liu Zi, Xu Fang... are basically of this type.

Xu Fang’s attitude towards Xiao’an is: don’t watch it or care about it, let him do what he wants, if he wants to stay overnight, then he will stay overnight, if he wants to cheat, then he will cheat.

Her famous saying is: "Anyway, I have a male family, so I won't suffer any loss."

This is the perfect big honey in the small anus.

Of course, these women are not without ulterior motives. If you are nothing, they will not look down on you.

They are attracted to people who have some abilities and some character.

Even if the guy you like is a gangster, he has to be the gang leader.

If they are so eager to pay for something, men will naturally reward them and provide them with resources.

In the movie "Mr. Six", before Feng Xiaokang went to the final battle, he changed the beneficiary of his life insurance to Xu Qing.

In real life, when Xu Jinglei wanted to make a movie, Wang Shuo organized a party for her and the entire Beijing circle came to help, without charging any money.

Although Wang Fei made her debut in Hong Kong, she is a genuine Beijing girl. She grew up in this city and was naturally influenced by this trend.

She was like this in the original time and space, and she is still like this now.

Her first reaction after having sex with Yang Ye was: if Yang Ye was just playing around, she would just pretend it never happened.

Not only does he not want to use this to gain power, he doesn't even want to gain any benefit from it.

Yang Ye thought, no wonder those people in the Beijing circle are trying so hard to promote Dasami, if every woman is like this, these people will be extremely unhappy.

Since Wang Fei said so, Yang Ye couldn’t say: Yes, I got it for free.

He thought for a moment and asked, "What if I'm serious?"

Wang Fei was silent for a while, biting his lip and said, "I won't be an underground lover."

This is a difficult situation. Wang Fei is now a queen of the music industry. If she doesn't want to be an underground lover, she must ask for it to be made public.

In fact, Wang Fei's attitude was within Yang Ye's expectations. Looking at Wang Fei's several relationships in the original time and space, they were all made public on his own initiative.

She could also accept the fact that Yang Ye had many women.

In the original time and space, she had been in a tug of war with Dou Wei and Jiang Xin for a long time. In the end, she used a method of recruiting children to get Jiang Xin out.

Wang Fei's attitude can be summarized as follows: If you don't want me, I will leave and never pester you. If you want me, I will follow you, but I can't do it secretly.

For Yang Ye, the best solution is actually... counting balls!
Is there anything more fun than not having to pay after playing?

But, men always have some special feelings towards women who get first blood, let alone a 28-year-old first blood, it's really rare!

Yang Ye is a stamp collector. He came to this world to enjoy himself. He has inexhaustible wealth, so why not keep it and spend it?
So, it would have been fine if he didn't sleep with Wang Fei, but since he did, he wanted her to stay by his side.

But if it is made public directly, it will probably cause another wave of public opinion storm.

A few years ago, Yang Ye used Fei Li to make his women and children public, which caused an uproar.

The incident ended with Fei Li's death in a plane crash and Yang Ye fabricating a legend about Ziwei's reincarnation.

The women he collected later, such as Yang Yuying, Gigi Lai, and Ayumi Hamasaki, were never made public again.

Yang Ye preferred not to make his current relationship with Wang Fei public and just enjoy it secretly, but Wang Fei would definitely not be happy about that.

For Yang Ye, if a woman can accept that he has other women, then he will try his best to satisfy her in other matters.

Yang Ye thought for a moment and said, "Let's go record a song!"

Wang Fei was stunned: "Recording a song?"

She was a little confused. This was a serious matter. If it was to be made public, it would be made public. If it was not to be made public, it would not be made public. It was just a matter of a word. Why record a song?
Yang Ye grabbed Wang Fei's hand and said seriously, "If our relationship is made public, it will definitely be attacked by public opinion.

I have a bad reputation, that's fine! But A Fei, you're a good girl, I don't want you to get hurt, let's take it slow, okay?"

