Jie teaches the Immortal Sweeping Heaven’s Cultivation of All Heavens

Liu Xu walked out of the house and told his younger brother about their departure the next day.

Liu Tong: "I'll go with you."

Liu Xu: "Okay."

He did not stop Liu.

Not to mention that this mountain forest is a place that he and his brother have explored since they were young—using their lightness skills—there is no danger here for them at all. Even if they did find an ancient tomb, the traps and mechanisms inside would not be able to harm them because they have internal energy to protect them.

Liu Tong: "I'll go prepare some food."

Liu Xu: "Thank you for your hard work."

My younger brother's cooking skills are top-notch, comparable to those of a five-star hotel chef.

Liu Dong: "It's not hard work."

He has internal strength and kung fu skills, so cooking is incredibly easy for him.

In the movie "God of Cookery," Stephen Chow can use his internal energy to increase the heat and even fry eggs...

Liu Dong could actually do that too.

Right now, he's using his internal energy to knead the dough.

Liu is going to make sesame cakes.

Although it's only April now, the weather isn't hot and the temperature in the mountains is even lower, food can still spoil easily if left out for a day.

It's best to make foods that don't spoil easily.

With the help of internal energy, the dough was kneaded very quickly.

Liu made more than two hundred sesame cakes at once, enough for the archaeological team to eat for several days.

Han Jianyuan and Zhang Wushuo were very satisfied and praised Liu Tong, giving her the money for the sesame cakes.

The next morning, everyone gathered and headed to the address agreed upon by Han Jianyuan and Zhang Wushuo.

With Liu Xu, a semi-local, here, we don't need any other guides.

The archaeological team members travel all over the country, and everyone is in good physical condition and can endure hardship.

Despite her seemingly delicate appearance, Han Xinying has been learning ancient martial arts since childhood and can fight three or four grown men by herself.

Therefore, although the mountain road was difficult to travel, no one complained of hardship or fell behind. It only took half a day for everyone to reach their destination.

Han Jianyuan looked around at the scenery and said, "To find the dragon and divide the gold, look at the winding mountains; each winding mountain is a barrier. There must be an ancient tomb here."

Zhang Wushuo nodded: "This place is surrounded by sand and embraced by water; it is a true dragon's lair."

"Sand ring" and "water embrace" are terms used in Feng Shui.

"Sand ring" refers to the excellent natural environment where the mountains behind and to the left and right of a tomb overlap and embrace it. In Feng Shui, the mountains surrounding a tomb are called sand.

The tomb is surrounded by mountains on the left, right, and back, which prevents the vital energy in the burial site from being blown away by the wind.

"Water embraces" refers to the presence of flowing water in front of the tomb, which allows vital energy to gather within.

Although archaeology is a science, many archaeological experts are also very knowledgeable about feng shui.

Liu Xu had read Feng Shui-related works such as "Hanlong Jing" under the guidance of his own professor.

The rest of the archaeological team put down their luggage; some began setting up tents, while others started setting up equipment and exploring.

They found the right place, and the archaeological team made a discovery in just one day.

In the excavated soil, the group discovered white soil.

Everyone's spirits were lifted.

The white soil, that's blue clay!

Qinggao Ni, also known as Baigao Ni, scientifically named microcrystalline kaolin, has a fine texture, high viscosity, and low water permeability. It has certain anti-corrosion properties and was a common material for sealing tomb chambers in tombs from the Shang and Zhou Dynasties to the Qin and Han Dynasties.

The discovery of blue clay proves that there is indeed a large tomb here.

The archaeological team was in high spirits and worked tirelessly on the excavation, finally uncovering the location of the tomb.

Han Jianyuan instructed Liu Xu to immediately contact the school and the cultural relics bureau, requesting that they send more people. After all, it was a tomb from thousands of years ago, and the contents inside had to be handled with care to prevent decay.

Liu Tong has been following the archaeological team these days, occasionally helping them out. She feels that archaeology really tests a person's patience and meticulousness.

Anyway, he's not cut out for this line of work.

If it weren't for wanting to see what the legendary tomb of King You of Chen looked like as soon as possible, Liu Dong would have returned to the village long ago.

We were finally able to enter the tomb.

Liu Dong blended in with the group of archaeologists, and everyone was so excited that they didn't even notice that an outsider had joined them.

The tomb is very large, resembling an underground palace.

There were no traps or human remains inside, only calligraphy and paintings covering the walls.

The group looked at each mural one by one and gained a lot of information from them.

This tomb does indeed belong to King You of Chen, and the murals depict his life from childhood to adulthood.

King You of Chen was not in good health, but when he was eighteen, a fairy came to the Chen Dynasty in response to a sacrificial summons.

King You of Chen fell in love with the fairy at first sight, but the fairy did not like mortals. She preferred the Azure Dragon Envoy, one of the four divine representatives.

During that era, the Chen Dynasty and surrounding countries worshipped the Four Symbols: Azure Dragon, White Tiger, Vermilion Bird, and Black Tortoise.

The four gods protect the world and suppress the demons.

However, the suppressive power of the four gods will weaken over time, at which point demons will emerge and wreak havoc on humanity.

Therefore, every three hundred years, humans would hold a sacrifice to summon the girl chosen by the four gods.

The girl will lead four divine representatives to fight against demons and eliminate those who have sneaked out of the seal into the human world.

After all the demons are eliminated, the girl will summon the four gods to descend and reinforce the seal.

At this point, the girl's responsibilities are over, and she is able to return to her hometown.

The mural only depicts King Chen You's fondness for young girls, without depicting the girls fighting demons with the so-called representatives of the gods.

Even so, everyone felt that this was a retelling of a myth.

No one believed that the four gods and demons truly existed.

The so-called summoned girl is nothing more than a pre-trained so-called priestess.

Are there few myths about monarchs in ancient times?

Isn't Liu Bang's uprising after slaying the white snake a prime example?

The crowd continued watching.

The mural is still in color and has not faded over time.

Of course, this is related to the fact that the tomb chamber was always sealed and there was no air erosion.

Now, as air enters the tomb, these murals fade.

Of course, archaeologists will also try to protect these murals.

The summoned girl left with the four divine messengers. King Chen You missed the girl very much, so he went out to find her.

The murals do not depict what happened afterward, only showing King Chen You returning to the palace.

After that, King You of Chen changed.

The former King You of Chen was indecisive, but the later King You of Chen was decisive and wise. He issued many policies that benefited the country and its people, making the country better and better, and earning the respect and trust of his subjects.

The mural doesn't depict King You of Chen's death at the end, but rather his ascension to immortality.

Everyone: "..."

The feudalistic ideas of people in ancient times were too strong.

The door to the main burial chamber opened, and the group entered, only to find that it was completely empty except for a coffin.

Well, no, there's also a painting hanging on the wall and a compass placed beneath it. (End of Chapter)