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Some science fiction fans who are well-versed in the original "Three-Body Problem" novel were shocked after watching the film, and all their previous worries vanished instantly.

They had initially thought to themselves that since they were already familiar with the original story, the movie would probably not be able to deliver the same impact.

After all, the original text is already sharp and insightful enough, but Song Hao's unique cinematic language once again presents them with a wonderful and diverse world.

When Chinese audiences are immersed in the film "The Three-Body Problem," a wonderful sense of time travel arises spontaneously.

They couldn't help but wonder: Could such a groundbreaking work really have been created in this day and age?

The technological gap that had existed between China's film industry and the world's advanced levels for two or three decades seemed to have been quietly bridged.

As the story unfolds in the film, the perceptive Wang Miao notices that something is subtly amiss in his surroundings.

Since Yang Dong's passing, a mysterious ghostly countdown has suddenly appeared before his eyes.

The countdown was like a ghost, invisible yet tightly intertwined with his life.

He had no idea what the end of the countdown would be. This inexplicable thing was no different from a ghost, which was truly terrifying.

Wang Miao initially thought it was due to his mental instability, but that was not the case.

He was eventually diagnosed with floaters, but the terrifying countdown continued relentlessly.

To escape this predicament, Wang Miao sought out Shen Yufei, hoping with all his might that the ghostly countdown would disappear.

Shen Yufei told Wang Miao that as long as the nano experiments were stopped, the ghost countdown would end.

Wang Miao stopped the physics experiment as instructed, but the countdown continued relentlessly. Feeling tricked, Wang Miao was furious. He found Shen Yufei, glared at her, and demanded, word by word, "I will restart the nanotechnology experiment!"

The film's second iconic scene then unfolds: "The whole universe will shine for you!"

"Three days later, on the 14th, from 1 a.m. to 5 a.m., the entire universe will shine for you."

This line, like a thunderclap, brings an overwhelming sense of terror.

Humanity's fear of the unknown is amplified to an extreme at this moment. Although this film falls into the science fiction category, it takes on a touch of horror here.

Upon closer reflection, Wang Miao's situation is remarkably similar to that of the protagonist in a horror film, with supernatural phenomena befalling them without warning.

The key point is that Wang Miao is a highly educated person. If you were in his shoes and encountered such a bizarre situation, anyone would probably be on the verge of a breakdown and going crazy.

The universe shimmers as the curtain rises.

Under the meticulous craftsmanship of the "Three-Body Problem" production team, this scene of cosmic shimmering possesses a touch of poetic beauty.

In the quiet night, various rays flickered and twinkled, and countless pixel blocks filled the sky, as if the entire firmament was ablaze.

The rays continued to flicker, making the entire blue planet seem illusory and unreal, as if it were unfolded in a lower dimension by a mysterious force, and the entire planet seemed to be tightly wrapped.

Red rays danced wildly in the air as Wang Miao, equipped with gear that could sense the flickering of the universe, faced this indescribable phenomenon.

The piercing electromagnetic noise not only relentlessly tormented Wang Miao, but also put the audience in the movie theater to their own devices, their mental defenses constantly being breached and their sanity plummeting.

The expressions on the faces of the audience were exactly the same as those of Wang Miao on the screen, filled with terror.

Pixels converge into numbers, like cannonballs, constantly crashing onto the screen.

Wang Miao was convinced that the red pixel was attacking him, and in a panic, he hurriedly removed the equipment from his head.

Information about the flickering universe kept echoing in his mind. Just as Sharishan had described, the entire universe was like a broken, flickering light bulb.

Wang Miao curled up on the ground, cold sweat pouring down his face, unable to bear the sight of this utterly bizarre scene before him.

This scene lasted for about three minutes, leaving the audience in the theater completely stunned and unable to extricate themselves from the shock.

"Is this a science fiction movie or a horror movie?"

"These sound effects are terrifying!" "Now I can finally understand the inner world of mental patients. If someone encountered something like this, who wouldn't go crazy?"

"I... I don't even know what to say."

All the sound effects in the film were meticulously designed.

And this is just the opening scene of the film. With just two scenes, it has already captivated many viewers.

The movie continues to unfold in a captivating manner, and Shi Qiang finds Wang Miao at this moment.

At this moment, Wang Miao was like an overly frightened cat; any slight movement could make his hair stand on end.

Wang Miao was filled with longing to know what was hidden at the end of the countdown.

Without Shi Qiang's help, Wang Miao would likely have struggled to escape this predicament. Afterward, Wang Miao stopped dwelling on the secrets behind the countdown and instead devoted himself to research in nanotechnology.

Gradually, the focus of the film shifted away from Shi Qiang and Wang Miao.

The film's true protagonist, Ye Wenjie, makes her official debut.

The film spans sixty years, yet audiences did not find it jarring at all.

With the help of Chen Ming, president of the Film Association, the plot of that crazy era was perfectly presented.

Viewers learned about Ye Wenjie's background and gained a deeper understanding of the vast and complex worldview of "The Three-Body Problem".

The darkness and ugliness of human nature are unfathomable and difficult to fathom. Since the dawn of humanity, countless atrocities have occurred in the world.

"Seeing what happened to Ye Wenjie is truly moving."

"I'm starting to doubt the world."

What seems like common sense today might have been considered strange tales in the distant past.

"Five thousand years is but a fleeting moment in the grand concept of the universe."

"This is the original sin!"

While discussing the plot of "The Three-Body Problem", Wang Miao came across a game called "The Three-Body Problem".

The Three-Body Problem project had a huge initial investment, one reason being the use of CG effects.
In China and even globally, Song Hao can be considered the first director to combine CG with live-action special effects, and he also used character modeling technology, making the film's viewing experience completely different from that of animation. This was also the prototype of 3D technology.

"The universe is so vast, extraterrestrial civilizations must exist."

"As General Chang Weisi said, the birth of humankind was an accident."

"Extraterrestrials definitely exist."

"After watching this movie, I gradually understand why some scientists believe in the existence of gods."

When Wang Miao stepped into the Three-Body Problem game, the grand and magnificent scenes once again captivated the audience in the movie theater.

"This is!"

"This is practically a realistic motion-sensing game!"

"I had seen related scientific research in science reports, but I never expected it to actually be realized!"

"How powerful an imagination must one have to conceive of such a breathtaking scene!"

"Am I dreaming."

This marks the first formal collision between ancient and technological cultures in the history of Chinese cinema. (End of Chapter)