Wang Fei wanted to say, I don’t care, but I also understand that her current fame is hard-earned.

Although Yang Ye used a delaying tactic, it was also for the purpose of protecting her.

He nodded and said "hmm".

……

Deep in the Baihua Hutong, Baihua Recording Studio!

This is one of the largest and best-equipped recording studios in Asia. Many singers from Hong Kong and Taiwan come here specifically to record.

The song "One Night in BJ" sings: "I dare not ask for directions at midnight, for fear of walking into the depths of the flowers..."

This is because the author was recording in Baihua Shenchu ​​at the time, and he included Baihua Shenchu ​​Hutong in his song writing.

Yang Ye and Wang Fei came here to record their new song "Because of Love".

Yang Ye did not directly tell the world that Wang Fei was also slept with by me. Instead, he used this method to send a signal and calm Wang Fei's emotions.

Originally, an appointment was required to record a song here, but no one had as much face as Yang Ye. He said he wanted to come in the morning, and a place was made for him in the afternoon.

He just said hello, and all the great musicians in Beijing came to support him, such as Dou Weilai playing drums for him, Luan Shu playing keyboard for him...

In the recording studio, Yang Ye and Wang Fei sang quietly together:

"Because of love, I won't be sad easily. So everything looks happy!

Because of love, growth is simple.

I can still go crazy for you at any time.

Because of love, how can there be vicissitudes.

So we still look young.

Because of love, in that place.

There are still people wandering there.

People come and go..."

Wang Fei's female voice is ethereal and very beautiful.

Yang Ye's male voice was relatively deep, so it was just okay.

Fortunately, the style of this song is quiet and warm, and the chorus of the two is also very tender.

Since Yang Ye’s singing skills were not that good, they recorded this song over 20 times before it was finished.

After the recording, Yang Ye gave a red envelope to Dou Wei, Luan Shu and others who came to help, and also took a piece of Huazi.

Dou Wei accepted the red envelope, but didn't want Huazi, saying, "I can't get used to smoking this thing!"

As he spoke, he took out a box of Jinqiao, walked around, and ordered the cigarettes himself.

Yang Ye quietly watched him pretending to be cool, and said: "Thank you all for coming to help today. We have something else to do, so we'll leave first!"

After saying that, he hugged Wang Fei and left in front of Luan Shu, Dou Wei and others.

He had originally planned to treat these people to a meal, but after seeing Dou Wei's annoyance, he became too lazy to do it and decided to go back and play with Wang Fei.

Black Panther's guitarist Li Yanliang also came to help today. He looked at Yang Ye touching Wang Fei's butt and walking away in style, and said with a bit of envy: "I heard that half of the female stars in the Hong Kong entertainment industry have had affairs with him. I wonder if it's true!"

Dou Wei was inexplicably a little irritated, and since he had fallen out with the Black Panthers, he glared and cursed, "None of your business."

Li Yanliang couldn't hold back his expression and said angrily, "You want to pick a fight, don't you?"

Luan Shu quickly tried to make peace: "We are brothers, stop making trouble!"

……

Because of the old man's death, the song "As Wish" sung by Wang Fei quickly became a hit song and spread throughout the streets and alleys. Wang Fei's popularity in the mainland also reached a new peak.

It was not until that night when Wang Fei heard the news of the old man's death that he suddenly realized: "So this song was not written for the Olympics, but for him?"

Yang Ye did not admit this.

He recently made an appointment to meet with people from China Film Group Corporation to discuss the issue where Zhou Xingchi’s subsequent films could not be released in mainland China due to the filming of “From Beijing with Love”.

This kind of thing can be big or small. If it is big, Zhou Xingchi's movies were still stuck until "Shaolin Soccer".

To put it simply, when "Kung Fu" was released, Han San was unblocked with just one sentence.

Now, if Yang Ye doesn't show up, this matter will be a big deal. If Yang Ye shows up, this matter will be a small deal.

He visited Yang Buting, the current head of China Film Group, and the problem was resolved in minutes. The God of Cookery will be released at a later date.

The two then discussed how to help mainland films go global.

Nowadays, the sales of Chinese-language films overseas mainly rely on Hong Kong films, especially several Hong Kong action stars.

The mainland still mainly focuses on making art films, winning awards, and then selling copyrights, so its influence is very small.

The mainland's film market has developed well in recent years, but it mainly relies on imported Hollywood and Hong Kong films, and there are very few audiences for mainland films.

Yang Ye said: "The mainland film model is too backward. Only state-owned film studios rely on state funding to shoot movies, and the output cannot be increased.

If the output does not increase, it cannot be commercialized, although it is now open to individuals to participate in film production in the form of funding and investment.

But I think this level of openness is not enough and private companies cannot move freely.

If we want to rise, there is only one way, which is to reform and define film as an industry.

Otherwise, there would be no way to talk about the development of mainland films.”

Yang Buting said: "In fact, we are also opening up gradually. We have discussed internally about defining film as an industry, but we always feel that opening up rashly would be too risky."

Yang Ye said: "Of course I know this, but time does not wait for me. In my opinion, the time is ripe to develop the mainland film industry.

As you know, Hong Kong films have been impacted by Hollywood in recent years.

Except for a few of us who are the top filmmakers, the entire industry is actually shrinking.

After the closure of the Taiwan market, Hong Kong films urgently needed a new market.

In a few months, Hong Kong will return.

It is only natural for Hong Kong films to enter the mainland in an all-round way.

However, we should all learn the lessons from the cooperation between Hong Kong and Taiwan.

My opinion is that Hong Kong cannot treat the mainland market as its dumping ground as it did to Taiwan.

Instead, they should use their own technology and strength to help the mainland cultivate film talents and develop the film industry.

For example, the mainland can stipulate that if half of the main creative staff of a Hong Kong film is from the mainland, it can enjoy the same treatment as mainland films..."

What Yang Ye said was roughly the content of the services trade agreement signed between the mainland and Hong Kong in 2003.

“Why do I say time is not waiting for me? Because with the decline of the Hong Kong film industry, it has become increasingly difficult for many practitioners to find work.

The mainland should take advantage of this opportunity to bring them over and strengthen its own strength.

Hollywood has also begun to extend olive branches to Hong Kong's top film talents.

For example, Warner has repeatedly invited Yuan Heping to the United States, offering him a huge salary and inviting him to serve as action director.

Yuan Heping was always reluctant to go. He felt that if these techniques were taught to Hollywood, the people who came after him would have no food to eat.

So he would rather come to the mainland to serve as the action director for "Water Margin".

But if there is no hope for Hong Kong films, he will go sooner or later. No one can resist money!"

"The highest box office of a single movie in the mainland market can now exceed 400 million yuan, which is already a larger market than Taiwan.

This is very attractive to Hong Kong filmmakers and is enough to attract them here.

I have now brought a lot of people to Guangming Film and Television City to start filming a TV series, but it is just a delaying tactic.

If we really want them to shine and contribute to the mainland's film and television industry, we still have to open up the film industry!"

In short, what Yang Ye said was that Hong Kong films are on the verge of collapse and the mainland should take over those talents as soon as possible and reap the spoils.

Otherwise, it would have been picked up by Hollywood.

Yang Buting listened, thought about it carefully, and asked: "If Hong Kong filmmakers all go north, won't Hong Kong films be doomed?"

Yang Ye said: "In a few months, Hong Kong will return to the motherland. We are all Chinese, Hong Kong movies are Chinese movies, and it is inevitable that Hong Kong filmmakers will integrate into the mainland.

My ideal is that in the future there will not be mainland films, Hong Kong films, or Taiwan films, but there should be a unified name, that is... Chinese films! " (End of this chapter)